Lost Highway – The Criterion Collection (4k UHD/Blu-ray Combo)

Theatrical Release Date: France/USA, 1997
Director: David Lynch
Writers: David Lynch, Barry Gifford
Cast: Bill Pullman, Patricia Arquette, Balthazar Getty, Robert Blake

Release Date: October 11th, 2022
Approximate Running Time: 134 Minutes 45 Seconds
Aspect Ratio: 2.39:1 Widescreen / 2160 Progressive / HEVC / H.265 / Dolby Vision HDR10
Rating: R
Sound: DTS-HD 5.1 English, LPCM Stereo English
Subtitles: English SDH
Region Coding: Region Free (4K UHD), Region A (Blu-ray)
Retail Price: $49.95

"A mesmerizing meditation on the mysterious nature of identity, Lost Highway, David Lynch’s seventh feature film, is one of the filmmaker’s most potent cinematic dreamscapes. Starring Patricia Arquette and Bill Pullman, the film expands the horizons of the medium, taking its audience on a journey through the unknown and the unknowable. As this postmodern noir detours into the realm of science fiction, it becomes apparent that the only certainty is uncertainty." - synopsis provided by the distributor

Video: 5/5 (4K UHD), 4.5/5 (Blu-ray)

Here’s the information provided about this release's transfer, "This new digital transfer was created in 4K resolution on an ARRISCAN film scanner from the 35mm original A/B camera negative and was supervised by David Lynch."

Lost Highway comes on a 100 GB triple layer 4K UHD.

Disc Size: 88.3 GB

Feature: 86.5 GB

This is a solid transfer that takes full advantage of HDR10 and Dolby Vision. Image clarity, contrast, black levels, and compression look very good, and the image retains an organic look. When compared to Lost Highway’s other home video releases, these new transfers look different. That said, being that David Lynch oversaw this new transfer, it is safe to say that this is the way he intended Lost Highway to look.

Lost Highway on a 50 GB dual layer Blu-ray.

Disc Size: 45.7 GB

Feature: 34.3 GB

The transfer for the Blu-ray, which comes from the same new transfer supervised by David Lynch, looks great, and it is a noticeable improvement over Kino Lorber’s Blu-ray transfer.

Audio: 5/5 (DTS-HD 5.1 English), 4.75/5 (LPCM Stereo English)

This release comes with two audio options, a DTS-HD 5.1 mix in English and a LPCM stereo mix in English. You can’t go wrong with either audio mix. They both sound clear, balanced, and robust when they should. Also, the newly created DTS-HD 5.1 track sounds phenomenal; it does an amazing job of expanding the original stereo source. Included with this are removable English SDH.

Extras:

There are no extras on the 4K UHD disc.

Extras on the Blu-ray disc include a theatrical re-release trailer (55 seconds, Dolby Digital stereo English, no subtitles), an archival interview with director David Lynch from 1997 (11 minutes 25 seconds, Dolby Digital stereo English, no subtitles), an archival featurette titled The Making of Lost Highway (13 minutes 3 seconds, Dolby Digital stereo English, no subtitles), an audio recording of Next Door to Dark, a chapter from Room to Dream, David Lynch’s memoir that he co-wrote with Kristine McKenna (43 minutes 39 seconds, Dolby Digital stereo English, no subtitles), Toby Keeler's feature-length documentary Pretty as a Picture: The Art of David Lynch features Lynch and his collaborators Angelo Badalamenti, Peter Deming, Barry Gifford, Mary Sweeney, and others, as well as Lost Highway on-set footage (80 minutes 39 seconds, Dolby Digital stereo English, no subtitles), and Pretty as a Picture: The Art of David Lynch outtakes (14 minutes 17 seconds, Dolby Digital stereo English, no subtitles).

Other extras include a 30-page booklet with cast and crew credits, excerpts from an interview with Lynch from filmmaker and writer Chris Rodley’s book Lynch on Lynch, titled The Home Is A Place Where Things Can Go Wrong, and information about the transfer.

Summary:

Fred Madison: “I like to remember things my own way.”, “How I remembered them. Not necessarily the way they happened.”

David Lynch, more than any other modern filmmaker, likes to test his audience’s patience with his complex stories that are not easy to solve the first time around. David Lynch would direct Lost Highway in 1997, which remains his most difficult film to date. With its schizophrenic narrative, Lost Highway, on the surface, looks like a series of scattered ideas that were just thrown together. When in reality, it is exactly the opposite. And in order to solve the mystery, one must listen very closely to every word of dialog being said, because the dialog, more than anything else in Lost Highway, is the key to what is going on.

The cast delivers excellent performances, particularly Patricia Arquette (True Romance) in the roles of Renee Madison and Alice Wakefield. She is utterly convincing as she creates two tangible different characters that, in some ways, are mirror images of each other. Another performance of note is Robert Blake’s (In Cold Blood) utterly terrifying portrayal of Mystery Man. This is an ominous character who more than lives up to his name.

Without a doubt, the cinematography is Lost Highway’s greatest asset. And visually, Lost Highway features some of David Lynch’s most picturesque compositions to date. The most surprising aspect of Lost Highway is how much flesh and nudity are on display. And not surprisingly, the way in which David Lynch handles these moments is never exploitative. Ultimately, Lost Highway is a film that needs to be seen several times to fully appreciate it, since there is just way too much going on to fully digest everything in one viewing.

Lost Highway gets an exceptional release from The Criterion Collection that comes with a solid audio/video presentation and a wealth of insightful extras, highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a VLC player and lossless PNGs.

Written by Michael Den Boer

Dune: Limited Edition – Arrow Video (4k UHD)

Theatrical Release Date: USA, 1984
Director: David Lynch
Writer: David Lynch
Cast: Kyle MacLachlan, Virginia Madsen, Sting, Patrick Stewart, Sean Young, Max von Sydow, Richard Jordan, Kenneth McMillan, Jack Nance, Paul L. Smith, Alicia Witt, Francesca Annis, Brad Dourif, Everett McGill, Dean Stockwell

Release Date: August 31st, 2021
Approximate Running Time: 136 Minutes 50 Seconds
Aspect Ratio: 2.35:1 Widescreen / 2160 Progressive / HEVC / H.265 / Dolby Vision HDR10
Rating: PG-13
Sound: DTS-HD 5.1 English, DTS-HD Stereo English
Subtitles: English SDH
Region Coding: Region Free
Retail Price: $59.95

"The year is 10,191, and four planets are embroiled in a secret plot to wrest control of the Spice Melange, the most precious substance in the universe and found only on the planet Arrakis. A feud between two powerful dynasties, House Atreides and House Harkonnen, is manipulated from afar by ruling powers that conspire to keep their grip on the spice. As the two families clash on Arrakis, Duke Atreides' son Paul (Kyle MacLachlan, in his screen debut) finds himself at the center of an intergalactic war and an ancient prophecy that could change the galaxy forever." - synopsis provided by the distributor

Video: 4.75/5

Here’s the information provided about the transfer, "Brand new 4K restoration from the original camera negative."

Dune comes on a 100 GB triple layer 4K UHD.

Disc Size: 91.2 GB

Feature: 89.9 GB

The last time I saw Dune was in 2006 and on DVD. And though Dune was released on Blu-ray since then. I have not seen any of Dune’s Blu-ray releases. That said, within minutes of watching Arrow Video’s new 4K transfer it was like seeing the film for the first time.

Colors, image clarity, black levels and compression look solid throughout. Flesh tones are more natural than earlier releases, grain remains intact and the image looks organic.

Audio: 5/5

This release comes with two audio options, a DTS-HD 5.1 mix in English and a DTS-HD stereo mix in English. Both of these audio tracks sound superb, dialog always comes through clearly, everything sounds balanced, the score sounds robust and bass is well-represented, especially the low-frequency effects. Included with this release are removable English SDH. 

Extras:

Extras for this release are spread over two discs.

Extras on disc one (UHD) include image galleries: production stills (336 images), behind the scenes (86 images), cast portraits (262 images), production design (204 images) and poster & video art (50 images), trailer #1 (3 minutes 9 seconds, Dolby Digital stereo English, no subtitles), trailer #2 (1 minute 31 seconds, Dolby Digital stereo English, no subtitles), VHS promo (37 seconds, Dolby Digital stereo English, no subtitles), three US TV spots (1 minute 37 seconds, Dolby Digital stereo English, no subtitles), an archival featurette from 1983 titled Destination Dune (6 minutes 25 seconds, Dolby Digital stereo English, no subtitles), eleven deleted scenes with introduction by producer Raffaella De Laurentiis (introduction - 2 minutes 52 seconds, Dolby Digital stereo English, no subtitles / deleted scenes 14 minutes 21 seconds, Dolby Digital stereo English, no subtitles),  an archival featurette from 2005 titled Dune Costumes (4 minutes 50 seconds, Dolby Digital stereo English, no subtitles), an archival featurette from 2005 titled Dune Models & Miniatures (7 minutes 3 seconds, Dolby Digital stereo English, no subtitles), an archival featurette from 2005 titled Dune FX (6 minutes 1 second, Dolby Digital stereo English, no subtitles), an archival featurette from 2005 titled Designing Dune (8 minutes 55 seconds, Dolby Digital stereo English, no subtitles), an archival documentary from 2003 titled Impressions of Dune (39 minutes 39 seconds, Dolby Digital stereo English, no subtitles) and two audio commentaries’, the first audio commentary is with film historian Paul M. Sammon and the second audio commentary is with Mike White of The Projection Booth podcast.

Extras on disc two (a dual layer Blu-ray) include an archival interview from 2003 with production coordinator Golda Offenheim (26 minutes 16 seconds, Dolby Digital stereo English, no subtitles), an archival interview from 2008 with actor Paul Smith (8 minutes 50 seconds, Dolby Digital stereo English, no subtitles), an archival interview with make-up effects artist Christopher Tucker (3 minutes 2 seconds, Dolby Digital stereo English, no subtitles), an interview with make-up effects artist Giannetto de Rossi (17 minutes 20 seconds, Dolby Digital stereo Italian with removable English subtitles), a featurette exploring the merchandise created to promote the film, featuring toy collector/producer Brian Sillman (The Toys That Made Us) titled Beyond Imagination: Merchandising Dune (22 minutes 37 seconds, Dolby Digital stereo English, no subtitles) and featurette on the film’s music score, featuring interviews with Toto guitarist Steve Lukather, Toto keyboardist Steve Porcaro, and film music historian Tim Greiving titled Prophecy Fulfilled: Scoring Dune (24 minutes 52 seconds, Dolby Digital stereo English, no subtitles).

Other extras include six double-sided postcard-sized lobby card reproductions, a large fold-out double-sided poster featuring original and newly commissioned artwork by Dániel Taylor and a 60-page perfect-bound book with cast & crew information, an essay titled David Lynch’s “Mood of Dune” written by Andrew Nette, an essay titled A Spiral of Sincerity: The Persistence of Lynch’s Dune written by Christian McCrea, an essay titled Desert Song: The Music of Arrakis written by Charlie Brigden, an essay titled Alan Splet and Sound Effects for Dune written by Ric Gentry, an interview with David Lynch titled Lynch on Lynch interview conducted by Chris Rodley, Dune Terminology and information about the restoration/transfer.

Summary:

One would be hard pressed to name another director other than David Lynch who’s managed to keep his unique view of cinema while maintaining a relationship with financial backers who’ve allowed him to stay true to his vision. 

At the dawn of his career he had only directed two films, the other worldly weird Eraserhead and the critically acclaimed The Elephant Man, when he got the chance to direct Dune. And though his first two films had elements that showed he was the right person to direct Dune. Making a film like Dune with an equally strong-willed producer would forever change the course of David Lynch's career.

By the early 1970’s there were already attempts to adapt Frank Herbert’s Dune. With director  Alejandro Jodorowsky’s adaptation of Dune in the mid-1970’s being the first attempt. Then there is a second adaptation that was too be directed by Ridley Scott that never materialized. The third time would be the charm, when David Lynch took on the task of adapting Dune.

Adapting a book into a film there’s always going to be those pleased with the outcome. And though in most instances criticism can-be justified. In this reviewer's opinion most of the negative criticism about David Lynch’s Dune is not justified or better yet, misplaced. With the ability to look back because of extras that provide insight into the making of a film. It’s clear that most of the faults of David Lynch’s adaptation had nothing to do with his choices and even when he made compromises to condense the running time. That said, most of his compromises provided satisfactory solutions that ultimately did not harm the story at hand.

Though there are elements in Dune that have not held up well over the years. Most notably, some of the special effects. These are easy to overlook in the grander scheme of things. There are just as many elements in Dune that look just as impressive today as they did then. Most notably, the set and costume design, and the giant sand worms.

Another area where Dune excels is its extraordinary cast that features many actors/actresses who would continue to work with David Lynch in his post Dune films. With the most surprising performance being Kyle MacLachlan (Blue Velvet, Twin Peaks) in the role of a christ-like character named Paul Atreides. He delivers a measured performance that perfectly sets his character apart from the rest of the characters. That said, the entire cast are all very good in their respective roles.

It's not surprising that Dune is a multilayered film, when one considers its source. There are things in Dune that I now see that eluded me when I first saw it as a teenager. It’s ultimately a film that really benefits from multiple viewings. Where most 1980’s Sci-Fi targeted a younger audience, Dune was a cerebral film that was in contrast to other films from that era.

Reportedly, Dune was the first installment of what would have been multiple films. It’s a shame Dune performed poorly at the box office and that we never got to see David Lynch expand upon his vision of Dune. Fortunately, time was on David Lynch’s Dune’s side and over the years the film has built a huge devoted following.

Arrow Video continues to deliver with their 4K UHD releases. And their Dune release is another exemplary release that comes with a rock-solid audio/video presentation and a wealth of insightful extra content that, highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a VLC player and lossless PNGs.

Written by Michael Den Boer