Showing posts with label King Hu. Show all posts
Showing posts with label King Hu. Show all posts

Thursday, March 19, 2026

The Swordsman Trilogy: Hong Kong Cinema Classics – Shout! Factory (UHD/Blu-ray Combo)

Theatrical Release Dates: Hong Kong, 1990 (Swordsman), Hong Kong, 1992 (Swordsman II), Hong Kong, 1993 (Swordsman III: The East Is Red)
Directors: King Hu (Swordsman), Ching Siu-tung (Swordsman, Swordsman II, Swordsman III: The East Is Red), Tsui Hark (Swordsman), Raymond Lee (Swordsman, Swordsman III: The East Is Red)
Cast: Samuel Hui, Cecilia Yip, Jacky Cheung, Sharla Cheung, Fennie Yuen, Lau Siu-ming (Swordsman), Jet Li, Brigitte Lin, Rosamund Kwan, Michelle Reis, Waise Lee, Fennie Yuen (Swordsman II), Brigitte Lin, Joey Wong, Yu Rongguang, Wang Ching-ying, Eddy Ko, Lau Shun, Kingdom Yuen, Lam Ching-ying, Lee Ka-ding (Swordsman III: The East Is Red)

Release Date: March 3rd, 2026
Approximate Running Times: 117 Minutes 46 Seconds (Swordsman), 108 Minutes 48 Seconds (Swordsman II), 97 Minute 26 Seconds (Swordsman III: The East Is Red)
Aspect Ratio: 1.85:1 Widescreen / 2160 Progressive / HEVC / H.265 / HDR10 Dolby Vision (Swordsman), 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVC (All Films)
Rating: NR
Sound: DTS-HD Mono Cantonese (All Films), DTS-HD Mono English (Swordsman, Swordsman II)
Subtitles: English (All Films), English SDH (Swordsman, Swordsman II)
Region Coding: Region Free (4K UHD), Region A (Blu-ray)
Retail Price: $64.99

Swordsman​: "A kung fu manual known as the sacred scroll is stolen from the Emperor's library. An army detachment is sent to recover it. Meanwhile, a young swordsman and his fellow disciple are accidentally drawn into the chaos.​" - synopsis provided by the distributor

Swordsman II:​ "Ling Wu Chung (Jet Li) decides to hide from the chaotic world. Before leaving, he visits his friends, a tribe of snake-wielding women warriors. However, he finds that the tribe have been attacked, and their leader Yam Ying Ying, has been abducted.​" - synopsis provided by the distributor

Swordsman III: The East is Red​: "A royal official accompanies a Portuguese warship to the Black Cliffs to see the site of the defeat of the evil Invincible Asia, who attained supernatural abilities by following the sacred scroll and castrating himself. As Invincible Asia seeks to destroy all they deem "imposters," the Portuguese sailors, a mysterious Japanese warlord, and others search for them in turn." - synopsis provided by the distributor

Video: 5/5 (Swordsman - 4K UHD), 4.5/5 (Swordsman - Blu-ray), 4/5 (Swordsman II, Swordsman III: The East Is Red)

Here’s the information provided about Swordsman​'s transfer, "4K Scan from the Original Camera Negative."

Swordsman​ comes on a 100 GB triple layer 4K UHD.

Disc Size: 78.1 GB

Feature: 77.8 GB

This is a solid restoration; flesh tones and colors look correct, image clarity, black levels, and compression are solid, and the image always looks organic.

Swordsman comes on a 50 GB dual layer Blu-ray.

Disc Size: 45.7 GB

Feature: 32.3 GB

This Blu-ray uses the same master that is used for the 4K UHD disc.

​Here’s the information provided about Swordsman II and Swordsman III: The East is Red transfers, "1080p high definition widescreen (1.85:1)."

Swordsman II comes on a 50 GB dual layer Blu-ray.

Disc Size: 32.2 GB

Feature: 29.9 GB

Swordsman III: The East is Red comes on a 50 GB dual layer Blu-ray.

Disc Size: 29 GB

Feature: 25.4 GB

Although the sources look better than these two films' previous home media releases, there is still room for improvement. That said, flesh tones and colors look correct, image clarity and black levels are strong, and there are no issues with compression.

Audio: 5/5 (DTS-HD Mono Cantonese), 4.5/5 (DTS-HD Mono English)

Swordsman and Swordsman II come with two audio options, a DTS-HD mono Cantonese and a DTS-HD mono English. Subtitle options include non-removable English subtitles for the Cantonese language track, non-removable English SDH for the English language track, and non-removable English subtitles for Cantonese text displayed during the English language track. Swordsman III: The East Is Red comes with one audio option, a DTS-HD mono Cantonese with non-removable English subtitles. All of the tracks are in excellent shape; dialogue always comes through clearly, everything sounds balanced, and action sequences sound appropriately robust.

Extras:

Extras on Swordsman’s blu-ray include a theatrical trailer (5 minutes 22 seconds, DTS-HD mono Cantonese with non-removable English subtitles), an interview with author Grady Hendrix titled Hong Kong Confidential: Inside Wuxia (18 minutes 1 second, DTS-HD stereo English, no subtitles), an interview with general manager/executive producer Terence Chang titled Hark's Dynasty: The Early Years of Film Workshop (11 minutes 1 second, DTS-HD stereo English, no subtitles), a career retrospective with editor David Wu titled David Wu: Proud Wanderer (14 minutes 52 seconds, DTS-HD stereo English, no subtitles), an interview with actress Fennie Yuen titled Cult of Personality (6 minutes 49 seconds, DTS-HD stereo Cantonese with non-removable English subtitles), and an interview with co-director Raymond Lee titled A Time of Legends (10 minutes 36 seconds, DTS-HD stereo Cantonese with non-removable English subtitles).

Extras for Swordsman II include a theatrical trailer (2 minutes 52 seconds, DTS-HD mono Cantonese with non-removable English subtitles) and an interview with actress Fennie Yuen titled Phoenix Rising (6 minutes 39 seconds, DTS-HD stereo Cantonese with non-removable English subtitles).

Extras for Swordsman III: The East Is Red include a theatrical trailer (3 minutes 46 seconds, DTS-HD mono Cantonese with non-removable English subtitles) and an interview with Raymond Lee titled A Return to Wuxia (11 minutes 13 seconds, DTS-HD stereo Cantonese with non-removable English subtitles).

Other extras include a rigid slipcase.

Summary:

There are two constants throughout the Swordsman trilogy: director Ching Siu-tung (Duel to the Death) and producer Tsui Hark (Peking Opera Blues). Besides Ching Siu-tung, there were three other filmmakers who are credited as directors: King Hu (Come Drink with Me) and Tsui Hark contributed to Swordsman, while Raymond Lee (Dragon Inn) contributed to Swordsman and Swordsman III: The East Is Red. Although Ching Siu-tung and producer Tsui Hark are the only two who worked on all three films, it is the latter whose creative imprint can be felt throughout.

Swordsman: A kung fu manual known as the Sacred Scroll is stolen from the emperor's library and an army detachment is sent to recover it. Besides the emperor's men, there are others who seek to obtain the manual, which accidentally ends up in the hands of Ling-wu Chung, a gifted young martial artist.

Swordsman II: Ling-wu Chung is drawn back into the fold when a princess is abducted after withdrawing from the martial world. 

Swordsman III: The East Is Red: A martial artist who's obtained supernatural powers comes out of hiding to eliminate all of those who have been impersonating them, as these impersonators threaten the balance of power in the martial world and endanger innocent lives.

Swordsman is an adaptation of Jin Yong's novel The Smiling Proud Wanderer, while its predecessors are loose adaptations of said novel, which mostly use characters from it. Swordsman and the two films that followed it are credited with reviving the wuxia film, a genre that is Hong Kong’s most resilient. King Hu, the original director of Swordsman, is a key figure in the evolution of the wuxia film, making his hiring an obvious choice. That said, it is unfortunate that he left the film midway, since the end result lacks his spirit.

Although there is a linear thread that connects each film to the next, besides directors, there were many cast changes throughout the series. The first two films were centered on Ling-wu Chung and have a stronger connection to Jin Yong's novel, while Dongfang Bubai, aka Invincible Dawn, the protagonist of Swordsman III: The East Is Red, is a minor character in the novel. That said, Invincible Dawn is an interesting character who castrates himself, a prerequisite for studying the Sunflower manual. Where the source novel clearly portrays Dongfang Bubai as a man, in Swordsman II they evolve from a man into a woman through their studying of the Sunflower manual.

Throughout the trilogy, each film was able to draw significant names of Hong Kong cinema, like Jacky Cheung (Bullet in the Head), Sharla Cheung (God of Gamblers), Jet Li (Tai Chi Master), Brigitte Lin (The Bride with White Hair), Rosamund Kwan (Once Upon a Time in China), Michelle Reis (Fallen Angels), Joey Wong (My Heart Is That Eternal Rose), Yu Rongguang (Iron Monkey) and Lam Ching-ying (Mr. Vampire). All around, the cast are excellent in their roles, especially Brigitte Lin’s portrayal of the androgynous Invincible Dawn.

While each film has a strong story that quickly draws you in and holds your attention, the main draw of these three films is their exemplary swordplay and impressive stunt work. There are an abundance of elaborate action set pieces, and each film saves its best for its finales. While Swordsman takes on a serious tone, its two predecessors are very effective when it comes to throwing humor into the mix. There are no issues with pacing or building momentum as each film perfectly balances exposition and action set pieces.

Out of these three films, Swordsman II is the most recognizable because it stars Jet Li, while Swordsman is often regarded as the strongest narrative of the three, which is not surprising since it is the film that remains closest to the source novel. Some may say Swordsman III: The East Red is the odd film among the three; in my opinion, it is the most entertaining of the trio. That said, when considered as a whole, each film offers something uniquely distinct.

The Swordsman Trilogy gets a solid release from Shout Factory that comes with a strong audio/video presentation and a wealth of insightful extras. Highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.

 











                                           
                                                          Blu-ray Screenshots.



















Written by Michael Den Boer

Tuesday, September 23, 2025

Come Drink with Me – 88 Films (4K UHD/Blu-ray Combo)

Theatrical Release Date: Hong Kong, 1966
Director: King Hu
Writers: King Hu, Ting Shan-hsi
Cast: Cheng Pei-pei, Yueh Hua, Chan Hung-lit, Lee Wan-chung, Yeung Chi-hing, Wong Chung, Shum Lo, Wang Ruo-Ping, Han Ying-chieh, Yuen Siu-tien, Ku Feng, Ting Shan-hsi, Hao Li-jen, Cheung Hei, Ching Siu-tung, Angela Pan

Release Date: August 25th, 2025
Approximate Running Time: 94 Minutes 58 Seconds
Aspect Ratio: 2.35:1 Widescreen / 2160 Progressive / HEVC / H.265 / HDR10 Dolby Vision
Rating: 15 (UK)
Sound: LPCM Mono Mandarin, LPCM Mono English
Subtitles: English
Region Coding: Region Free (4K UHD), Region B (Blu-ray)
Retail Price: £25.00 (UK)

"A fearless heroine... a kung-fu master in hiding... a seemingly invincible villain... and a film that's universally regarded as one of the greatest ever made in Hong Kong. The heroine is Golden Swallow (Cheng Pei-pei – Painted Faces; Crouching Tiger, Hidden Dragon – in a star-making turn). She's been dispatched by her powerful father to rescue her brother, who's been taken hostage by bandits. The kung-fu master is Fan Da-pei (Heroes Shed No Tears; Rumble in the Bronx); he may look like a drunken beggar, but he's one of the best fighters around. Trouble is, the only man who can beat him is helping the bandits..." - synopsis provided by the distributor

Video: 4.5/5 (4K UHD), 4.25/5 (Blu-ray)

Here’s the information provided about the transfer, "Brand New 4k Remaster From The Original Negatives."

Come Drink with Me comes on a 66 GB dual layer 4K UHD.

Disc Size: 61.3 GB

Feature: 59.4 GB

This new transfer from 88 Films is a marked improvement over Arrow Video’s 2022 Blu-ray, which used an ancient source. Areas of greatest improvement are image clarity, contrast, and black levels, and colors look more robust. Another area where 88 Films' transfer greatly differs from Arrow Video’s is that everything looks brighter. That said, there are no issues with compression or digital noise reduction.

Come Drink with Me comes on a 50 GB dual layer Blu-ray.

Disc Size: 44.6 GB

Feature: 27.5 GB

This Blu-ray uses the same master that is used for the 4K UHD disc.

Audio: 4.25/5 (DTS-HD Mono Mandarin), 4/5 (DTS-HD Mono English)

This release comes with two audio options, a LPCM mono mix in Mandarin and a LPCM mono mix in English. Both audio tracks sound clean, clear, and balanced. That said, the Mandarin language track sounds more robust than its English language counterpart. Included are removable English subtitles for the Mandarin language track and removable English subtitles for Mandarin songs and text when watching with the English language track.

Extras:

Extras on the 4K UHD disc include a stills gallery with music from the film playing in the background, a theatrical trailer (3 minutes 58 seconds, Dolby Digital mono Mandarin with removable English subtitles), an archival audio commentary with genre cinema expert Samm Deighan, and an audio commentary with NY Asian Film Festival’s Frank Djeng.

Extras on the Blu-ray disc include a stills gallery with music from the film playing in the background, a theatrical trailer (3 minutes 58 seconds, Dolby Digital mono Mandarin with removable English subtitles), an archival interview with actor Yueh Hua titled Return of the Drunken Master (17 minutes 51 seconds, Dolby Digital stereo English, no subtitles), an archival interview with actress Cheng Pei-Pe titled Come Speak With Me (16 minutes 40 seconds, Dolby Digital stereo English, no subtitles), an archival interview with filmmaker Tsui Hark who remembers King Hu titled The King And I (13 minutes 55 seconds, Dolby Digital stereo English, no subtitles), an archival interview with actor Chen Hung-Lieh, filmed by Frédéric Ambroisine (43 minutes 33 seconds, Dolby Digital stereo Cantonese with removable English subtitles), an archival interview with Yueh Hua, filmed by Frédéric Ambroisine (30 minutes 15 seconds, Dolby Digital stereo English with removable English subtitles for Mandarin film clips), an archival interview with Cheng Pei-Pei, filmed by Frédéric Ambroisine (51 minutes 55 seconds, Dolby Digital stereo English and Cantonese with removable English subtitles), an interview with stuntman Mars Cheung who discusses Come Drink With Me (5 minutes 52 seconds, Dolby Digital stereo Cantonese with removable English subtitles), an archival audio commentary with Samm Deighan, and an audio commentary with Frank Djeng.

Other extras include reversible cover art, a double-sided fold-out poster (limited to the first pressing), and an O-ring slipcase (limited to the first pressing).

Summary:

Come Drink with Me is a landmark film; it is widely considered one of the best Wuxia films ever made. Come Drink with Me was also the breakout film for its director, King Hu, and its leading lady, Cheng Pei-pei. Come Drink with Me’s success would lead to a sequel titled Golden Swallow, which also starred Cheng Pei-pei.

The narrative brings together three separate stories. The first of these revolves around a gang of bandits led by Jade-Faced Tiger. The second of these revolves around a character named Fan Da-pei, aka Drunken Cat, whose path with the other two stories becomes intertwined when he assists Golden Swallow. The third of these revolves around Golden Swallow; her father, the governor, has sent her to rescue her brother from the bandits.

Two of the most memorable moments are action sequences, which also introduce characters. In the first of these, bandits led by Jade-Faced Tiger slaughter the guards protecting a prisoner and kidnap the governor's son. In the other Golden Swallow, the governor’s daughter, an accomplished martial artist, is ambushed in an inn by assassins sent by Jade-Faced Tiger. Both of these exemplary action sequences not only serve as outstanding character introductions, but they also perfectly flesh out everything you need to know about the main players.

All around, all of the cast are excellent in their roles, especially Cheng Pei-pei’s (Lady Hermit) portrayal of Golden Swallow, an archetypical character for all of the Wuxia heroines that followed. She delivers a remarkable performance where she more than holds her own with her male counterparts. Another notable cast member is Yueh Hua (Killer Clans) in the role of a drunken master named Fan Da-pei, and Chan Hung-lit’s (The Winged Tiger) sinister portrayal of Jade-Faced Tiger.

From a production standpoint, there’s not an area where Come Drink with Me does not excel. The narrative is flawlessly executed; it does a phenomenal job balancing exposition and action, and there is never an issue with pacing. The action sequences are exemplary; Come Drink with Me saves its bloodiest sequences for its opening and closing moments. King Hu’s (Dragon Inn) direction is solid, the action set pieces are exhilarating, and the locations are beautifully photographed. Ultimately, Come Drink with Me is a solid Wuxia film that fans of this genre are sure to thoroughly enjoy.

88 Films gives Come Drink with Me its best home media release to date; highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.

                                                        4K UHD Screenshots.

 











                                                88 Films Blu-ray Screenshots.


                                               Arrow Video Blu-ray Screenshots.


                                                88 Films Blu-ray Screenshots.


                                                 Arrow Video Blu-ray Screenshots.


                                                88 Films Blu-ray Screenshots.


                                              Arrow Video Blu-ray Screenshots.


                                                   88 Films Blu-ray Screenshots.


                                               Arrow Video Blu-ray Screenshots.


Written by Michael Den Boer

Roaring Fire – Toy Robot Video (Blu-ray) Theatrical Release Date: Japan, 1981 Director: Norifumi Suzuki Writers: Shinsuke Inoue, Masakazu Sh...