Showing posts with label Stephen Chow. Show all posts
Showing posts with label Stephen Chow. Show all posts

Friday, May 15, 2026

God of Gamblers II: Limited Edition – 88 Films (Blu-ray)

Theatrical Release Date: Hong Kong, 1990
Director: Wong Jing
Writers: Wong Jing, Corey Yuen
Cast: Andy Lau, Stephen Chow, Monica Chan, Ng Man-tat, Sharla Cheung, Charles Heung, Chow Yun-fat

Release Date: April 27th, 2026
Approximate Running Time: 104 Minutes 53 Seconds
Aspect Ratio: 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: 15 (UK)
Sound: LPCM Mono Cantonese
Subtitles: English
Region Coding: Region B
Retail Price: £17.00 (UK)

"Back to the casino – only this time, the Joker's wild. After his adventures with the world's greatest gambler in the first film, crafty Knife (Andy Lau – Hard Boiled 2: The Last Blood) teams up with another preternaturally gifted card sharp, Sing, played by Stephen Chow (Forbidden City Cop), here at his absolute silliest. But the odds are stacked against them: a crooked rival wants to take Knife out for good – and he's dealing from the bottom of the deck." - synopsis provided by the distributor

Video: 4.25/5

Here’s the information provided about the transfer: "High-definition Blu-ray presentation in original 1.85:1 aspect ratio."

God of Gamblers II comes on a 50 GB dual layer Blu-ray.

Disc Size: 41.1 GB

Feature: 28.7 GB

The source used for this transfer is in great shape. Flesh tones look correct, colors are nicely saturated, image clarity and black levels are strong, and compression is solid.

Audio: 4.5/5

This release comes with one audio option, a DTS-HD mono mix in Cantonese with removable English subtitles. The audio sounds clean, clear, balanced, and robust when it should.

Extras:

Extras for this release include a theatrical trailer (3 minutes 21 seconds, Dolby Digital mono Cantonese with removable English subtitles), additional scenes from the Taiwanese version (23 minutes 11 seconds, Dolby Digital mono Mandarin with removable English subtitles), an interview with director Wong Jing titled Money Maker (21 minutes 3 seconds, Dolby Digital stereo Cantonese with removable English subtitles), an audio commentary with film critic and author David West, an audio commentary with Frank Djeng (NY Asian Film Festival), reversible cover art, a double-sided fold-out poster, and an O-ring slipcover (limited to the first pressing).

Summary:

Directed by Wong Jing, a prolific producer and director who is now into his fifth decade of making cinema in Hong Kong. Anyone who's familiar with Hong Kong's heyday of the mid-1980s through the mid-1990s is sure to have seen one of his films. And though he often takes on the role of producer, most films he is associated with have his distinctive bombastic style.

Someone has stolen the identity of the God of the Gamblers' protégé and plans on using it to steal millions in a fraudulent charity card game.

Although titled God of Gamblers II, the film serves more as a blend of All for the Winner and God of the Gamblers rather than a traditional sequel to the latter. Chronologically, God of Gamblers II stands as the third installment in a series that currently comprises 15 films.

Although Andy Lau’s (Infernal Affairs) character Michael Chan, aka Knight of Gamblers, is the protagonist, it is really a film that has two protagonists whose stories intersect. The other lead is Stephen Chow (Kung Fu Hustle) in the role of Chow Sing Cho, aka the Saint of Gamblers. While Andy Lau's performance leans towards seriousness, Stephen Chow's character encounters numerous absurd situations that offer ample comic relief.

When it comes to the humor, while most of it revolves around Stephen Chow’s character, once again he’s joined by Ng Man-tat, a frequent collaborator of Stephen Chow’s who’s often the recipient of his physical humor. There is a running gag where the Saint of the Gamblers has supernatural powers that aid him in his gambling endeavors. Unfortunately for him, his powers only work as long as he does not keep any of his winnings, which would give him bad luck.

The main constant throughout the God of the Gambler series is Wong Jing, who directed 10 of the 15 films. Anyone familiar with the films of Wong Jing knows what to expect; his direction is always solid, and he usually lets the cast do what they do best, instead of imposing a singular vision on them. That said, he does deliver a handful of stylish moments visually.

The narrative is a very satisfying balance of the Knight of Gamblers and the Saint of the Gamblers stories. When it comes to pacing, things move quickly, and the narrative does an excellent job building to its finale, a card game between the Knight of Gamblers and the man who stole his identity. While humor is key to the story, there are also well-crafted action scenes. Although Chow Yun-Fat's character, the God of the Gamblers, casts a significant shadow over the story, he is only referenced frequently by other characters. He appears in just two brief moments, both of which are archival footage from the original film, God of the Gamblers. Ultimately, God of the Gamblers II is a highly entertaining film that stands on its own, making prior knowledge of the two films that came before it unnecessary.

God of Gamblers II gets an excellent release from 88 Films that comes with a solid audio/video presentation and a wealth of informative extras. Highly recommended.








Written by Michael Den Boer

Friday, January 16, 2026

King of Beggars – Eureka Video (Blu-ray)

Theatrical Release Date: Hong Kong, 1992
Director: Gordon Chan
Writers: Gordon Chan, John Chan
Cast: Stephen Chow, Sharla Cheung, Ng Man-tat, Norman Chui, Vindy Chan

Release Date: January 25th, 2026 (UK), January 27th, 2026 (USA)
Approximate Running Time: 101 Minutes 40 Seconds
Aspect Ratio: 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: 12 (UK), NR (USA)
Sound: LPCM Stereo Cantonese, LPCM Mono English
Subtitles: English
Region Coding: Region A,B
Retail Price: £17.99 (UK), $39.95 (USA)

"So Chan (Chow) is a naturally gifted martial artist – but lazy, unmotivated and spoiled by his wealthy parents. He is forced to make something of himself when he falls in love with Yu Shang (Sharla Cheung), a prostitute who agrees to marry him on one condition: that he enters and wins the upcoming imperial martial arts tournament. So Chan only hopes to win Yu Shang’s hand in marriage, but entering the competition soon leads him to become embroiled in a bitter feud between the famed Beggar Clan and a corrupt government official, Chiu Mo-kei (Norman Chiu)." - synopsis provided by the distributor

Video: 4.5/5

Here’s the information provided about this release's transfer, "1080p HD presentation on Blu-ray from a new 2K restoration."

King of Beggars comes on a 50 GB dual layer Blu-ray.

Disc Size: 41.4 GB

Feature: 29.4 GB

The source used for this transfer is in excellent shape. Flesh tones look correct, colors are nicely saturated, image clarity and black levels are strong, and compression is solid.

Audio: 4.5/5 (LPCM Mono Cantonese, LPCM Mono English)

This release comes with two audio options, a LPCM mono mix in Cantonese and a LPCM mono mix in English. The differences between these two audio tracks are minimal. Both tracks sound clean, clear, and balanced. Range-wise, both tracks sound excellent. Included are removable English subtitles for the Cantonese language track and a removable English subtitle track for Cantonese text/songs in Cantonese when listening to the English language track.

Extras:

Extras for this release include a theatrical trailer (2 minutes 45 seconds, LPCM mono Cantonese with non-removable English subtitles), an interview with director Gordon Chan titled Beggars and Tramps (17 minutes 59 seconds, LPCM stereo Cantonese with removable English subtitles), a video essay by East Asian cinema scholar Gary Bettinson, co-editor of The Cinema of Stephen Chow titled So Chan and Stephen Chow (30 minutes 39 seconds, LPCM stereo English, no subtitles), an audio commentary with East Asian cinema expert Frank Djeng (NY Asian Film Festival), an O-card slipcase (limited to 2000 copies), and a 20-page booklet (limited to 2000 copies) with cast & crew information, an essay titled Gordon Chan a Hong Kong Metteur en scène written by Andy Willis, and information about the transfer titled Notes on Viewing.

Summary:

Gordon Chan directed King of Beggars. He’s known for Fight Back to School, Fight Back to School II, Royal Tramp, Royal Tramp 2, Fist of Legend, and Thunderbolt.

A gifted martial artist whose affluent father embraces all of his whims finally receives his comeuppance during the imperial martial arts tournament. Now disgraced and forced to become a beggar, he must shed all of his flaws to regain his former prominence.

Stephen Chow had hit his stride as an actor by the time he appeared in King of Beggars. Like Jackie Chan before him, he would create a persona that he would return to throughout his career. He always portrayed characters who would face adversity and experience a tremendous amount of growth. Despite their similarities, it is the extra elements that he brings to his characters that make them unique.

Everything begins and ends with Stephen Chow when discussing any of his films. Although he surrounds himself with a solid cast who bring something to the table that elevates said film, whenever he’s onscreen it is impossible for anyone else to shine. He portrays So Chan, a lazy, arrogant character who's never been told no. While his martial arts skills are impressive, he still has much to learn, and it is not until he learns a new fighting style that perfectly matches his personality that he finally excels.

Ng Man-tat is key to the cinema of Stephen Chow; he has appeared in more films with him than any other collaborator. He portrays So Chan’s father, who exhibits many of the same traits his son does. Their onscreen chemistry is an essential part of the cinema of Stephen Chow. Another performance of note is Sharla Cheung in the role of Yu Shang, a prostitute that So Chan falls in love with. Her character has a subplot rooted in revenge against a man who killed her father. Also, Sharla Cheung is another frequent collaborator of Stephen Chow, having worked together on 11 films.

Stephen Chow’s unique brand of comedy, exaggerated facial expressions, and physical-based humor are on full display in King of Beggars. The narrative perfectly captures the highs and lows and builds to a triumphant finale for the protagonist. The action sequences are inventive and always incorporate humor into them, especially the scenes where the protagonist uses the sleeping Buddha fighting style. Ultimately, King of Beggars is a highly entertaining riches-to-rags story that fans of mo lei tau comedy will thoroughly enjoy.

King of Beggars gets an excellent release from Eureka Video that comes with a strong audio/video presentation and informative extras; highly recommended.








Written by Michael Den Boer

Friday, February 28, 2025

A Chinese Odyssey: Parts 1 & 2 – Shout! Factory (Blu-ray)

Theatrical Release Dates: Hong Kong, 1995 (A Chinese Odyssey Part One: Pandora's Box, A Chinese Odyssey Part Two: Cinderella)
Director: Jeffrey Lau (Both Films)
Cast: Stephen Chow, Athena Chu, Ng Man-tat, Yammie Lam, Karen Mok, Law Kar-ying, Jeffrey Lau, Lu Shuming, Ada Choi

Release Date: February 4th, 2025
Approximate Running Times: 88 Minutes 26 Seconds (A Chinese Odyssey Part One: Pandora's Box), 99 Minutes 49 Seconds (A Chinese Odyssey Part Two: Cinderella)
Aspect Ratio: 1.78:1 Widescreen / 1080 Progressive / MPEG-4 AVC (Both Films)
Rating: NR
Sound: DTS-HD Mono Cantonese, DTS-HD 5.1 Cantonese (Both Films)
Subtitles: English (Both Films)
Region Coding: Region A
Retail Price: $39.98

"Joker (Chow) leads a band of outlaws, but soon discovers his purpose in life is something far greater. Learning that he is the reincarnation of the fabled Monkey King who had betrayed his master five hundred years earlier, Joker finds himself beset by all manner of outrageous obstacles on his journey to come to terms with his past life." - synopsis provided by the distributor

Video: 4.25/5

A Chinese Odyssey Part One: Pandora's Box comes on a 50 GB dual layer Blu-ray.

Disc Size: 42.4 GB

Feature: 25.9 GB

A Chinese Odyssey Part Two: Cinderella comes on a 50 GB dual layer Blu-ray.

Disc Size: 42.9 GB

Feature: 30.1 GB

Though all of these transfers come from what looks like a dated source; they actually look very good. Flesh tones look healthy, colors look correct, image clarity and black levels are strong, and compression is very good. 

Audio: 4.25/5 (DTS-HD Mono Cantonese, DTS-HD 5.1 Cantonese)

Each film comes with two audio options, a DTS-HD 5.1 mix in Cantonese and a DTS-HD mono mix in Cantonese. You can’t go wrong with any of these audio tracks; they are all in great shape, dialogue comes through clearly, everything sounds balanced, and action sequences are robust. That said, the 5.1 audio track does a great job expanding the original mono source. Included are non-removable English subtitles for the Cantonese language tracks. Audio can only be changed and subtitles disabled via the main menu and not during playback.

Extras:

Extras for A Chinese Odyssey Part One: Pandora's Box include an image gallery (stills), a theatrical trailer (1 minute 41 seconds, DTS-HD stereo Cantonese with non-removable English subtitles), an interview with director Jeffrey Lau (12 minutes 44 seconds, DTS-HD stereo Cantonese with non-removable English subtitles), an interview titled The King of Cantonese Comedy with Gary Bettinson, editor of the book The Cinema of Stephen Chow (27 minutes 47 seconds, DTS-HD stereo English with non-removable English subtitles for Cantonese film clips), an interview with academic and filmmaker Gilbert Po (30 minutes 4 seconds, DTS-HD stereo English with non-removable English subtitles for Cantonese film clips), and an audio commentary with Frank Djeng of the New York Asian Film Festival.

Extras for A Chinese Odyssey Part Two: Cinderella include an image gallery (poster/stills), an interview with director Jeffrey Lau (8 minutes 3 seconds, DTS-HD stereo Cantonese with non-removable English subtitles), an interview with cinematographer Ray Wong (24 minutes 35 seconds, DTS-HD stereo Cantonese with non-removable English subtitles), an interview titled Vision For An Odyssey with James Mudge, veteran Hong Kong film critic at easternKicks (18 minutes 11 seconds, DTS-HD stereo English with non-removable English subtitles for Cantonese film clips), and an audio commentary with Frank Djeng.

Other extras include reversible cover art, and a slipcover (limited to the first pressing).

Summary:

Jeffrey Lau directed A Chinese Odyssey Part One: Pandora's Box and A Chinese Odyssey Part Two: Cinderella. His other notable films include The Haunted Cop Shop, All for the Winner, Treasure Hunt, and Out of the Dark.

A Chinese Odyssey Part One: Pandora's Box: A monkey king who betrayed his master is transformed into a mortal man. Now a man, he is a leader of a group of outlaws who are attacked by two demons who are looking for three dots on their feet, a sign that they are the monkey king.

A Chinese Odyssey Part Two: Cinderella: Still in the form of a man, the monkey king travels 500 years back in time, and he tries to rectify the mistakes he’s made.

A Chinese Odyssey Part One: Pandora's Box and A Chinese Odyssey Part Two: Cinderella is a loose adaptation of Wu Cheng'en's novel Journey to the West, published in the 16th century. Trying to fit an epic story like Journey to the West into one, let alone two films, is a daunting task. And yet, despite both films' relatively short running times—88 and 100 minutes—both films are able to retain an epic feel. That said, though the core elements remain, the end result is a pair of films that are tailored to Stephen Chow’s strengths as an actor.

Unlike the other films that Stephen Chow was appearing in around this time, A Chinese Odyssey Part One: Pandora's Box and A Chinese Odyssey Part Two: Cinderella are ensemble casts. All around, the performances are all exceptional. Notable cast members include Karen Mok (So Close) and Yammie Lam (Flirting Scholar); they portray two demons, Bak Jing-jing and Spiderwoman, and Ng Man-tat, a frequent collaborator of Stephen Chow’s whose character is often the recipient of his jokes. That said, when it comes to humor, most of the funniest moments are delivered by Stephen Chow, whose character is reincarnated as a man with sight problems.

The funniest moments in A Chinese Odyssey Part One: Pandora's Box is a running gag in which Stephen Chow’s character's crotch is on fire, and those around him put it out by stomping on his genitals. The funniest moment in A Chinese Odyssey Part Two: Cinderella is a scene where a monk sings The Platters Only You to Stephen Chow’s character. Though humor plays a significant role in the stories that unfold, both films are straight-up fantasy films. There are characters that look like pigs, monkeys, and other animals, and a spider with a woman’s head. Also, characters use magic to make themselves invisible, and there is a scene where two characters battle inside the body of one of these characters. 

When it comes to action sequences, they are all well-executed moments, most of which defy gravity and reality. The stunt work, especially in regards to physical comedy, is impressive. Though these two films used CGI that at that time looked very good, it looks dated by today's standards. Fortunately, the story that unfolds does a superb job pulling you in, and this shortcoming is easy to overlook.

From a production standpoint, A Chinese Odyssey Part One: Pandora's Box and A Chinese Odyssey Part Two: Cinderella are films that fully exploit their resources. Both films' narratives do a phenomenal job building momentum, rarely giving you a chance to catch your breath. Besides A Chinese Odyssey Part Two: Cinderella picking up where its predecessor left off, its narrative also has a recap of key moments from A Chinese Odyssey Part One: Pandora's Box. Ultimately, A Chinese Odyssey Part One: Pandora's Box and A Chinese Odyssey Part Two: Cinderella are highly entertaining films that fans of Chinese fantasy films and Mo lei tau humor should thoroughly enjoy.

Shout! Factory’s A Chinese Odyssey: Parts 1 & 2 brings together two films, gives them strong audio/video presentations, and includes informative extras, highly recommended.


















Written by Michael Den Boer

Monday, November 25, 2024

The Stephen Chow Collection – Shout! Factory (Blu-ray)

Theatrical Release Dates: Hong Kong, 1990 (Look Out, Officer!), Hong Kong, 1992 (Justice, My Foot!), Hong Kong, 1993 (The Mad Monk), Hong Kong, 1995 (Out of the Dark)
Directors: Lau Sze-yue (Look Out, Officer!), Johnnie To (Justice, My Foot!, The Mad Monk), Jeffrey Lau (Out of the Dark)
Cast: Stephen Chow (All Films), Bill Tung, Stanley Fung, Vivian Chen, Sunny Fang, Amy Yip, Cutie Mui (Look Out, Officer!), Anita Mui, Ng Man-tat, Carrie Ng, Wong Yat Fei, Eddy Ko (Justice, My Foot!), Maggie Cheung, Anthony Wong Chau-sang, Kirk Wong, Ng Man-tat, Anita Mui (The Mad Monk), Karen Mok, Bryan Leung, Wong Yat-fei, Lee Lik-chi, Ben Wong, Lee Kin-yan, Lam Suet (Out of the Dark)

Release Date: November 26th, 2024
Approximate Running Times: 92 minutes 10 Seconds (Look Out, Officer!), 99 minutes 30 Seconds (Justice, My Foot!), 88 minutes 55 Seconds (The Mad Monk), 82 minutes 56 Seconds (Out of the Dark)
Aspect Ratio: 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVC (All Films)
Rating: NR
Sound: DTS-HD Mono Cantonese (All Films)
Subtitles: English (All Films)
Region Coding: Region A
Retail Price: $59.98

Look Out, Officer!: "A murdered police inspector comes back from the dead to help a clever and crafty cop avenge his death. As the duo investigate the case, the comedic complications – as well as the thrills – multiply.” – Synopsis provided by the Distributor

Justice, My Foot!: "This rollicking period farce set in Imperial China finds Chow as a shyster lawyer with an equally eccentric, kung fu ace of a wife, hilariously played by the great Anita Mui (The Heroic Trio, Drunken Master II).” – Synopsis provided by the Distributor

The Mad Monk: "When the arrogant god Dragon Fighter Lo Han (Chow) pushes his fellow deities too far, he is punished by being transformed into an animal and banished to Earth until he can change the fates of three ne'er-do-wells. Maggie Cheung (Irma Vep, Police Story) also stars in this heavenly fantasy.” – Synopsis provided by the Distributor

Out of the Dark: "When supernatural events overwhelm a Hong Kong apartment building, and those guys in New York City won't answer your call, look no further than Stephen Chow! Our hero plays a most unlikely paranormal investigator who steps in to save the building's residents from their harrowing haunting.” – Synopsis provided by the Distributor

Video: 3.75/5 (Look Out, Officer!, Justice, My Foot!, The Mad Monk, Out of the Dark)

Look Out, Officer! comes on a 50 GB dual layer Blu-ray.

Disc Size: 27.1 GB

Feature: 25.3 GB

Justice, My Foot! comes on a 50 GB dual layer Blu-ray.

Disc Size: 42.5 GB

Feature: 27.3 GB

The Mad Monk comes on a 50 GB dual layer Blu-ray.

Disc Size: 27 GB

Feature: 25.6 GB

Out of the Dark comes on a 50 GB dual layer Blu-ray.

Disc Size: 27 GB

Feature: 22.7 GB

Though all of these transfers come from what looks like a dated source; they actually look very good. Flesh tones look healthy, colors look correct, image clarity and black levels are strong, and compression is very good. That said, all of these transfers exhibit digital noise reduction; fortunately, it's not distracting.

Audio: 4/5 (All Audio Tracks)

Each film comes with one audio option, a DTS-HD mono mix in Cantonese with non-removable English subtitles. All of the audio tracks are in great shape; dialog comes through clearly, everything sounds balanced, and action sequences are robust. During playback, you cannot turn off the subtitles; they can only be disabled when accessing the menu.

Extras:

Extras for Look Out, Officer! include a stills gallery, a theatrical trailer (3 minutes 11 seconds, DTS-HD mono Cantonese with non-removable English subtitles), Celestial re-release trailer (1 minute 11 seconds, DTS-HD mono Cantonese with non-removable English subtitles), and an audio commentary with James Mudge, Veteran Hong Kong Film Critic At easternKicks.

Extras for Justice, My Foot! include a stills gallery, a theatrical trailer (4 minutes 14 seconds, DTS-HD mono Cantonese with non-removable English subtitles), Celestial re-release trailer (1 minute 15 seconds, DTS-HD mono Cantonese with non-removable English subtitles), a documentary titled  Hong Kong Hustle: The Chinese Cinema Odyssey of Stephen Chow (82 minutes 22 seconds, DTS-HD stereo English and Cantonese with non-removable English subtitles for Cantonese), and an audio commentary with James Mudge.

Extras for The Mad Monk include a stills gallery, a theatrical trailer (1 minute 23 seconds, DTS-HD mono Cantonese with removable English subtitles), Celestial re-release trailer (1 minute 10 seconds, DTS-HD mono Cantonese with non-removable English subtitles), an audio commentary with James Mudge, and an audio commentary with Frankie Balboa AKA Shogun Supreme and Peter Glagowski, writer at FLIXIST.

Extras for Out of the Dark include a stills gallery, a theatrical trailer (48 seconds, DTS-HD mono with Cantonese text and non-removable English subtitles), Celestial re-release trailer (1 minute 10 seconds, DTS-HD mono Cantonese with non-removable English subtitles), an interview with Daniel O'Brien, author of Spooky Encounters - A Gwaillo's Guide to Hong Kong Horror titled A Different Shade of Dark (11 minutes 57 seconds, DTS-HD stereo English with non-removable English subtitles for Cantonese film clips), and an audio commentary with James Mudge.

Other extras include a slipcase.

Summary:

Look Out, Officer!: An officer killed in the line of duty returns as a ghost and assists a rookie cop in solving his murder.

Look Out, Officer! is a pivotal film in Stephen Chow’s evolution as an actor. Though Stephen Chow had already appeared in over a dozen films before Look Out, Officer!, he had yet to fully unleash his unique style of comedy, "Mo Lei Tau.” Despite being around since the 1970s, "Mo Lei Tau” would not become a cultural phenomenon until Stephen Chow latched onto it in the 1990s. Also, though "Mo Lei Tau" may be appreciated by those who are not native Cantonese speakers, a lot of its nuances get lost in translation.

Hong Kong cinema often finds inspiration from other films that were successful. While watching Look Out, Officer! if you start to feel déjà vu, that is because it's a remake of Where's Officer Tuba?, a film that starred Sammo Hung Kam-bo. That said, despite their similarities, it is ultimately Stephen Chow’s performance that sets these two films apart.

The opening moments of Look Out, Officer! resemble a heroic bloodshed film and not a comedy. An officer is involved in a daring police raid where he is forced into a bloody shootout after being discovered. The body count is ridiculously high, and the scene ends with the officer being shot point-blank in the head. After this graphic moment of violence, there is an abrupt tonal change as everything takes on a humorous tone.

Stephen Chow is the main attraction, and he does not disappoint in the role of a mischievous rookie police officer. His flawless comedic timing is what drives the narrative. That said, the rest of the cast are also extremely good in their roles, especially Bill Tung's (Police Story) portrayal of the murdered officer who returns as a ghost and Stanley Fung (The Inspector Wears Skirts), who portrays the killed officer's ex-partner. The most memorable performance is Amy Yip (Robotrix), who has a brief cameo as the police superintendent.

Though the narrative does a great job moving things forward, the story always takes a backseat to the comedy. The humor is silly and overflowing with sight gags. Notable moments of humor include a scene where Stephen Chow’s character looks like he’s aroused when it's just a gun in his pocket and the scene with Amy Yip where she shows off her ample assets. Even the fight sequences incorporate humor. Ultimately, what Look Out, Officer! lacks when it comes to story, its cast makes up for with their exceptional performances.

Justice, My Foot!: A renowned lawyer with questionable morals is unable to bend the law in his favor when confronted by a corrupt magistrate.

Johnnie To directed Justice, My Foot!. His other notable films include All About Ah-Long, Running Out of Time, The Mission, Fulltime Killer, PTU, Breaking News, Thrown Down, Election, Election 2, and Exiled.

Stephen Chow portrays Sung Sai Kit, a successful lawyer whose personal life is filled with tragedy. None of his sons lived beyond one year; when his 13th son dies, his wife convinces him to retire. Bored with retirement, he reenacts his final case. Despite his best efforts, a chance encounter gives him one last chance to prove that no one can beat him.

Though humor is front and center, Justice, My Foot! is a film that delves into deeper subject matter like corruption and how the affluent use their position to exert power. Also, morality is central to the story that unfolds. The protagonist's wife connects their misfortune in having children to her husband's unscrupulous tactics as a lawyer.

Stephen Chow once again delivers an outstanding performance in which his use of rapid-fire dialog is second to none. Surprisingly, Stephen Chow’s character does not do much in the way of martial arts. Anita Mui (The Heroic Trio) in the role of Sung Sai Kit's wife shines brightest when it comes to the martial arts. Her character is a martial arts master whose skills are unrivaled. Another performance of note is Ng Man-tat (Royal Tramp), who portrays a magistrate with flatulence issues.

Though Johnnie To is most known for his crime films, he’s actually a diverse filmmaker who's worked in many genres. It is not surprising how adept he is at comedy, since earlier in his career he mostly worked in this genre. That said, though Stephen Chow is the creative force that drives Justice, My Foot!, there are a few moments that are undeniably Johnnie To.

The narrative is overflowing with nonsensical moments, and yet it never feels disjointed. When it comes to pacing, things move briskly, and the narrative does a superb job building momentum. And though there is no shortage of humorous moments, the most memorable are the scenes where Stephen Chow and Anita Mui’s characters interact. Their onscreen chemistry is Justice, My Foot!'s greatest asset. Ultimately, Justice, My Foot! is a highly entertaining film that fans of Stephen Chow’s "Mo Lei Tau" should thoroughly enjoy.

The Mad Monk: A mischievous deity, Lo Han the Dragon Fighter, is banished to Earth and given the task of helping three ne'er-do-wells change their fates.

Johnnie To directed The Mad Monk. His other notable films include All About Ah-Long, Running Out of Time, The Mission, Fulltime Killer, PTU, Breaking News, Thrown Down, Election, Election 2, and Exiled.

The Mad Monk would mark the second and final time that Johnnie To collaborated with Stephen Chow. Anyone familiar with their previous collaboration, Justice, My Foot!, should have a clear idea of what to expect from The Mad Monk. In The Mad Monk, things get even crazier and more outrageous than in Justice, My Foot!

The Mad Monk is a fantasy film with mythical characters, and Lo Han the Dragon Fighter is given a fan that distorts reality. Lohan the Tiger Fighter joins Lo Han the Dragon Fighter on Earth. Unfortunately, Lohan the Tiger Fighter's arrival doesn't go as planned, and as a result, he grows into a man who behaves like a baby. From there, Lo Han the Dragon Fighter tries to accomplish his mission while taking care of a man child.

A solid cast filled with recognizable faces from 1980s and 90s Hong Kong cinema supports Stephen Chow, who delivers an outstanding performance. Anita Mui (My Father is a Hero) portrays the Goddess of Mercy, Maggie Cheung (In the Mood for Love) portrays a prostitute, and Anthony Wong Chau-sang (The Untold Story), who portrays a beggar. Ng Man-tat (Fightback to School), who portrays Tiger Fighter Lohan, a deity who is transformed into a man child, is another performance of note. Stephen Chow often worked with Ng Man-tat, and their onscreen chemistry is off the charts; every moment they share is a scene stealer.

The Mad Monk is a film where the story often takes a backseat to its comedic set pieces. The narrative is jam-packed, and things move at a breakneck momentum. Throughout, Stephen Chow’s character finds himself in numerous outrageous situations; surprisingly, his character does not have much to do in the way of action. That said, there are only two action sequences, both of which are excellent. Ultimately, The Mad Monk is an entertaining film that fans of Stephen Chow’s "Mo Lei Tau" should enjoy.

Out of the Dark: A paranormal investigator helps an apartment building eradicate evil spirits.

Jeffrey Lau directed Out of the Dark. His other notable films include The Haunted Cop Shop, All for the Winner, Treasure Hunt, and A Chinese Odyssey.

Out of the Dark is a horror/comedy hybrid laced with Stephen Chow’s brand of humor. Though humor is front and center, Out of the Dark does a superb job when it comes to balancing supernatural and comedy elements. When it comes to onscreen carnage, it is more cartoonish than gruesome. Some of the violence includes electrification, injury by dynamite, and a woman who is brought back to life, only to be accidentally killed.

Stephen Chow once again delivers a phenomenal performance. Throughout his filmography, Stephen Chow often references other films, and his character Leon is clearly an homage to Leon the Professional. Another performance of note is Karen Mok (So Close), whose character Kwan at one point looks like Matilda from Leon the Professional. That said, when it comes to the rest of the performances, they are all very good.

For his only true foray into horror, Stephen Chow shows that he can excel in any genre. Out of the Dark’s over-the-top humor perfectly complements its cartoonish violence. The narrative is well-constructed, and it does a superb job building momentum. Ultimately, Out of the Dark is a different kind of film from Stephen Chow that is overflowing with nonsensical humor and, more importantly, is always entertaining.

Shout! Factory’s The Stephen Chow Collection brings together four films, gives them strong audio/video presentations, and includes informative extras, highly recommended.




































Written by Michael Den Boer

Roaring Fire – Toy Robot Video (Blu-ray) Theatrical Release Date: Japan, 1981 Director: Norifumi Suzuki Writers: Shinsuke Inoue, Masakazu Sh...