Showing posts with label R. Show all posts
Showing posts with label R. Show all posts

Friday, September 25, 2026

Roaring Fire – Toy Robot Video (Blu-ray)

Theatrical Release Date: Japan, 1981
Director: Norifumi Suzuki
Writers: Shinsuke Inoue, Masakazu Shimura, Norifumi Suzuki
Cast: Hiroyuki Sanada, Shin’ichi ‘Sonny’ Chiba, Etsuko Shiomi, Mikio Narita, Toshiaki Minami, Tatsuo Endô, Shunji Sasaki, Rikiya Yasuoka, Seizô Fukumoto, Abdullah the Butcher

Release Date: September 7th, 2026 (UK), September 8th, 2026 (USA)
Approximate Running Time: 94 Minutes 52 Seconds
Aspect Ratio: 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: 15 (UK), NR (USA)
Sound: DTS-HD Mono Japanese
Subtitles: English
Region Coding: Region A,B
Retail Price: £15.99 (UK), $34.95 (USA)

"On the death bed of his adoptive father, Texas-raised rancher Joji learns a shocking family secret - he has a twin brother and sister he never knew about. Determined to find his brother, Joji travels to Japan only to discover he has been mysteriously killed. As he stays with his sister and digs deeper, Joji uncovers his uncle's involvement in criminal enterprises, including plans to obtain a priceless 130-carat diamond known as the Queen of Sheba. Betrayal and vengeance unfold as Joji confronts his corrupt uncle and fights to avenge his family." - synopsis provided by the distributor

Video: 3.5/5

Roaring Fire comes on a 50 GB dual layer Blu-ray.

Disc Size: 45.5 GB

Feature: 25.2 GB

There is no information provided about the source used for this release transfer; it is in line with most of Toei’s off-the-shelf HD transfers. Flesh tones look correct, colors are nicely saturated, image clarity is strong, black levels fare well, and there are no issues with compression. That said, there are times where the image does not retain an organic look and there appears to be some digital noise reduction.

Audio: 4/5

This release comes with one audio option, a DTS-HD mono mix in Japanese with removable English subtitles. It should be noted that there is some dialogue that is in English. The track sounds clean, clear, and balanced, and action sequences sound robust when they should. Included are removable English subtitles for Japanese dialogue.

Extras:

Extras for this release include a US TV spot (31 seconds, Dolby Digital mono English, no subtitles), two theatrical trailers (3 minutes 30 seconds, Dolby Digital mono Japanese, no subtitles), an interview with film critic Clément Rauger titled A Buffet of Comedy and Action (24 minutes 49 seconds, Dolby Digital stereo French with removable English subtitles), an interview with film critic James Mudge titled A Roaring Success (20 minutes 28 seconds, Dolby Digital stereo English with removable English subtitles for Japanese film clips), an interview with pro-wrestling critic and film writer Chris Lines, who provides a career retrospective of Abdullah the Butcher titled A Roaring Success (16 minutes 56 seconds, Dolby Digital stereo English with removable English subtitles for Japanese film clips), an interview with Japanese film critic Akihiko Ito titled Fire-Storm! Sonny Chiba, the Man, the Actor, and the Legend (23 minutes 11 seconds, Dolby Digital stereo Japanese with removable English subtitles), an audio commentary with film historian Brian Bankston, three art cards, reversible cover art, an obi sleeve, three art cards, and a slipcover.

Summary:

Norifumi Suzuki directed Roaring Fire. He’s known for The Lustful Shogun and His 21 Concubines, Sex and Fury, School of the Holy Beast, The Killing Machine, Star of David: Hunting for Beautiful Girls, and Shogun's Ninja. He also directed several films in the Girl Boss and Terrifying Girls' High School film series.

On his death bed, the man who raised Joji reveals that he is not his real father and that Joji’s real parents died tragically in a plane crash. Shortly thereafter, Joji goes to Japan in search of his sister and his twin brother, Toru. Joji quickly finds his sister Chihiro, who is now blind and lives with their uncle. Joji one evening accidentally overhears his uncle, who has ties to the criminal underworld, discussing his various illegal operations. His uncle discovers Joji's eavesdropping and offers him a chance to join the organization. Joji promptly turns his uncle’s offer down, which immediately puts his life in danger.

Roaring Fire is a melting pot of genres that leans heavily into action and exploitation elements. The initial setup does an excellent job laying out the main characters and there are an ample amount of surprises that ensures there is never a dull moment. A strength of the narrative is how well it balances action and exposition as it builds to an outstanding finale that perfectly brings everything together. 

When it comes to action sequences, Roaring Fire delivers and then some. The stuntwork throughout is impressive and many of the fights feature high-flying choreography. For a film where all of the action set pieces leave a strong impression, a scene between Joji and a character named Samson is arguably the most memorable. Samson is portrayed by Abdullah the Butcher, a former professional wrestler, whose imposing size makes for some fascinating fights. The scene in question takes place in a pool and Joji uses his speed to wear Samson down.

While action is front and center, Roaring Fire has many wonderful comedic moments, like the scene where Joji returns to his family's home. When he arrives, there is a group of girls hanging out at the pool in bikinis who confront him after his monkey steals one of their tops. Things escalate; his hand accidentally rips off another girl's top. Another humorous moment of note is a scene where Joji is being chased by ninjas who are not that skillful. Other humor comes from Shunsuke Tachikawa, an undercover narcotics agent who’s posing as a magician.

Hiroyuki Sanada (Rush Hour 3) is the star of Roaring Fire. He’s cast in two roles, twin brothers Joji and Toru. In the case of the latter, he dies in a hellfire of bullets that opens the film. A frequent collaborator of Shin’ichi ‘Sonny’ Chiba, Roaring Fire gives him the opportunity to lead a film instead of his usual supporting role. That said, he delivers an excellent performance that features some of his best fight scenes.

Hiroyuki Sanada is surrounded by a solid supporting cast of familiar faces from 1970s and 80s Japanese action cinema. Shin’ichi ‘Sonny’ Chiba (The Street Fighter) delivers a memorable performance in the role of Shunsuke Tachikawa. He takes his limited screentime and creates a character that steals every moment he’s in. Another performance of note is Etsuko Shiomi (Sister Street Fighter) in the role of Chihiro, Joji’s sister. Her character is blind and she uses the sound around her to defend herself against all attackers. Her fighting prowess is impressive, and unable to beat her, the bad guys use music to cover up their movement as they attack her.

When it comes to exploitation elements, Roaring Fire pushes the extremes. The main bad guy is a drug kingpin with a Nazi fetish. Besides having a portrait of Adolf Hitler and swastikas, he has a room that's rigged like a gas chamber. That said, these Nazi-related moments add shock value and nothing more. Norifumi Suzuki was one of the best Japanese filmmakers when it came to down-and-dirty exploitation cinema and with Roaring Fire, he delivers another gem. Ultimately, Roaring Fire is a highly entertaining mix of action, exploitation, and mayhem.

Roaring Fire gets a first-rate release from Toy Robot Video that comes with a strong audio/video presentation and informative extras. Recommended.








Written by Michael Den Boer

Friday, September 18, 2026

Rats: Night of Terror: Limited Edition – 88 Films (4k UHD/Blu-ray Combo)

Theatrical Release Date: Italy/France, 1984
Directors: Claudio Fragasso, Bruno Mattei
Writers: Claudio Fragasso, Bruno Mattei, Hervé Piccini, Rossella Drudi
Cast: Ottaviano Dell'Acqua, Geretta Geretta, Massimo Vanni, Gianni Franco, Ann-Gisel Glass, Jean-Christophe Brétignière, Fausto Lombardi, Henry Luciani, Cindy Leadbetter, Christian Fremont, Moune Duvivier

Release Date: August 11th, 2025
Approximate Running Time: 96 Minutes 54 Seconds
Aspect Ratio: 1.85:1 Widescreen / 2160 Progressive / HEVC / H.265 / HDR10 Dolby Vision
Rating: 18 (UK)
Sound: LPCM Mono Italian, LPCM Mono English
Subtitles: English, English SDH
Region Coding: Region Free (4K UHD), Region B (Blu-ray)
Retail Price: £35.00 (UK)

"Unveiled to audiences of video-violence in 1984, this post-apocalyptic pot-boiler sees some of the last humans alive grapple with a horde of flesh-eating rodents - and a shocking final revelation that has fast become Mattei's signature 'twist'." - synopsis provided by the distributor

Video: 4.5/5 (4K UHD, Blu-ray)

Here’s the information provided about this release's transfer, "Brand new 4K remaster from the original negatives."

Rats: Night of Terror comes on a 66 GB dual layer 4K UHD.

Disc Size: 60.2 GB

Feature: 59.2 GB

The source looks excellent, easily the best this film has ever looked on home media. Colors are nicely saturated, contrast, black levels, image clarity, and compression are solid, and the image retains an organic appearance.

Rats: Night of Terror comes on a 50 GB dual layer Blu-ray.

Disc Size: 44 GB

Feature: 27.8 GB

The Blu-ray uses the same source as the 4K UHD does for its transfer.

Audio: 4.5/5 (Both Audio Tracks)

This release comes with two audio options, a LPCM mono mix in Italian and a LPCM mono mix in English. Both tracks are in excellent shape; dialogue always comes through clearly, everything sounds balanced, and ambient sounds and the score are well-represented. That said, these two tracks are comparable and any differences they have are very minor. Included are removable English subtitles for the Italian-language track and removable English SDH for the English-language track.

Extras:

Extras on the 4K UHD disc include a theatrical trailer (2 minutes 9 seconds, Dolby Digital mono English, no subtitles) and an audio commentary with Italian cinema experts Eugenio Ercolani and Troy Howarth.

Extras on the Blu-ray disc include a theatrical trailer (2 minutes 9 seconds, Dolby Digital mono English, no subtitles), an interview with stuntmen Massimo Vanni and Ottaviano Dell’Acqua titled Rat Droppings Falling on My Head (15 minutes 26 seconds, Dolby Digital stereo Italian with removable English subtitles), an interview with composer Luigi Ceccarelli titled Squeaky Melodies (19 minutes 25 seconds, Dolby Digital stereo Italian with removable English subtitles), an interview with assistant director Giovanni Leacche titled The 3rd Rat (20 minutes 30 seconds, Dolby Digital stereo Italian with removable English subtitles), an interview with actress Ann-Gisel Glass and actor Jean Christophe Brétignière titled Meet Myrna and Lucifer (21 minutes 35 seconds, Dolby Digital stereo Italian with removable English subtitles), an interview with actor Fausto Lombardi titled Deus Knows Best (24 minutes 37 seconds, Dolby Digital stereo Italian with removable English subtitles), an interview with co-director Claudio Fragasso titled Rat King (38 minutes 16 seconds, Dolby Digital stereo Italian with removable English subtitles), and an audio commentary with Eugenio Ercolani and Troy Howarth.

Other extras include reversible cover art, a slipcase (limited to first pressing), a collectable art card (limited to first pressing), and a 40-page perfect-bound book with cast & crew information, an essay titled Once Upon a Mice in Italy: Rediscovering Bruno Mattei and Claudio Fragasso’s Rats written by Francesco Massaccesi, an essay titled  Eco-Horror Meet’s Exploitation: Rats: Night of Terror written by Rachael Nisbet, and an essay titled The Squeak Shall Inherit the Earth: Bruno Mattei and Rats: Night of Terror written by James Oliver.

Summary:

Bruno Mattei and Claudio Fragasso, two Italian filmmakers renowned for their ultra-low-budget genre films, co-directed Rats: Night of Terror. Notable films directed by Bruno Mattei are Hell of the Living Dead, The Other Hell, Shocking Dark, and Night Killer. Notable films directed by Claudio Fragasso are Monster Dog, Beyond Darkness, and Troll 2.

In a post-apocalyptic future, a group of bikers seek refuge in an abandoned laboratory overrun with flesh-eating rats.

Bruno Mattei's films are low-budget, but they always entertain. Italian cinema never lets a good idea go to waste, and Rats: Night of Terror, like Bruno Mattei's, borrows from the cinema of George R. Romero. While many of Bruno Mattei’s films are co-directed by Claudio Fragasso, it is still easy to see that Bruno Mattei was the main creative force, since none of their collaborations have a vibe similar to any of Claudio Fragasso’s films that he directed by himself.

Rats: Night of Terror is the type of film that you are either all in after the initial setup or you run for the hills. Its absurd premise is superbly executed and a deliberate-paced narrative always manages to hold your attention by never being predictable. For a film that often defies logic, Rats: Night of Terror saves its most WTF moment for its twist finale. 

Rats: Night of Terror is not a film that one watches because of its performances, and yet its two dubs, Italian and English, are like watching two different films. The English-language track is the superior of the two, and nowhere is this clearer than how unintentionally funny it is.

From a production standpoint, Rats: Night of Terror’s positives far outweigh its negatives. The special effects look crude, and yet they work well within the story that unfolds. The most surprising aspect of Rats: Night of Terror is Luigi Ceccarelli’s mood-reinforcing score. Ultimately, Rats: Night of Terror is a demented slice of Italian exploitation cinema that exceeds expectations.

Rats: Night of Terror gets an excellent release from 88 Films that comes with a solid audio/video presentation and a wealth of informative extras. Highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.












Written by Michael Den Boer

Wednesday, September 9, 2026

Riki-Oh The Story of Ricky: Limited Edition – 88 Films (4k UHD/Blu-ray Combo)

Theatrical Release Date: Hong Kong, 1991
Director: Lam Ngai Choi
Writers: Tetsuya Saruwatari, Masahiko Takajo, Ngai Choi Lam
Cast: Louis Fan Siu-wong, Mei Sheng Fan, Ka-Kui Ho, Yukari Ôshima, Kan-Wing Tsang, Kwok-Pong Chan, Kôichi Sugisaki, Frankie Chi-Leung Chan, King Chan, Phillip Chung-Fung, Kwok Tetsurô Tanba, Gloria Yip, Suet Lam

Release Date: July 20th, 2026
Approximate Running Time: 92 Minutes 17 Seconds
Aspect Ratio: 1.85:1 Widescreen / 2160 Progressive / HEVC / H.265 / HDR10 Dolby Vision
Rating: 18 (UK)
Sound: DTS-HD Mono Cantonese (Theatrical Mix), DTS-HD Mono Cantonese (Home Video Mix), DTS-HD Mono English, DTS-HD 5.1 English
Subtitles: English
Region Coding: Region Free (4K UHD), Region B (Blu-ray)
Retail Price: OOP

"Wrongly convicted of manslaughter, martial arts master Ricky (Fan Siu-wong) is thrown into a nightmarish penitentiary where sadistic wardens rule and the inmates are locked in a constant battle for dominance. Facing monstrous opponents and unimaginable cruelty, Ricky must unleash the full force of his power to stay alive—and strike back against a system designed to break him." - synopsis provided by the distributor

Video: 5/5 (4K UHD, Blu-ray)

Here’s the information provided about this release's transfer, "New 4K restoration in 1.85:1 aspect ratio from the original 35mm camera negatives."

Riki-Oh The Story of Ricky comes on a 66 GB dual layer 4K UHD.

Disc Size: 60.1 GB

Feature: 59.5 GB

The transfer looks excellent; it improves upon the 88 Films 2022 Blu-ray, which was at that time the best this film looked on home video. Flesh tones look healthy, colors are nicely saturated, contrast, black levels, image clarity, and compression are solid, and the image retains an organic appearance.

Riki-Oh The Story of Ricky comes on a 50 GB dual layer Blu-ray.

Disc Size: 40.3 GB

Feature: 29.8 GB

The Blu-ray uses the same source as the 4K UHD does for its transfer.

Audio: 4.5/5 (DTS-HD Mono Cantonese Theatrical Mix, DTS-HD Mono Cantonese Home Video Mix, DTS-HD Mono English), 4.25/5 (DTS-HD 5.1 English)

This release comes with four audio mixes, a DTS-HD mono mix in Cantonese labeled "theatrical mix," a DTS-HD mono mix in Cantonese labeled "home video mix," a DTS-HD mono mix in English, and a DTS-HD 5.1 mix in English. The three monolingual tracks are similar quality-wise. Dialog always comes through clearly; everything sounds balanced and robust when it should. That said, the DTS-HD 5.1 is not as satisfying an experience as its mono counterparts. There are three subtitle options: each Cantonese language track comes with its own English subtitle track, and there are English subtitles for the Cantonese text when watching the English language track.

Extras:

Extras for this release include an English language trailer (2 minutes 7 seconds, LPCM mono English, no subtitles), a Hong Kong theatrical trailer (4 minutes 20 seconds, LPCM mono Cantonese with removable English subtitles), an archival interview with actor Louis Fan Siu-wong (36 minutes 4 seconds, LPCM stereo Chinese with removable English subtitles), a new interview with Louis Fan Siu-wong (19 minutes 5 seconds, LPCM stereo Chinese with removable English subtitles), an archival audio commentary with Frank Djeng, an archival audio commentary with Kim Newman and Sean Hogan, an archival audio commentary with Audi Sorlie and Chris Ling, reversible cover art, a double-walled slipcase (limited to the first pressing), and a fold-out poster featuring new artwork and original poster art (limited to the first pressing).

Summary:

Lam Ngai Choi directed some of the wildest films to emerge from Hong Kong cinema in the late 1980s and early 1990s. Notable films he directed include The Seventh Curse, Her Vengeance, Erotic Ghost Story, and The Cat. Riki-Oh: The Story of Ricky was adapted from a manga titled Riki-Oh, written by Masahiko Takajo and illustrated by Tetsuya Saruwatari.

From its opening moments, Riki-Oh: The Story of Ricky establishes a brutal tone in which limbs are severed, organs are removed, heads are crushed by fists, and other grotesque moments of carnage unfold. That said, everything in Riki-Oh! The Story of Ricky is an exaggeration of reality.

Set in the near future, Riki-Oh: The Story of Ricky is a post-apocalyptic tale that is set in a prison run by a sadistic warden, his equally cruel assistant, and guards that frequently brutalize prisoners. The narrative revolves around a character named Riki-Oh, who recently arrived at the prison. Once inside, Riki-Oh is challenged by various prisoners, who quickly learn that he is a formidable foe whose hands are deadly weapons.

As good as the entire cast is, they are all obscured by Louis Fan Siu-wong’s (Ip Man's) portrayal of Riki-Oh. He delivers a commanding performance that steals every scene he is in. Another performance of note is by Mei Sheng Fan (The Magnificent Butcher), who portrays the assistant warden with a hook for a hand. The scenes between a real-life son and father are easily the most entertaining.

From a production standpoint, Riki-Oh: The Story of Ricky is a film that far exceeds the sum of its parts. The premise is deliriously executed, the narrative does a great job building momentum, and an absurd finale puts a perfect exclamation mark on the events that preceded. Another strength of the narrative is some well-timed flashbacks that fill in Riki-Oh’s backstory. The fight sequences are well-executed, at times inventive, and most importantly, gory. Ultimately, Riki-Oh: The Story of Ricky is one of the best examples of Hong Kong’s Cat III cinema.

Riki-Oh The Story of Ricky makes its way to 4K UHD and receives its best home media release to date. Highly recommended.

Note: 88 Films has rereleased Riki-Oh The Story of Ricky in a standard edition.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.

 











Written by Michael Den Boer

Friday, August 28, 2026

Reanimator Academy: Collector's Edition – Visual Vengeance (Blu-ray)

Release Date: USA, 1992
Director: Judith Priest (Bret McCormick)
Writer: Benton Jennings, Judith Priest (Bret McCormick)
Cast: Steve Westerheit, Connie Speer, Richard Perrin, Benton Jennings, Julian Scott, Sarah Paxton, Tom Fegan, J. Scott Guy, Tricia Anderson, Matt Montano

Release Date: August 25th, 2026
Approximate Running Time: 68 Minutes 32 Seconds
Aspect Ratio: 1.33:1 Aspect Ratio / 1080 Interlaced / MPEG-4 AVC
Rating: NR
Sound: Dolby Digital Stereo English
Subtitles: English SDH
Region Coding: Region Free
Retail Price: $34.95

"The fraternity brothers at Delta Epsilon Delta are your typical red-blooded American party animals, that is except for Edgar Allen Lovecraft. He's locked up in his room trying to cure death and finds a serum that works on the severed head of a recently deceased comedian. When a mafia hood steals the serum to use on his murdered squeeze, her reanimated corpse goes on a campus killing spree—let the corny puns and one-punch decapitations fly!" - synopsis provided by the distributor

Video: 1.5/5

Here’s the information provided about the transfer, "Transfer from existing SD tape masters."

Reanimator Academy comes on a 50 GB dual layer Blu-ray.

Disc Size: 26.9 GB

Feature: 10.4 GB (Reanimator Academy), 7.4 GB (Children of Dracula)

There is only so much that can be done with the source, which looks rough. That said, image clarity and black levels are never convincing, and colors fluctuate.

Audio: 1.5/5

This release comes with one audio option, a Dolby Digital stereo mix in English with removable English SDH. The audio lacks depth, and it's a positive that there are English subtitles for this release.

Extras:

Extras for this release include a Visual Vengeance trailer for Reanimator Academy (1 minute 11 seconds, Dolby Digital stereo English, no subtitles), Bret McCormick Reanimator Academy Q&A at Nitehawk Cinema (15 minutes 58 seconds, Dolby Digital stereo English, no subtitles), Fred the Head interview (4 minutes 1 second, Dolby Digital stereo English, no subtitles), an interview with actor Tom Fegan (4 minutes 28 seconds, Dolby Digital stereo English, no subtitles), an interview with composer Greg Synodis titled Brainwaves: Scoring Reanimator Academy (7 minutes 26 seconds, Dolby Digital stereo English, no subtitles), a locations featurette titled Back To School: Reanimator Academy Location Tour (5 minutes 47 seconds, Dolby Digital stereo English, no subtitles), an interview with director Bret McCormick titled Talking Heads (8 minutes 50 seconds, Dolby Digital stereo English, no subtitles), Reanimator Academy’s 2023 director’s alternate soundtrack cut (68 minutes 32 seconds, 1080 interlaced, 1.33:1 aspect ratio, Dolby Digital stereo English with removable English SDH), an audio commentary with Sam Panico of B&S About Movies and Bill Van Ryn of Drive-In Asylum, a bonus feature film: Children of Dracula (55 minutes 57 seconds, 1080 interlaced, 1.33:1 aspect ratio, Dolby Digital stereo English, no subtitles), an interview for Children of Dracula with Bret McCormick (4 minutes 33 seconds, Dolby Digital stereo English, no subtitles), reversible cover art, original poster art, a 'Stick your own' video store sticker sheet (first pressing only), a folded mini-poster, a video store card (first pressing only), and a limited-edition O-Card slipcover (first pressing only).

Other extras are Visual Vengeance trailers for Highway to Hell, The Abomination, and Repligator.

Summary:

Reanimator Academy: Bret McCormick directed Reanimator Academy, who's known for low-budget cinema like The Abomination and Repligator.

The narrative revolves around a college student named Edgar Allen Lovecraft, who’s created a serum that reanimates the dead. His first experiment is on the severed head of a dead comedian, which he successfully reanimates. From there things spiral out of control when a mafia hood steals the serum and brings a dead hooker back to life who then goes on a killing spree. 

While the film’s title and the name of its protagonist, Edgar Allen Lovecraft, make reference to H.P. Lovecraft, Reanimator Academy’s connection to the literary writings of H.P. Lovecraft is nonexistent. Reanimator Academy is a textbook example of an ultralow-budget horror film that tries to associate itself with a known commodity. The acting is horrible, and the narrative is padded with moments that make it feel longer than it is. Despite attempts at humor, the film consistently fails to deliver.

The genesis of Reanimator Academy can be traced back to David DeCoteau, who served as the film’s executive producer. Looking for work, Bret McCormick reached out to David DeCoteau, who offered him a film and the only requirement was he had to use the title Reanimator Academy. Shot quickly over one weekend on video, Reanimator Academy is not the type of film that one puts on their resume. That said, it is not surprising that the director Bret McCormick used a pseudonym for Reanimator Academy.

Children of Dracula: A documentary about vampires with people who claim to be vampires and it is narrated by Joe Estevez.

Visual Vengeance continues to rescue cinema from obscurity and give it Criterion-like home media releases.















Written by Michael Den Boer

Roaring Fire – Toy Robot Video (Blu-ray) Theatrical Release Date: Japan, 1981 Director: Norifumi Suzuki Writers: Shinsuke Inoue, Masakazu Sh...