Showing posts with label Elaine May. Show all posts
Showing posts with label Elaine May. Show all posts

Wednesday, August 6, 2025

Mikey and Nicky – The Criterion Collection (Blu-ray)

Theatrical Release Date: USA, 1976
Director: Elaine May
Writer: Elaine May
Cast: Peter Falk, John Cassavetes, Ned Beatty, Rose Arrick, Carol Grace, William Hickey, Sanford Meisner, Joyce Van Patten, M. Emmet Walsh

Release Date: January 22nd, 2019
Approximate Running Time: 106 Minutes 22 seconds
Aspect Ratio: 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVCC
Rating: NR
Sound: LPCM Mono English
Subtitles: English SDH
Region Coding: Region A
Retail Price: $39.95

"Elaine May crafted a gangster film like no other in the nocturnal odyssey Mikey and Nicky, capitalizing on the chemistry between frequent collaborators John Cassavetes and Peter Falk by casting them together as small-time mobsters whose lifelong relationship has turned sour. Set over the course of one night, this restless drama finds Nicky (Cassavetes) holed up in a hotel after the boss he stole money from puts a hit out on him. Terrified, he calls on Mikey (Falk), the one person he thinks can save him." - synopsis provided by the distributor

Video: 5/5

Here’s the information provided about this release's transfer, "This new digital transfer was created in 4K resolution on a Lasergraphics Director film scanner from the 35mm original camera negative. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI Film's DRS, while Digital Vision's Phoenix was used for jitter, flicker, and small dirt. At the request of director Elaine May, the grain in the picture has been left completely intact, with no grain management applied."

Mikey and Nicky comes on a 50 GB dual layer Blu-ray.

Disc Size: 41.5 GB

Feature: 29.7 GB

The sources look excellent; flesh tones and colors look correct, image clarity, contrast, and compression are solid, and the image always looks organic. That said, most of the film takes place at night, and black levels look solid throughout.

Audio: 5/5

This release comes with one audio option, a LPCM mono mix in English with removable English SDH. The audio is in excellent shape; dialogue always comes through clearly, everything sounds balanced, and ambient sounds are well-represented.

Extras:

Extras for this release include a TV spot (32 seconds, Dolby Digital mono English, no subtitles), a theatrical trailer (1 minute 38 seconds, Dolby Digital mono English, no subtitles), an audio interview from 1976 with actor Peter Falk (45 minutes 9 seconds, Dolby Digital mono English, no subtitles), an interview with film critics Richard Brody and Carrie Rickey (23 minutes 20 seconds, Dolby Digital mono English, no subtitles), an interview with distributor Julian Schlossberg and actress Joyce Van Patten (14 minutes 39 seconds, Dolby Digital mono English, no subtitles), and a 10-page leaflet with an essay titled Difficult Men written by Nathan Rabin, cast & crew information and information about the transfer.

Summary:

Elaine May wrote and directed Mikey and Nicky; it is one of only four films that she directed. The other three are A New Leaf, The Heartbreak Kid, and Ishtar.

A mobster who stole money from his boss has a contract put on his life. He reaches out to his oldest friend, who is also a mobster, but can he be trusted, or will he lead him to his death?

After directing two comedies, Elaine May went in a completely different direction with her third film, Mikey and Nicky, a crime drama about loyalty and betrayal. Tone-wise, Mikey and Nicky greatly differs from her other three directional films. While humor played a significant role in the films she directed, Mikey and Nicky adopts a darker tone and is devoid of any comedic elements. That said, the result is one of the most original crime films to emerge after The Godfather.

Although Mikey and Nicky has most of the elements associated with crime films, it does not always execute them in a familiar way. Its opening setup does a phenomenal job laying out who everyone is and what lies ahead for them. Despite their strong bond, having been friends since childhood, there is a tension between them that escalates to a boiling point. Additionally, without revealing too much, it becomes evident early on where each character stands.

The two leads, Peter Falk (Columbo) and John Cassavetes (Rosemary’s Baby), are outstanding in the roles of Mikey and Nicky. Peter Falk portrays Mikey, the more grounded of these two characters; he has a wife and child, and there is stability in his life. John Cassavetes's character Nicky is short-fused and impulsive, and his paranoia has him second-guessing everything Mikey is doing for him. A strength of their performances is how effectively they use facial expressions and body language instead of words. That said, they are surrounded by an excellent supporting cast.

The narrative is flawlessly executed; it does a superb job of balancing tense and poignant moments. In the case of the latter, when they reminisce about the past and those in their lives that have died, one scene in particular stands out: a moment where they are visiting Nicky’s mother’s grave, and instead of embracing things in a somber way, Mikey becomes annoyed at Nicky’s disrespect of the dead. That said, this moment solidifies Nicky’s selfishness and how he takes for granted his friendship with Mikey. Another area that excels is the visuals, which are filled with arresting moments that heighten the mood. Ultimately, Mikey and Nicky is a vastly underrated crime film whose gut-punch ending serves as the perfect coda.

The Criterion Collection gives Mikey and Nicky an exceptional release that comes with a solid audio/video presentation and insightful extras; highly recommended.










Written by Michael Den Boer

Wednesday, July 30, 2025

A New Leaf – Cinématographe (4k UHD/Blu-ray Combo)

Theatrical Release Date: USA, 1971
Director: Elaine May
Writer: Elaine May
Cast: Walter Matthau, Elaine May, Jack Weston, George Rose, James Coco, Dorris Roberts, Renée Taylor

Release Date: July 22nd, 2025
Approximate Running Time: 102 Minutes 12 Seconds
Aspect Ratio: 1.85:1 Widescreen / 2160 Progressive / HEVC / H.265 / Dolby Vision HDR10
Rating: G
Sound: DTS-HD Mono English
Subtitles: English SDH
Region Coding: Region Free (4K UHD), Region A (Blu-ray)
Retail Price: $59.98

"Henry Graham (Walter Matthau, The Bad News Bears), a descendant of a wealthy New York family, has exhausted his inheritance, leaving him near penniless, much to the dismay of his uncle Harry (James Coco, Murder By Death), who refuses his request for a loan. Upon suggestion of his valet driver Harold (George Rose, The Flesh and the Fiends), Henry devises a plot to marry wealthy professor Henrietta Lowell (played by writer/director Elaine May) and murder her, becoming the beneficiary of her fortune. Along the way, Henry faces various obstacles, including unexpectedly falling in love." - synopsis provided by the distributor

Video: 5/5 (4K UHD, Blu-ray)

Here’s the information provided about this release's transfer, "a new restoration from the original 35mm camera negative."

A New Leaf comes on a 66 GB dual layer 4K UHD.

Disc Size: 57.5 GB

Feature: 57.3 GB

Even if you already own the Olive Films 2017 Blu-ray, which holds up really well, this new release's transfer improves upon that one. The source looks excellent; flesh tones and colors look correct, image clarity, contrast, black levels, and compression are solid, and the image always looks organic.

A New Leaf comes on a 50 GB dual layer Blu-ray.

Disc Size: 42.8 GB

Feature: 23.6 GB

This Blu-ray uses the same master that is used for the 4K UHD disc.

Audio: 5/5

This release comes with one audio option, a DTS-HD mono English with removable English SDH. The audio sounds excellent; dialogue comes through clearly, everything sounds balanced, and ambient sounds and the score are well represented.

Extras:

Extras on the 4K UHD disc include an audio commentary by film programmer, writer, and educator K.J. Relth-Miller and Maya Montañez Smukler, author of Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema.

Extras on the Blu-ray disc include a theatrical trailer (1 minute 52 seconds, DTS-HD mono English, no subtitles),  an archival interview with director Amy Heckerling titled Women in Hollywood: A Tragedy of Comic Proportions (7 minutes 2 seconds, DTS-HD stereo English, no subtitles), an archival interview assistant editor Angelo Corrao titled The Cutting Room Floor: Editing A New Leaf (12 minutes 59 seconds, DTS-HD stereo English, no subtitles), Elaine May's A New Leaf 50th Anniversary - an episode of the Silver Streams podcast from the American Film Institute featuring programmers of the AFI Silver Theater discussing May's film (48 minutes 22 seconds, DTS-HD stereo English, no subtitles), Elaine May and Mike Nichols In Conversation - an hour-long post-screening discussion between Elaine May and her frequent collaborator, conducted at Film at Lincoln Center's Walter Reade Theater in New York City in 2006 (69 minutes 3 seconds, DTS-HD stereo English, no subtitles), a video essay titled Looking for Elaine May by Alexandra Heller-Nicholas, co-editor of ReFocus: The Films of Elaine May (14 minutes 53 seconds, DTS-HD stereo English, no subtitles), an interview titled Director Jail with Carrie Courogen, author of Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius (22 minutes 30 seconds, DTS-HD stereo English, no subtitles), and an audio commentary with K.J. Relth-Miller and Maya Montañez Smukler.

Other extras include a fold-out poster, a J-card MediaBook slipcase, and a 60-page booklet with an essay titled Grass is Greener: Elaine May’s A New Leaf written by Elena Lazic, an essay titled The Strong Roots of a New Leaf written by Hannah Strong, an essay titled Elaine May Takes Comedy Beyond the Edge of Reason written by Willow Maclay, an essay titled A New Leaf Tracing the Discovery of a Unique Filmic Voice written by Sarah Fensom, an archival piece titled The Rapturous Romance and Desperate Tragedy of Elaine May’s A New Leaf written by Richard Brody.

Summary:

Elaine May wrote and directed A New Leaf; it was adapted from the short story The Green Heart written by Jack Ritchie. A New Leaf was her directorial debut; she would only direct three more films: The Heartbreak Kid, Mikey and Nicky, and Ishtar.

A playboy’s extravagant lifestyle brings him to the brink of poverty. Not wanting to give up the lifestyle he has become accustomed to, he takes out a loan from his uncle, who forces him to put up his remaining assets as collateral. With only six weeks to raise the money he has borrowed from his uncle, he devises a plan to marry a wealthy spinster, whom he has every intention of murdering once he has gained control of her fortune.

The late 1960s and early 1970s were a transitional period for Hollywood, which saw shrinking audiences because of television. The other change during this period was adapting a rating system that would allow filmmakers to go where they were not previously allowed to. Needing a shot in the arm, Hollywood would give a handful of first-time filmmakers unprecedented freedom to create, which ultimately proved to be a cautionary tale for many filmmakers.

Elaine May is a filmmaker whose career perfectly fits into this scenario. It has been rumored that Elaine May’s original cut of A New Leaf was about 80 minutes longer than the version that was ultimately released by Paramount Pictures. It is unfortunate that Elaine May’s version will never be seen. That said, the end result is a film that actually achieves the majority of its goals, despite the many obstacles that it has faced.

Besides directing, Elaine May would cast herself in the pivotal role of Henrietta Lowell, a wealthy botany professor with no family. This character provides the perfect mark for the protagonist, who needs to find a wealthy woman quickly so he can marry her, kill her, and assume her fortune. Her performance does an exemplary job capturing Henrietta’s awkwardness and just general lack of awareness of what’s going on around her.

When it comes to the rest of the performances, they are all outstanding. Walter Matthau (The Fortune Cookie) is cast in the role of Henry Graham, a man whose extravagant lifestyle has drained his inheritance. His performance does a remarkable job conveying Herny’s desperation as he races against time to get rid of his new bride. Other performances of note are Jack Weston (The Thomas Crown Affair), who portrays Henrietta’s devious lawyer, and Doris Roberts (Everybody Loves Raymond), who portrays Henrietta’s thieving housekeeper.

From a production standpoint, A New Leaf is a film that’s overflowing with creativity and inspired moments of genius. The execution of the premise is superb, and even in its current form, the narrative masterfully captures your attention. That said, despite a conventional happy ending, the narrative really has no other shortcomings. Another strength is the visuals and how they cleverly work in conjunction with the black humor. Ultimately, A New Leaf, even in its current form, is an extraordinary film that fans of subversive humor should thoroughly enjoy.

A New Leaf gets a definitive release from Cinématographe; highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.












Written by Michael Den Boer

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