Showing posts with label Sisworo Gautama Putra. Show all posts
Showing posts with label Sisworo Gautama Putra. Show all posts

Monday, September 28, 2026

Suzzanna: Empress of Darkness – Severin Films (Blu-ray)

Theatrical Release Dates: Indonesia, 1991 (Pact with the Forces of Darkness), Indonesia, 1988 (White Crocodile Queen, Malam Satu Suro), Indonesia, 1986 (Kliwon Friday Night), Indonesia, 2008 (Ghost Ambulance)
Directors: Sisworo Gautama Putra (Pact with the Forces of Darkness, Malam Satu Suro, Kliwon Friday Night), H. Tjut Djalil (White Crocodile Queen), Nayato Fio Nuala (Ghost Ambulance)
Cast: Suzzanna (All Films), Elly Ermawati, Piet Pagau, Yenny Farida, Clift Sangra, Soendjoto Adibroto (Pact with the Forces of Darkness), Soendjoto Adibroto, Vera Magdalena, Ruth Pelupessy (White Crocodile Queen), Fendy Pradana, Nurnaningsih, Soendjoto Adibroto, Johny Matakena, Karsiman Gada (Malam Satu Suro), Alan Nuary, Bokir (Kliwon Friday Night), William Alvin, Dimaz Andrean, Fitri Ayu, Gianina Emanuela, Ratna Galih, Clift Sangra (Ghost Ambulance)

Release Date: May 12th, 2026
Approximate Running Times: 85 Minutes 25 Seconds (Pact with the Forces of Darkness), 98 Minutes 16 Seconds (White Crocodile Queen), 83 Minutes 55 Seconds (Malam Satu Suro), 88 Minutes 20 Seconds (Kliwon Friday Night), 88 Minutes 16 Seconds (Ghost Ambulance), 87 Minutes 52 Seconds (Suzzanna: The Queen of Black Magic)
Aspect Ratio: 2.39:1 Widescreen / 1080 Progressive / MPEG-4 AVC (Pact with the Forces of Darkness, White Crocodile Queen, Malam Satu Suro, Kliwon Friday Night), 1.78:1 Widescreen / 1080 Progressive / MPEG-4 AVC (Suzzanna: The Queen of Black Magic), 1.78:1 Widescreen / 1080 Interlaced / MPEG-4 AVC (Ghost Ambulance)
Rating: NR
Sound: DTS-HD Mono Indonesian (All Films Except Suzzanna: The Queen of Black Magic), DTS-HD Stereo Indonesian (Suzzanna: The Queen of Black Magic)
Subtitles: English (All Films)
Region Coding: Region A (All Films Except Suzzanna: The Queen of Black Magic), Region Free (Suzzanna: The Queen of Black Magic)
Retail Price: $79.95

"The Queen of Indonesian horror” (Collider) stars in two classic films from the latter part of her legendary career featuring three of her most provocative performances of all: Suzzanna has the time of her life as a woman who returns from the dead – complete with eye-popping special effects and Freddy Krueger-style razor glove – to avenge her family’s massacre in PACT WITH THE FORCES OF DARKNESS from writer/director Sisworo Gautama Putra (SATAN’S SLAVE, MALAM SATU SURO). In WHITE CROCODILE QUEEN, directed by H. Tjut Djalil (MYSTICS IN BALI, LADY TERMINATOR), Suzzanna triumphs in a dual role as a malevolent reptile empress who possesses the body of her sexually uninhibited twin sister to unleash savage retribution on the men who murdered their parents.

In her most iconic role of all, “Indonesia’s greatest scream queen” (Whitlock & Pope) stars as folkloric ghoul Sundelbolong – literally ‘ghost with hole’, the vengeful spirit of a rape victim whose long black hair hides the maggot-infested opening in her back through which her baby was born – in these two classic ‘80s shockers: In MALAM SATU SORO, Suzzanna brings supernatural carnage to the big city when a violent kidnapping unlocks Sundelbolong’s maternal fury. In KLIWON FRIDAY NIGHT, Suzzanna is an agoraphobic author whose haunting by Sundelbolong triggers a nightmare of dark secrets and demonic mayhem. 

She starred in 42 movies and is still hailed as ‘The Queen of Indonesian Horror’. But who was Suzanna Martha Frederika van Osch, beloved by the Asian world as Suzzanna yet virtually unknown outside it? In this “stellar” (Hi-Def Digest) Severin Films documentary from director David Gregory (ENTER THE CLONES OF BRUCE, BLOOD & FLESH: THE REEL LIFE & GHASTLY DEATH OF AL ADAMSON), discover the enigmatic horror star best known for portraying vengeful spirits from Indonesian folklore, demons whose supernatural retribution are widely believed to have influenced her controversial life and mysterious death. Through exclusive interviews with family, colleagues, filmmakers and historians, as well as “gloriously over-the-top” (Gizmodo) clips from her classic films, Gregory unearths the legacy of “Indonesia’s eternal queen of darkness” (Vice), complete with over 3 hours of revealing Special Features that include Suzzanna’s final film, GHOST AMBULANCE." - synopsis provided by the distributor

Video: 4/5 (Pact with the Forces of Darkness, White Crocodile Queen, Malam Satu Suro, Kliwon Friday Night), 1/5 (Ghost Ambulance)

Here’s the information provided about the transfers, "Pact with the Forces of Darkness, White Crocodile Queen, Malam Satu Suro, and Kliwon Friday Night are now scanned in 2K from their original camera negatives in English-friendly versions for the first time ever in America.

The following presentation of Ghost Ambulance is sourced from the producer's only usable file of the feature, as the original master is apparently lost.

While it suffers from baked-in interlacing and other digital abnormalities, it is the best possible version available of Suzzanna's final film."

Pact with the Forces of Darkness and White Crocodile Queen come on a 50 GB dual layer Blu-ray.

Disc Size: 44.9 GB

Feature: 20.6 GB (Pact with the Forces of Darkness), 23.7 GB (White Crocodile Queen)

Malam Satu Suro and Kliwon Friday Night come on a 50 GB dual layer Blu-ray.

Disc Size: 43.5 GB

Feature: 20.3 GB (Malam Satu Suro), 21.3 GB (Kliwon Friday Night)

Suzzanna: The Queen of Black Magic and Ghost Ambulance come on a 50 GB dual layer Blu-ray.

Disc Size: 45.7 GB

Feature: 19.5 GB (Suzzanna: The Queen of Black Magic), 20.7 GB (Ghost Ambulance)

Pact with the Forces of Darkness, White Crocodile Queen, Malam Satu Suro, and Kliwon Friday Night is on par with the best-looking transfers for Indonesian films that have been released in North America on Blu-ray. Flesh tones and colors look correct, image clarity is strong, black levels fare well, and there are no issues with compression or digital noise reduction. That said, Ghost Ambulance looks considerably worse; the image is interlaced and digitized.

Audio: 3.75/5 (All Audio Tracks)

Pact with the Forces of Darkness, White Crocodile Queen, Malam Satu Suro, Kliwon Friday Night, and Ghost Ambulance each come with one audio option, a DTS-HD mono mix in Indonesian with removable English subtitles. While all tracks sound clear and balanced, they are limited range-wise.

Extras:

There are no extras on the disc with Pact with the Forces of Darkness and White Crocodile Queen.

Extras on the disc with Malam Satu Suro and Kliwon Friday Night include Hantu Retribution: Female Ghosts Of The Malay Archipelago—an interview with filmmaker Katrina Irawati Graham and Dr. Rosalind Galt, author of Alluring Monsters: The Pontianak and Cinemas of Decolonization (28 minutes 43 seconds, Dolby Digital stereo English, no subtitles).

Extras for Suzzanna: The Queen of Black Magic include a trailer (2 minutes 35 seconds, Dolby Digital stereo English and Indonesian with non-removable English subtitles), David Gregory’s introduction at the Jakarta Film Week Screening, October 2024 (3 minutes 10 seconds, Dolby Digital stereo English, no subtitles), and a conversation with director/co-producer David Gregory and co-producer Ekky Imanjaya (18 minutes 55 seconds, Dolby Digital stereo English, no subtitles).

Extras for Ghost Ambulance include a trailer (1 minute 57 seconds, Dolby Digital mono Indonesian with removable English subtitles), promo clips (24 minutes 5 seconds, Dolby Digital mono Indonesian with removable English subtitles), a Ghost Ambulance Silet interview with Suzzanna and Clift Sangra (14 minutes 50 seconds, Dolby Digital mono Indonesian with removable English subtitles), ShowBiz on Location interviews with the cast and crew (20 minutes 35 seconds, Dolby Digital mono Indonesian with removable English subtitles), and an archival featurette titled The Making of Ghost Ambulance (28 minutes 33 seconds, Dolby Digital mono Indonesian with removable English subtitles).

Summary:

Suzzanna: The Queen of Black Magic is an exemplary documentary about the life and career of Indonesian actress Suzzanna. Not only does it feature comments from Suzzanna via archival interviews, it provides a well-rounded overview of her from those who knew and worked with her. While most will be drawn to the discussion of the films she appeared in, the strength of the documentary is her personal life and the tragedies she experienced, notably the death of her son. Ultimately, Suzzanna: The Queen of Black Magic is a must-see documentary for fans of Indonesian cinema.

Sisworo Gautama Putra directed Pact with the Forces of Darkness, Malam Satu Suro, and Kliwon Friday Night. He’s most known for Primitives, Satan’s Slave, The Warrior, Sundelbolong, Srigala, Santet, and Santet 2.

H. Tjut Djalil directed White Crocodile Queen. He’s most known for Mystics of Bali and Lady Terminator.

Pact with the Forces of Darkness: A greedy businessman murders his rival and his family. The dead rival's wife returns as a vengeful ghost that avenges their deaths.

White Crocodile Queen: A curse is put on a man who steals an amulet that subdues crocodiles.

Malam Satu Suro: A vengeful ghost is given a second chance to live a normal life. Her happiness is short-lived when men change her back to a vengeful ghost and kill her child.

Kliwon Friday Night: An author questions her sanity after moving into an old house inhabited by a vengeful ghost.

There is a lot of overlap between Pact with the Forces of Darkness, White Crocodile Queen, Malam Satu Suro, and Kliwon Friday Night. Commonalties they share are characters driven by greed, curses, and vengeful ghosts. Another commonality is that all of these stories begin with opening setups that capture the audience's attention. A man and his family are murdered in Pact with the Forces of Darkness, a woman dies in childbirth in the White Crocodile Queen, a man summons a vengeful spirit and gives her life in Malam Satu Suro, and a child bursts out of its mother's back in Kliwon Friday Night.

All of these films are a mix of supernatural horror and exploitation, and some have martial arts thrown into the mix. When it comes to carnage, these moments are gory and at times jaw-dropping. While their use of practical special effects mostly works, there are times when the effects call attention to themselves like people in crocodile rubber suits. All of the narratives, except for Malam Satu Suro, move briskly, while that film feels padded and at times momentum drags. Of course, the main draw of these films is Suzzanna, who always outshines the rest of the cast.

Ghost Ambulance: A pact with a malevolent demon returns to haunt a family when a son returns to his family's ancestral home, where the deal was struck.

Although Ghost Ambulance has all of the elements that one expects from an Indonesian supernatural horror film, a curse, revenge, and a vengeful ghost, its execution leaves a lot to be desired. The narrative does a good job balancing scares and exposition as it effectively builds to a climax that perfectly puts everything into focus. Ghost Ambulance’s use of sound and jump scares, while effective at first, loses some of their bite from overuse. The main draw of Ghost Ambulance is Suzzanna, Indonesia’s most iconic horror film actress, making her final film. Unfortunately, her screentime is limited.

Suzzanna: Empress of Darkness is an excellent release from Severin Films that gives each film their best presentations to date and insightful extras, notably Suzzanna: The Queen of Black Magic. Recommended.






























Written by Michael Den Boer

Wednesday, March 19, 2025

The Hungry Snake Woman: Limited Red Case Edition – Mondo Macabro (Blu-ray)

Theatrical Release Date: Indonesia, 1986
Director: Sisworo Gautama Putra
Cast: Suzzanna, Advent Bangun, George Rudy, Nina Anwar, Dorman Borisman, Rita Supardi, Torita Murni, Bokir

Release Date: August, 2024
Approximate Running Time: 82 Minutes 28 Seconds
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: NR
Sound: DTS-HD Mono Indonesian, DTS-HD Mono English
Subtitles: English
Region Coding: Region Free
Retail Price: OOP

"Burhan, desperate for wealth and glory, decides to visit the Snake Woman, a mysterious and powerful deity who can confer instant riches on those who obey her commands. She tells Burhan he must kill three women, feast on their blood and eat their breasts. Transformed into Dracula, with cloak and fangs, he sets off on his mission. One killing is all he can take before abandoning the task.

He encounters Nyi Lajang, the Snake Woman’s enemy, a half human/half snake creature. Nyi Lajang offers Burhan a way out of his contract with the Snake Woman. She gives him a silver pin that he must stab Snake Woman with during sex while she is in human form. This will turn her back into a snake and neutralize all her magical powers. This is what Burhan does. But his problems are far from over…" - synopsis provided by the distributor

Video: 4.25/5

Here’s the information provided about this release's transfer, "Brand new 2k transfer from film negative, digitally restored."

The Hungry Snake Woman comes on a 25 GB single layer Blu-ray.

Disc Size: 22.5 GB

Feature: 22.2 GB

The source looks great; only a few minor instances of debris remain. Flesh tones look healthy, colors look very good, image clarity and black levels are strong, there are no issues with compression, and there do not appear to be any issues with digital noise reduction.

Audio: 4.25/5 (DTS-HD Mono Indonesian), 4/5 (DTS-HD Mono English)

This release comes with two audio options, a DTS-HD mono mix in Indonesian and a DTS-HD mono mix in English. Both audio tracks have some sibilance issues; fortunately, in both instances, it is not intrusive. That said, dialog comes through clearly, everything sounds balanced, and range-wise, both audio tracks sound very good. Included are removable English subtitles for the Indonesian language track.

Extras:

Extras exclusive to this limited edition release include reversible cover art, a set of four double sided art cards, and a 18-page booklet with an essay titled Hungry Snake Women… and Other Mystical Encounters written by Pete Tombs.

Summary:

Sisworo Gautama Putra directed The Hungry Snake Woman. He is also known for making Primitives, Satan's Slave, Sundelbolong, and The Warrior. The Hungry Snake Woman is a sequel to The Snake Queen. Sisworo Gautama Putra directed both films.

A man’s lust for wealth and power leads him to a half-human/half-snake creature who offers him all he seeks if he tricks the snake woman and returns her to her snake form.

Though The Hungry Snake Woman is a film that is firmly rooted in the realm of fantasy. Like a lot of Indonesian films, it mixes genres; besides fantasy elements, there is humor and some action. The Hungry Snake Woman is also a film that wears its influences; at one point, the man in search of wealth and power looks like Dracula. That said, it is this throw-everything-into-the-mix approach that makes Indonesian films so much fun.

The presence of the Snake Woman in The Hungry Snake Woman is reduced compared to its predecessor, The Snake Queen. This time around her nemesis, a half-human/half-snake creature named Nyi Lajang, has equal screen time. Despite these two characters' wickedness, the real villain of The Hungry Snake Woman is a man named Burhan. He’s power hungry and obsessed with his ex-girlfriend, who left him after he tried to rape her. In his mind, if he obtains wealth, all will be forgiven, and she will come back to him. His quest for power and wealth comes at a price; besides returning the Snake Woman to her snake form, he has to kill three women, drink their blood, and feast on their breasts.

The main attraction of The Hungry Snake Woman is Suzzanna (Sundelbolong), an actress whose career spanned five decades. Most of her films in the 1980s were in the fantasy and horror genre. In The Hungry Snake Woman, she not only portrays the Snake Woman but also a doppelganger character named Suzy. Whatever role she portrays, she is mesmerizing.

When it comes to the rest of the cast, they are very good in their roles, especially the actress who portrays Nyi Lajang, the half-human/half-snake creature. An actor named Bokir, who appears in a lot of 1980s Indonesian fantasy/horror films, does what he does best to provide comic relief. Advent Bangun delivers a pitch-perfect performance in the role of the abusive, power-hungry Burhan.

What Indonesian genre films lack when it comes to budget, they more than make up for in imagination. This is most clear in The Hungry Snake Woman when it comes to the special effects, which include a creature exploding out of a man’s chest. At 82 minutes in length, The Hungry Snake Woman never overstays its welcome. Ultimately, The Hungry Snake Woman is a highly entertaining film that fans of exploitation cinema should thoroughly enjoy.

The Hungry Snake Woman gets a solid audio/video presentation and an insightful booklet, highly recommended. 

Note: This edition is limited to 1500 copies.








Written by Michael Den Boer

Sunday, February 16, 2025

The Hungry Snake Woman – Mondo Macabro (Blu-ray)

Theatrical Release Date: Indonesia, 1986
Director: Sisworo Gautama Putra
Cast: Suzzanna, Advent Bangun, George Rudy, Nina Anwar, Dorman Borisman, Rita Supardi, Torita Murni, Bokir

Release Date: March 10th, 2025
Approximate Running Time: 82 Minutes 28 Seconds
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: NR
Sound: DTS-HD Mono Indonesian, DTS-HD Mono English
Subtitles: English
Region Coding: Region Free
Retail Price: $29.95

"Burhan, desperate for wealth and glory, decides to visit the Snake Woman, a mysterious and powerful deity who can confer instant riches on those who obey her commands. She tells Burhan he must kill three women, feast on their blood and eat their breasts. Transformed into Dracula, with cloak and fangs, he sets off on his mission. One killing is all he can take before abandoning the task.

He encounters Nyi Lajang, the Snake Woman’s enemy, a half human/half snake creature. Nyi Lajang offers Burhan a way out of his contract with the Snake Woman. She gives him a silver pin that he must stab Snake Woman with during sex while she is in human form. This will turn her back into a snake and neutralize all her magical powers. This is what Burhan does. But his problems are far from over…" - synopsis provided by the distributor

Video: 4.25/5

Here’s the information provided about this release's transfer, "Brand new 2k transfer from film negative, digitally restored."

The Hungry Snake Woman comes on a 25 GB single layer Blu-ray.

Disc Size: 22.5 GB

Feature: 22.2 GB

The source looks great; only a few minor instances of debris remain. Flesh tones look healthy, colors look very good, image clarity and black levels are strong, there are no issues with compression, and there do not appear to be any issues with digital noise reduction.

Audio: 4.25/5 (DTS-HD Mono Indonesian), 4/5 (DTS-HD Mono English)

This release comes with two audio options, a DTS-HD mono mix in Indonesian and a DTS-HD mono mix in English. Both audio tracks have some sibilance issues; fortunately, in both instances, it is not intrusive. That said, dialog comes through clearly, everything sounds balanced, and range-wise, both audio tracks sound very good. Included are removable English subtitles for the Indonesian language track.

Extras:

There is no extra content.

Summary:

Sisworo Gautama Putra directed The Hungry Snake Woman. He is also known for making Primitives, Satan's Slave, Sundelbolong, and The Warrior. The Hungry Snake Woman is a sequel to The Snake Queen. Sisworo Gautama Putra directed both films.

A man’s lust for wealth and power leads him to a half-human/half-snake creature who offers him all he seeks if he tricks the snake woman and returns her to her snake form.

Though The Hungry Snake Woman is a film that is firmly rooted in the realm of fantasy. Like a lot of Indonesian films, it mixes genres; besides fantasy elements, there is humor and some action. The Hungry Snake Woman is also a film that wears its influences; at one point, the man in search of wealth and power looks like Dracula. That said, it is this throw-everything-into-the-mix approach that makes Indonesian films so much fun.

The presence of the Snake Woman in The Hungry Snake Woman is reduced compared to its predecessor, The Snake Queen. This time around her nemesis, a half-human/half-snake creature named Nyi Lajang, has equal screen time. Despite these two characters' wickedness, the real villain of The Hungry Snake Woman is a man named Burhan. He’s power hungry and obsessed with his ex-girlfriend, who left him after he tried to rape her. In his mind, if he obtains wealth, all will be forgiven, and she will come back to him. His quest for power and wealth comes at a price; besides returning the Snake Woman to her snake form, he has to kill three women, drink their blood, and feast on their breasts.

The main attraction of The Hungry Snake Woman is Suzzanna (Sundelbolong), an actress whose career spanned five decades. Most of her films in the 1980s were in the fantasy and horror genre. In The Hungry Snake Woman, she not only portrays the Snake Woman but also a doppelganger character named Suzy. Whatever role she portrays, she is mesmerizing.

When it comes to the rest of the cast, they are very good in their roles, especially the actress who portrays Nyi Lajang, the half-human/half-snake creature. An actor named Bokir, who appears in a lot of 1980s Indonesian fantasy/horror films, does what he does best to provide comic relief. Advent Bangun delivers a pitch-perfect performance in the role of the abusive, power-hungry Burhan.

What Indonesian genre films lack when it comes to budget, they more than make up for in imagination. This is most clear in The Hungry Snake Woman when it comes to the special effects, which include a creature exploding out of a man’s chest. At 82 minutes in length, The Hungry Snake Woman never overstays its welcome. Ultimately, The Hungry Snake Woman is a highly entertaining film that fans of exploitation cinema should thoroughly enjoy.

The Hungry Snake Woman gets a solid audio/video presentation; recommended despite its lack of contextual extras.








Written by Michael Den Boer

Thursday, October 17, 2024

The Warrior – Mondo Macabro (Blu-ray)

Theatrical Release Date: Indonesia, 1981
Director: Sisworo Gautama Putra
Cast: Barry Prima, W.D. Mochtar, Dana Christina, Eva Arnaz, Dorman Borisman, Rukman Herman, H.I.M. Damsyik, S. Parya, S. Suryabrata

Release Date: November 12th, 2024
Approximate Running Time: 91 Minutes 36 Seconds
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: NR
Sound: DTS-HD Mono Indonesian, DTS-HD Mono English
Subtitles: English
Region Coding: Region Free
Retail Price: $29.95

"Witchcraft and black magic versus mystical martial arts! This outrageously entertaining fantasy flick stars Indonesian action hero Barry Prima. He plays Jaka Sembung a kind of Robin Hood figure who possesses mystical powers. As a leader of his country’s rebellion against the oppressive Dutch colonialists, Jaka Sembung is captured, tortured and left for dead. But he returns, even more powerful than before. In desperation the invaders resurrect an evil wizard and set him against Jaka Sembung in a fierce fight to the death." - synopsis provided by the distributor

Video: 4.25/5

Here’s the information provided about this transfer, "HD transfer from the original negative".

The Warrior comes on a 50 GB dual layer Blu-ray.

Disc Size: 45.4 GB

Feature: 28.2 GB

The bulk of this transfer looks excellent; that said, there are still some instances of minor source damage. Flesh tones look healthy, colors look correct, image clarity and compression are solid, and black levels fare well.

Audio: 4.25/5

This release comes with two audio options, a DTS-HD mono mix in Indonesian and a DTS-HD mono mix in English. Both audio tracks sound clean, clear, and balanced. That said, the English-language track sounds more robust than the Indonesian audio track. Included are removable English subtitles for the Indonesian language track.

Extras:

Extras for this release include theatrical trailers for The Warrior (4 minutes 15 seconds, DTS-HD mono English, no subtitles), The Warrior and the Blind Swordsman (2 minutes 56 seconds, DTS-HD mono English, no subtitles) and The Warrior and the Ninja (3 minutes 21 seconds, DTS-HD mono English, no subtitles), an archival interview with screenwriter Imam Tantowi (9 minutes 43 seconds, Dolby Digital stereo Indonesian with removable English subtitles), an archival interview with producer Gope Samtani (11 minutes 59 seconds, Dolby Digital stereo English, no subtitles), an interview with SFX maestro EL Badrun (22 minutes 51 seconds, Dolby Digital stereo Indonesian with removable English subtitles), an interview with filmmaker Joko Anwar (37 minutes 3 seconds, Dolby Digital stereo English, no subtitles), and an interview with Imam Tantowi (21 minutes 3 seconds, Dolby Digital stereo Indonesian with removable English subtitles).

Summary:

When word spreads about an impending revolt, the Dutch occupiers set their sights on eliminating the leader of the rebellion, Jaka Sembung, once and for all.

Sisworo Gautama Putra directed The Warrior. He is also known for making Primitives, Satan's Slave, Sundelbolong, and The Hungry Snake Woman.

With only one film under his belt, The Warrior would make Barry Prima a star who would rule 1980s Indonesian action cinema. The Warrior would also reteam Barry Prima with director Sisworo Gautama Putra; they had already worked together on Primitives. Barry Prima would portray Jaka Sembung in four films: The Warrior, The Warrior and the Blind Swordsman, The Warrior and the Ninja, and Jaka Sembung and the Ocean Goddess.

The Warrior is a melting pot of the outlandish and the bizarre. Body parts are dismembered and reattached with ease, eyes are gouged, the dead are raised, and in one scene the protagonist is transformed into a pig. An ample amount of bloody carnage is present, and the fight sequences are ridiculously exaggerated.

The main attraction is Barry Prima in the role of Jaka Sembung, a Christ-like character who refuses to bend to Dutch occupiers. He delivers a solid performance that more than fulfills the role of the hero; is it not surprising that out of all the characters he’s portrayed, Jaka Sembung is the one he’s most identified with. Also, the deliriously over-the-top bad guys should not be overlooked when discussing the performances.

The Warrior, like all Indonesian cinema from this era, is not known for its polished production values, and yet it is a film that succeeds despite its shortcomings. And though the bloody moments of carnage far outnumber moments of exposition, this does not affect pacing in any way as things move along briskly. Ultimately, The Warrior is a satisfying mix of carnage, action, and mayhem that often exceeds expectations.

The Warrior gets an exceptional release from Mondo Macabro that comes with a strong audio/video presentation and informative extras; highly recommended.









Written by Michael Den Boer

Jan S. Kolár: Czech Silent Rarities: Standard Edition – Deaf Crocodile (Blu-ray) Theatrical Release Dates: Czechoslovakia, 1921 (The Arriva...