School on Fire: Hong Kong Cinema Classics – Shout! Factory (UHD/Blu-ray Combo)

Theatrical Release Date: Hong Kong, 1988
Director: Ringo Lam
Writer: Nam Yin
Cast: Sarah Lee, Damian Lau, Fennie Yuen, Lam Ching-ying, Roy Cheung

Release Date: August 4th, 2026
Approximate Running Time: 102 Minutes 58 Seconds
Aspect Ratio: 1.85:1 Widescreen / 2160 Progressive / HEVC / H.265 / HDR10 Dolby Vision
Rating: NR
Sound: DTS-HD Mono Cantonese (Theatrical), DTS-HD Mono Cantonese (Uncensored)
Subtitles: English
Region Coding: Region Free (4K UHD), Region A (Blu-ray)
Retail Price: $44.98

"A young schoolgirl, Yuen Fong, becomes caught in a tragic stranglehold of triad activity after she testifies in court over a triad beating. When this news reaches the triad leader Brother Smart, Yuen Fong must pay him protection money for what she has done as events begin to escalate." - synopsis provided by the distributor

Video: 5/5 (4K UHD, Blu-ray)

Here’s the information provided about this release's transfer, "4K scan from the original camera negative. Restored by Shout! Studios in 2026."

School on Fire comes on a 100 GB triple layer 4K UHD.

Disc Size: 70.8 GB

Feature: 70.5 GB

This is another solid transfer from Shout! Factory, the source looks excellent. Flesh tones and colors look correct, image clarity, black levels, and compression are solid, and the image retains an organic appearance.

School on Fire comes on a 50 GB dual layer Blu-ray.

Disc Size: 40.7 GB

Feature: 28.2 GB

This Blu-ray uses the same master that is used for the 4K UHD disc.

Audio: 5/5 (Both Tracks)

This release comes with two audio options, a DTS-HD mono mix in Cantonese (theatrical mix) and a DTS-HD mono mix in Cantonese (uncensored mix). Both tracks sound excellent; dialogue always comes through clearly, and everything sounds balanced and robust when it should. Included are English subtitles for both tracks. It should be noted that subtitles and audio can only be chosen via the audio setup menu, and they cannot be turned off while watching the main feature.

Extras:

Extras on the 4K UHD disc include an audio commentary with film historian Frank Djeng.

Extras on the Blu-ray disc include a theatrical trailer (4 minutes 41 seconds, DTS-HD mono Cantonese with non-removable English subtitles), extended and uncensored footage (4 minutes 5 seconds, DTS-HD mono Cantonese with burnt-in English subtitles), an interview with Hong Kong film critic James Mudge titled Back to the Classroom (18 minutes 51 seconds, DTS-HD stereo English with non-removable English subtitles for Cantonese film clips), an interview with executive director Raymond Lee titled Raymond Lee Remembers School on Fire (12 minutes 44 seconds, DTS-HD stereo Cantonese with non-removable English subtitles), an interview with actress Fennie Yuen titled Fiery Thoughts (29 minutes 47 seconds, DTS-HD stereo Cantonese with non-removable English subtitles), and audio commentary with Frank Djeng.

Other extras include a slipcover (limited to the first pressing).

Summary:

Ringo Lam directed School on Fire. He rose to prominence in Hong Kong cinema in the latter part of the 1980s after directing films like City on Fire, Prison on Fire, and Full Contact. He made three films in Hollywood with Jean-Claude Van Damme, and unlike most of his contemporaries, he has also managed to stay active in Hong Kong cinema.

A young girl’s life spirals out of control after she testifies against a triad whose beating led to one of her classmates' deaths.

After years of making films that were assigned to him rather than his true desires, he had his breakout with City on Fire. From there he would make two more “Fire" films: Prison on Fire and School on Fire, each more violent and political than the previous. While not a traditional trilogy, the thing that is central to these three films is how they revolve around characters who are part of or victims of organized crime.

While Ringo Lam has never shied away from injecting special commentary in his films, School on Fire is his most overtly political film. Upon its release, School on Fire was censored in Hong Kong and Taiwan. The only uncut version of School on Fire is the Tai Seng VHS video release from Rainbow Audio & Video Co. That said, Shout! Factory for this release has reinstated all censored dialogue, while the censored footage only exists on VHS, and it is included as an extra.

What sets School on Fire apart from other 1980s Hong Kong crime films is how it depicts law enforcement and criminals. Where other Hong Kong crime films from this era made a clear distinction between these two, School on Fire shows the police in a more negative light. That said, another way that School on Fire goes against the grain is how it does not glamorize the criminals.

The performances are outstanding, especially Fennie Yuen's (Swordsman) portrayal of Yuen Fong, a schoolgirl caught in the triads' crossheirs. She delivers a remarkable performance that is the heart and soul of School on Fire. Though not a name as recognised by Western audiences like Chow Yun-fat, Roy Cheung was central to Ringo Lam’s film from City on Fire to Prison on Fire II. He portrays a triad boss, and he delivers an intense performance that dominates every moment he’s in. Another performance of note is Lam Ching-ying (Mr Vampire) cast against type in the role of detective.

The opening setup grabs your attention and from there an escalation of violence effectively builds to a bloody justice-served finale. There is an authenticity to the violence; it feels more spur-of-the-moment than cinematic. When discussing School on Fire, Lowell Lo’s (The Killer) outstanding mood-reinforcing score should not be undervalued. Ultimately, School on Fire is an intense crime drama where everyone is at the top of their game and everything falls into place perfectly.

Shout! Factory gives School on Fire an exceptional release that comes with a solid audio/video presentation and a wealth of insightful extras. Highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.

Written by Michael Den Boer

Red Sorghum – Whole Grain Pictures (Blu-ray)

Theatrical Release Date: China, 1988
Director: Zhang Yimou
Writers: Chen Jianyu, Zhu Wei
Cast: Gong Li, Jiang Wen, Ji Chunhua, Teng Rujun

Release Date: July 14th, 2026
Approximate Running Time: 94 Minutes 17 Seconds
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: NR
Sound: LPCM Mono Mandarin
Subtitles: English
Region Coding: Region A
Retail Price: $29.95

"Shandong, China, late 1930s. A girl named Jiu'er is sent by her parents to marry an old man who owns a failing sorghum wine distillery. When the old man dies under mysterious circumstances, Jiu'er must take over the business... and her tenacity quickly gains the love and support of the rough but kind distillery workers." - synopsis provided by the distributor

Video: 4.5/5

Here’s the information provided about this release's transfer, "Red Sorghum is presented in a new HD remastered version for the first time in North America."

Red Sorghum comes on a 50 GB dual layer Blu-ray.

Disc Size: 43.1 GB

Feature: 26 GB

The source looks excellent, the flesh tones look correct, the colors are nicely saturated, the image clarity, black levels, and compression are solid, and there are no issues with digital noise reduction.

Audio: 5/5

This release comes with one audio option, a LPCM mono mix in Mandarin with removable English subtitles. The track maintains excellent quality, with clear dialogue and well-represented ambient sounds.

Extras:

Extras for this release include a US Blu-ray trailer for Red Sorghum (1 minute 17 seconds, LPCM mono Mandarin with non-removable English subtitles), an interview with Chinese film historian Tony Rayns (55 minutes 10 minutes, LPCM stereo English, no subtitles), a video essay by film historian Jonathan Clements titled Red Redemption (13 minutes 31 seconds, LPCM stereo English with non-removable English subtitles for Mandarin film clips), an audio commentary with Michael Berry, a professor of Asian Languages and Cultures at UCLA, and trailers for other films released by OCD Media.

Summary:

Red Sorghum was Zhang Yimou's directorial debut. Zhang Yimou is the most prominent Chinese filmmaker of his generation. Zhang Yimou's notable films are Red Sorghum, Ju Dou, Raise the Red Lantern, To Live, The Road Home, Hero, and House of Flying Daggers.

A young woman named Jiu'er is forced to marry an old man with leprosy who owns a wine distillery. When the old man dies a few days after they are married, Jiu'er takes it upon herself to keep the distillery open.

The story that unfolds takes place in a rural village in Shandong province during the Second Sino-Japanese War. While Red Sorghum is Jiu'er’s story, it is not told by her; it is narrated by her grandson. The opening setup does an exceptional job drawing you in by fleshing out its main characters, and from there the conflict-driven narrative effectively builds momentum to its tragic finale.

Gong Li would make her film debut in the role of Jiu'er. While in college, Gong Li was discovered by Zhang Yimou, with whom eight more films would be worked on together. Gong Li delivers a remarkable performance that foreshadows where she would go as an actress. Another performance of note is Jiang Wen (Let the Bullets Fly) in the role of Yu, a man who Jiu'er falls in love with. Yu is an impulsive character who often loses his temper.

Red Sorghum is a beautifully photographed film, especially moments where everything is bathed in red. The visuals take full advantage of the rural landscapes, and the way the camera moves greatly enhances the mood. For all of its beauty, Red Sorghum is also a film that has moments that are difficult to watch. The most notable are the scene where Jiu'er is raped by a masked man (Yu) and a scene where Japanese soldiers force a butcher to skin alive captured Chinese communist soldiers. Ultimately, Red Sorghum is an outstanding film that has not lost any of its potency.

Whole Grain Pictures gives Red Sorghum an excellent release that comes with a solid audio/video presentation and a trio of exemplary extras. Highly recommended.

Written by Michael Den Boer

Operation Scorpio – 88 Films (Blu-ray)

Theatrical Release Date: Hong Kong, 1992
Director: David Lai
Writers: Barry Wong, David Chan
Cast: Chin Kar-lok, Lau Kar-leung, Won Jin, May Lo, Fung Woo, Victor Hon, Frankie Chin, Steven Yuen

Release Date: August 10th, 2026 (UK), August 11th, 2026 (USA)
Approximate Running Time: 100 Minutes 17 Seconds
Aspect Ratio: 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: 15 (UK), NR (USA)
Sound: LPCM Mono Cantonese, LPCM Mono English
Subtitles: English
Region Coding: Region A,B
Retail Price: £20.00 (UK), $29.95 (USA)

"A young man learns martial arts from two masters of opposing styles; he then combines them to take on the local gangster's son, who is a master of the deadly Scorpion Style." - synopsis provided by the distributor

Video: 4.5/5

Here’s the information provided about this release's transfer, "2K restoration from the original negative."

Operation Scorpio comes on a 50 GB dual layer Blu-ray.

Disc Size: 46.2 GB

Feature: 30.3 GB

The source looks excellent; flesh tones and colors look correct, image clarity, black levels, and compression are solid, and there are no issues with digital noise reduction.

Audio: 4.5/5 (LPCM Mono Cantonese), 4/5 (LPCM Mono English)

This release comes with two audio options, a LPCM mono mix in Cantonese and a LPCM mono mix in English. Both tracks sound clear and balanced and ambient sounds are well represented. That said, the Cantonese-language track sounds more robust than the English-language track. Included are removable English subtitles for the Cantonese-language track and when watching the English-language track there are English subtitles for a song and text that are Cantonese.

Extras:

Extras for this release include an image gallery (stills/posters), an English-language theatrical trailer (1 minute 52 seconds, DTS-HD mono English, no subtitles), a Cantonese language theatrical trailer (3 minutes 30 seconds, DTS-HD mono Cantonese with removable English subtitles), English-language opening and closing credits (2 minutes 14 seconds, DTS-HD mono), an archival interview with actor and martial arts choreographer Lau Kar Leung (17 minutes 46 seconds, DTS-HD stereo Cantonese with removable English subtitles), an archival interview with actor Won Jin (20 minutes 7 seconds, DTS-HD stereo Korean with removable English subtitles), an archival interview with Chin Kar Lok (18 minutes 12 seconds, DTS-HD stereo Cantonese with removable English subtitles), Won Jin Audition Reel (2 minutes 44 seconds, DTS-HD stereo), a sneak peek at Jump Senior, directed, produced, written, choreographed, and starring Won Jin (2 minutes 3 seconds, DTS-HD stereo Cantonese with removable English subtitles), five scene-specific audio commentaries by Won Jin in Korean with removable English subtitles, an interview with Won Jin titled Scorpion in Seoul (65 minutes 52 seconds, DTS-HD stereo Korean with removable English subtitles), an audio commentary with Paul Bramhall, reversible Sleeve, an O-Ring slipcase (limited to the first pressing), and a 36-page booklet (limited to the first pressing) with an essay titled Lau Kar Leung: The Grandmaster of Kung Fu Cinema written by Johnny Burnett, an easy titled Operation Seoul: The Journey to Interview Won Jin written by Paul Bramhall, and Kung Fu Bob Presents Animal Styles.

Summary:

David Lai directed Operation Scorpio. He’s known for Possessed, Possessed II, Women on the Run, and Heaven and Earth.

A young man who dreams of being a martial arts hero combines the two fighting styles of his two teachers, creating a new style that he employs against a gangster's son who mastered the deadly scorpion style.

Operation Scorpio takes the familiar blueprint: a novice who dreams of being a martial arts expert, who through sheer determination archives his goal. The protagonist, Fei Yu Shu, has the right intentions but constantly gets into trouble for avoiding his responsibilities. What makes his journey more interesting than similar themed martial arts films is that he has two teachers with contrasting fighting styles that he melds into one style. That said, one of his teachers' styles relies on brute force while the other relies on control.

All around, the cast are excellent in the roles, especially Lau Kar-leung (Drunken Master II) in the role of master Lo, the most feared killer in the underworld, who’s been hiding as a cook. He also worked as the martial arts choreographer on Operation Scorpio. Chin Kar-lok (Full Throttle) is cast in the role of Fei Yu Shu, and he convincingly moves from novice to the martial arts expert. Another performance of note is Won Jin’s portrayal of Sonny Wang, who’s character has mastered the deadly scorpion style.

While the narrative does an excellent job fleshing out characters and setting the foundation, the main attraction is the action set pieces. The most notable action sequences are the ones where Sonny Wang showcases his scorpion fighting style. That said, all of the action sequences are overflowing with inventiveness and outstanding stuntwork. Ultimately, Operation Scorpio is a highly entertaining martial arts film that serves as a time capsule for the type of films that Honjg Kong used to make.

Operation Scorpio gets an excellent release from 88 Films that comes with a solid audio/video presentation and informative extras. Highly recommended.

Written by Michael Den Boer

Stoner – 88 Films (Blu-ray)

Theatrical Release Date: Hong Kong, 1974
Director: Huang Feng
Writers: Huang Feng, Ni Kuang
Cast: Angela Mao, George Lazenby, Betty Ting, Hwang In-shik, Joji Takagi, Sammo Hung Kam-Bo

Release Date: August 11th, 2026
Approximate Running Times: 114 Minutes 58 Seconds (Hong Kong Version/Malaysian Version), 106 Minutes 9 Seconds (Export Version)
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVC (Both Versions)
Rating: NR
Sound: LPCM Mono Mandarin (Hong Kong Version/Malaysian Version), LPCM Mono English (Export Version)
Subtitles: English (Hong Kong Version/Malaysian Version)
Region Coding: Region A
Retail Price: $29.95

"Someone's flooding Australia with designer drugs and Sydney's toughest cop, Joshua Stoner - George Lazenby (On Her Majesty's Secret Service, Queen's Ransom) - has travelled to Hong Kong to find out who. He's not the only one on the hunt - Taiwanese super-cop Li (Angela Mao, the first lady of kung-fu) is also on the case; between them, the mob is in big trouble." - synopsis provided by the distributor

Video: 4.25/5 (Hong Kong Version/Malaysian Verson, Export Version)

Here’s the information provided about this release's transfer, "2K restoration from the original negative."

Stoner comes on a 50 GB dual layer Blu-ray.

Disc Size: 44.6 GB

Feature: 32.6 GB

The sources look excellent; flesh tones and colors look correct, image clarity and black levels are strong, compression is solid, and there are no issues with digital noise reduction.

Audio: 4.25/5 (Both Mandarin Audio Tracks), 3.75/5 (LPCM Mono English)

The Hong Kong version comes with two audio options, a LPCM mono mix in Mandarin and an alternate LPCM mono mix in Mandarin for the Malaysian version. Both tracks sound clean, clear, and balanced, and action sequences sound robust when they should. Included are removable English subtitles for the Mandarin tracks. The export version comes with one audio option, a LPCM mono mix in English with removable English subtitles for text in Mandarin. The track sounds clean, clear, and balanced. That said, it is not as robust as the Mandarin tracks.

Extras:

Extras for this release include an image gallery with music from the film playing in the background (stills/posters), a theatrical trailer (4 minutes 9 seconds, Dolby Digital mono Mandarin with burnt-in English subtitles), an alternate title sequence from the Malaysian version (1 minute 41 seconds, Dolby Digital mono), an interview with Kim Newman on Stoner titled Kangaroo Kung Fu (15 minutes 40 seconds, Dolby Digital stereo English, no subtitles), an audio commentary with Frank Djeng and Michael Worth, reversible cover art, a double-sided foldout poster, and an O-card slipcase (limited to the first pressing).

Summary:

Huang Feng directed Stoner. He’s known for The Shaolin Plot, Naked Comes the Huntress and his nine collaborations with Angela Mao.

An Australian cop investigating a new deadly drug becomes personal when his sister overdoses. From there he travels to Hong Kong, looking to take down those responsible for his sister's death.

Stoner originally began as The Shrine of Ulitmalte Biss, and it was supposed to be Bruce Lee’s next film after Game of Death. The Shrine of Ulitmalte Biss would have paired Bruce Lee with Shin’ichi ‘Sonny’ Chiba; it was the first of three films George Lazenby made for Golden Harvest. After Bruce Lee’s death, The Shrine of Ulitmalte Biss would morph into something completely different with Shin’ichi ‘Sonny’ Chiba dropping out and Angela Mao being added to the cast.

While Stoner has most of the elements that one expects from 1970s martial arts films, the result is a film that leans heavily into exploitation elements, notably T&A. Another clear influence is the spy film genre, which is not a surprise since George Lazenby did portray James Bond. That said, despite Hong Kong cinema’s long history of successfully mixing genres, Stoner is not as effective in this regard.

Angela Mao (Lady Whirlwind) and George Lazenby (On Her Majesty's Secret Service) deliver solid performances, but they truly excel during action sequences. That said, the loss of Bruce Lee and Shin’ichi ‘Sonny’ Chiba is devastating and impossible to overcome. Sammo Hung Kam-Bo (The Magnificent Butcher) is cast in yet another evil henchman role before he had his breakout as a leading man.

The opening setup does a good job setting the foundation; unfortunately, the narrative that unfolds has trouble building any momentum. While the narrative is not without its issues, the action sequences for the most part are solid. Ultimately, despite its shortcomings, Stoner is a film that can be a lot of fun if you're in the right frame of mind.

Stoner gets a first-rate release from 88 Films that comes with a strong audio/video presentation, two versions of the film and informative extras. Recommended.

Written by Michael Den Boer

Destination Moon / Flight to Mars – Film Masters (Blu-ray)

Theatrical Release Dates: USA, 1950 (Destination Moon), USA, 1951 (Flight to Mars)
Director: Irving Pichel (Destination Moon), Lesley Selander (Flight to Mars)
Cast: John Archer, Warner Anderson, Tom Powers, Dick Wesson, Erin O'Brien-Moore (Destination Moon), Marguerite Chapman, Cameron Mitchell, Arthur Franz, Virginia Huston, John Litel, Morris Ankrum, Richard Gaines, Lucille Barkley, Robert Barrat (Flight to Mars)

Release Date: August 9th, 2026
Approximate Running Times: 91 Minutes 2 Seconds (Destination Moon), 71 Minutes 38 Seconds (Flight to Mars)
Aspect Ratio: 1.37:1 Aspect Ratio / 1080 Progressive / MPEG-4 AVC (Both Films)
Rating: NR
Sound: DTS-HD Mono English (Both Films)
Subtitles: English SDH (Both Films)
Region Coding: Region Free
Retail Price: $31.95

"Produced by Academy Award-winner George Pal, Destination Moon (1950) is the groundbreaking science-fiction classic that launched Hollywood into the Space Age, and set the standard for realistic space travel on screen. When a team of daring American industrialists and scientists defy government hesitation to build the world's first privately funded rocket, they embark on a perilous journey to the Moon. Cult favorite Flight to Mars (1951) is a thrilling blend of Cold War allegory and pulp adventure. A bold expedition crew reaches the Red Planet where they encounter an advanced Martian civilization with intentions that threaten Earth!" - synopsis provided by the distributor

Video: 4.25/5 (Destination Moon), 3.5/5 (Flight to Mars)

Here’s the information given about the transfers, "Both films are from 4K scans of 35mm archival elements."

Destination Moon comes on a 25 GB single layer Blu-ray.

Disc Size: 22.8 GB

Feature: 16.2 GB

The source looks excellent; flesh tones and colors look correct, image clarity and black levels are strong, and there are no issues with compression or digital noise reduction.

Flight to Mars comes on a 25 GB single layer Blu-ray.

Disc Size: 21.4 GB

Feature: 17.6 GB

Although the source is clean, free of any debris, it is a few notches below Destination Moon. Flesh tones and colors look correct, image clarity is strong, black levels fare well, and there are no issues with compression or digital noise reduction.

Audio: 3.75/5 (Both Audio Tracks)

Each film comes with one audio option, a DTS-HD mono mix in English with removable English SDH. Both tracks sound clean, clear, and balanced. That said, they are limited range-wise.

Extras:

Extras for Destination Moon include the original pressbook with music from the film playing in the background, a restored original theatrical trailer from a 4K scan (2 minutes 6 seconds, LPCM mono English, no subtitles), an archival audio interview with Monster Kid Bob Burns, who recalls his longtime friend, Sci-Fi producer George Pal (39 minutes 5 seconds, Dolby Digital stereo English, no subtitles), a documentary titled Man's Greatest Adventure: The Making of Destination Moon 23 minutes 9 seconds, LPCM stereo English with removable English subtitles), and an audio commentary with Justin Humphreys.

Extras for Flight to Mars include a restored original theatrical trailer (2 minutes, Dolby Digital mono English, no subtitles), an archival documentary titled Walter Mirisch: From Bomba to Body Snatchers (14 minutes 7 seconds, LPCM stereo English with removable English subtitles), an extended edition of a documenatry titled Interstellar Travelogues (15 minutes 52 seconds, LPCM stereo English with removable English subtitles), and an audio commentary with Justin Humphreys.

Other extras include a 14-page booklet with an essay titled One Small Step/One Giant Leap written by Sloan de Forest.

Summary:

Destination Moon: Irving Pichel directed Destination Moon. His notable films include The Most Dangerous Game (1932), Tomorrow Is Forever, Temptation, and Quicksand.

After their latest rocket failed, a scientist and a retired general enlist the owner of an aviation construction firm to help them build and successfully fly the first rocket to the moon.

While there were a few science fiction films before Destination Moon, it was the first to deal with the scientific and engineering challenges of space travel. Its opening 30 minutes are slow-moving until the rocket successfully launches into space. That said, once things move to outer space, the narrative hits its stride.

Destination Moon is not a film that’s going to be remembered because of its cast or their performance. The most famous cast member is Woody Woodpecker, who appears in a sequence to explain the principles behind space travel. The only cast member that leaves a lasting impression is Dick Wesson in the role of Joe, the rocket’s pilot. His character provides a lot of comedic relief for a film that’s mostly serious.

The middle section of the narrative focuses on the characters exploring space inside and outside of their rocket. The zero-gravity scenes look impressive. The last act sees them looking around the moon, and when they are faced with one final challenge, they band together to solve the problem. For a film about exploring space, there are no aliens. Ultimately, Destination Moon is an interesting time capsule film that some viewers might find too technical in its exploration of space.

Flight to Mars: Lesley Selander directed Flight to Mars. He directed 127 feature films; 107 of them were westerns.

An American scientific expedition to Mars encounters problems when the inhabitants of the planet try to prevent them from leaving.

Flight to Mars was shot quickly in five days on repurposed sets and sound effects from Rocketship X-M. While there are many similarities between Flight to Mars and Rocketship X-M, the latter features Martians who were descendants of a nuclear holocaust; the former encounters human-like species who, in many ways, are superior to humans. There was a proposed sequel to Flight to Mars titled Voyage to Venus that was never made.

Although a large portion of the narrative takes place in space and on Mars, there is not much in the way of special effects. The narrative is dialogue-heavy, with characters mostly philosophizing about space and life. The narrative also manages to weave in a pair of romantic entanglements.

While the cast all approach their characters with the utmost seriousness, there are too many unintentionally funny moments to take them seriously. The most notable cast member is Cameron Mitchell (Blood and Black Lace) in the role of a reporter who goes to Mars. The costumes worn by the women, very short mini skirts, showcase their sexy legs. Ultimately, Flight to Mars is a silly film that can be a lot of fun, and fortunately at 72 minutes it never overstays its welcome.

Film Masters gives Destination Moon and Flight to Mars their best home media release to date. Recommended.

Written by Michael Den Boer