Monday, June 8, 2026

Body Puzzle - Raro Video (Blu-ray)

Theatrical Release Date: Italy, 1992
Director: Lamberto Bava
Writers: Lamberto Bava, Teodoro Corrà, Bruce Martin, Domenico Paolella
Cast: Joanna Pacula, Tomas Arana, François Montagut, Gianni Garko, Erika Blanc, Matteo Gazzolo, Susanna Javicoli, Bruno Corazzari, Ursula von Baechler, Sebastiano Lo Monaco, Giovanni Lombardo Radice

Release Date: October 14th, 2025
Approximate Running Time: 98 minutes 31 Seconds
Aspect Ratio: 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVCC
Rating: NR
Sound: DTS-HD Stereo Italian, DTS-HD Stereo English
Subtitles: English, English SDH
Region Coding: Region Free
Retail Price: $29.95

"Body Puzzle is a thrillingly macabre slasher movie from giallo master Lamberto Bava (Demons). It tells the tragic story of mourning widow Tracy (Joanna Pacula, Gorky Park). Not only has her pianist husband Abe died in an auto accident, but someone keeps breaking into her house and leaving severed body parts lying around. The investigating police officer, Michael (Tomas Arana), strikes up a highly inappropriate romance with her to keep Tracy’s mind off the rapidly accumulating trophies. Michael desperately searches for a connection between the victims, and unearths a shocking secret from Abe’s past that reveals the identity of the killer." - synopsis provided by the distributor

Video: 3.75/5

Body Puzzle comes on a 50 GB dual layer Blu-ray.

Disc Size: 30.8 GB

Feature: 29.4 GB

The source looks clean and free of any noticeable source debris; flesh tones and colors look correct; image clarity and black levels are strong; and there are no issues with compression. That said, there are times where grain is not as tight as it should be and it looks noisy.

Audio: 4/5 (Both Audio Tracks)

This release comes with two audio options, a DTS-HD stereo mix in Italian and a DTS-HD stereo mix in English. Both tracks sound clean and balanced, and ambient sounds and the score are well-represented. Included are removable English subtitles for the Italian language track and removable English SDH for the English subtitles for the English language track.

Extras:

Extras for this release include a theatrical trailer for Body Puzzle (1 minute 11 seconds, DTS-HD stereo English, no subtitles), a theatrical trailer for The .44 Specialist (3 minutes 22 seconds, DTS-HD mono English, no subtitles) and film historians and Hosts of Wild, Wild Podcast Adrian Smith and Rod Barnett.

Summary:

A psychopath, somehow connected to her deceased husband, sends body parts to the widow of a pianist who died in a car accident. 

Although his career spans five decades (three as a director), Lamberto Bava has yet to gain the recognition that has befallen most of his contemporaries, most notably Sergio Martino, Umberto Lenzi, Lucio Fulci, and Dario Argento. He has also spent his entire career living in the shadow of his legendary father, cinematographer/director Mario Bava. Despite this lack of accolades as a filmmaker, his output has never waned as he continues to find work for Italian cinema and an occasional theatrical release.

By the early 1990s, the giallo, a once popular genre, had seen better days. So when Lamberto Bava made Body Puzzle (his first Giallo since Delirium: Photo of Gioia) in 1992, it is not surprising that the film barely registered on most filmgoers' radars. When Body Puzzle was initially released in Italy, it was re-edited and retitled Misteria due to legal issues around the use of Carl Orff's Carmina Burana. The new edit under the title Misteria uses Modest Mussorgsky's Night on Bald Mountain in place of Carl Orff's Carmina Burana.

Body Puzzle follows that blueprint that was laid out by Lamberto's father, Mario, whose first two thrillers, The Girl Who Knew Too Much and Blood and Black Lace, are considered the starting point for what would become the Giallo genre. While Body Puzzle effectively exploits many of the giallo’s cliches, revealing the killer's identity early on is an area where it goes against the grain. Where a staple of the giallo is a cat-and-mouse game between the killer and their victims, Body Puzzle shifts its focus to the killer's motives. That said, Body Puzzle ends like all giallo films end by tying up all loose ends with the revelation of the killers’ modus operandi.

When it comes to the performances, most of the cast are adequate in their respective roles. Fortunately this is not a major blow since the main ingredient for why Body Puzzle works as well as it does is Lamberto Bava’s solid direction, which does a superb job setting the tone and maintaining momentum. Notable cast members are Gianni Garko (The Psychic) in the role of the police chief; Erika Blanc (The Night Evelyn Came Out of the Grave), who portrays a psychiatrist; and Giovanni Lombardo Radice (City of the Living Dead), who portrays a flamboyant caretaker of a horse stable.

The narrative is briskly paced; it does a superb job crafting tense moments and building momentum. There are an ample number of visually striking moments; the most notable is a scene where a blind school teacher is carved up in front of her blind students. That said, although the kill scenes are not as gory as one would expect from a giallo, they are well-crafted moments of tension. Ultimately, Body Puzzle is one of the better post-1980s gialli, making it a film that fans of the genre should thoroughly enjoy.

Raro Video gives Body Puzzle a strong audio/video presentation and an informative audio commentary.

 







Written by Michael Den Boer

Sunday, June 7, 2026

Aesthetics of a Bullet: Limited Edition – Radiance Films (Blu-ray)

Theatrical Release Date: Japan, 1973
Director: Sadao Nakajima
Writer: Tatsuo Nogami
Cast: Tsunehiko Watase, Miki Sugimoto, Mitsuru Mori, Asao Koike, Ichirô Araki

Release Date: May 18th, 2026 (UK), May 19th, 2026 (USA)
Approximate Running Time: 97 Minutes 6 Seconds
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: 18 (UK), NR (USA)
Sound: LPCM Mono Japanese
Subtitles: English
Region Coding: Region A,B
Retail Price: £14.99 (UK), $39.95 (USA)

"A yakuza gang selects a good-for-nothing street vendor to stir up trouble in enemy territory. With a flashy suit, a gun, and a pocketful of money, he feels like a king, but when trouble comes knocking, he realizes that waving a gun and pulling the trigger are two very different things." - synopsis provided by the distributor

Video: 4.25/5

Here’s the information provided about this release's transfer, “Aesthetics of a Bullet was transferred in high definition by Toei Company and supplied to Radiance Films as a high-definition digital file."

Aesthetics of a Bullet comes on a 50 GB dual layer Blu-ray.

Disc Size: 36.9 GB

Feature: 26.4 GB

The source looks clean, free of any imperfections; flesh tones and colors look correct; image clarity and black levels are strong; compression is solid, and there are no issues with digital noise reduction.

Audio: 4.25/5

This release comes with one audio option, a LPCM mono mix in Japanese with removable English subtitles. The audio is clean, clear, and balanced, with well-represented ambient sounds.

Extras:

Extras for this release include a theatrical trailer (2 minutes 57 seconds, Dolby Digital mono Japanese with removable English subtitles), an archival interview with director Sadao Nakajima (19 minutes 28 seconds, Dolby Digital stereo Japanese with removable English subtitles), an interview with filmmaker Kazuyoshi Kumakiri (16 minutes 17 seconds, Dolby Digital stereo Japanese with removable English subtitles), an appreciation by filmmaker Robert Schwentke (29 minutes 52 seconds, Dolby Digital stereo English, no subtitles), reversible cover art, removable OBI strip leaving packaging free of certificates and markings; and a 36-page booklet (limited to 3,000 copies) with cast & crew information, an essay titled Escape Artist Dancing on a Tightrope written by Olaf Möller, an archival review written by Hayley Scanlon, an archival essay titled An Analysis of Aesthetics of a Bullet written by Rikiya Tayama, and information about the transfer.

Summary:

Sadao Nakajima directed Aesthetics of a Bullet. He’s known for The Japanese Godfather Trilogy, Memoir of Japanese Assassinations, Hot Springs Konjac Geisha, The Kyoto Connection, Tokyo-Seoul-Bangkok, Jeans Blues: No Future, The Rapacious Jailbreaker, and The Great Okinawa Yakuza War. A low-life crook gets a job as a yakuza hitman.

A low-life crook gets a job as a yakuza hitman.

Aesthetics of a Bullet is not your typical yakuza film. Where most of these films revolve around a cast of characters who vie for power, Aesthetics of a Bullet never really explores the underworld aspects of being a yakuza. Instead, its narrative revolves around a singular character who’s chosen not because of his connection but because of his lack of connections. He was chosen for the role of the "bullet"—a disposable killer who has no future beyond the job he has been given.

Tsunehiko Watase (Wandering Ginza Butterfly) is cast in the role of the protagonist Kiyoshi Koike, a disposable killer who takes his new role of yakuza hitman too seriously. The protagonist is alone at times, and his performances shine then. Another cast member of note is Miki Sugimoto (Zero Woman: Red Handcuffs); she portrays a woman who becomes romantically involved with the protagonist.

The opening setup does an excellent job drawing you in and holding you with a series of intense moments that build upon each other. While there are many tense moments, the protagonist does not give in to his worst impulses. The visuals, most of which are shot with a handheld camera, put you right in the thick of the action. Ultimately, Aesthetics of a Bullet is a well-crafted exploitation film that puts an inventive twist on the yakuza film.

Aesthetics of a Bullet gets a solid release from Radiance Films that comes with a strong audio/video presentation and informative extras. Highly recommended.

 







Written by Michael Den Boer

Saturday, June 6, 2026

Solo: Limited Edition – Radiance Films (Blu-ray)

Theatrical Release Date: France, 1970
Director: Jean-Pierre Mocky
Writers: Jean-Pierre Mocky, Alain Moury
Cast: Jean-Pierre Mocky, Sylvie Bréal, Anne Deleuze, Denis Le Guillou, Éric Burnelli, Alain Fourès, Henri Poirier

Release Date: June 22nd, 2026 (UK), June 23rd, 2026 (USA)
Approximate Running Time: 86 Minutes 56 Seconds
Aspect Ratio: 1.66:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: 15 (UK), NR (USA)
Sound: LPCM Mono French
Subtitles: English
Region Coding: Region A,B
Retail Price: £14.99 (UK), $39.95 (USA)

"A womanizing violinist and jewel thief (Jean-Pierre Mocky, Litan) must abandon his carefree lifestyle when he learns that his younger brother is part of the leftist revolutionary group responsible for the brutal murders of powerful men. Determined to save the life of his idealistic sibling, the cynical drifter becomes embroiled in a struggle that is not his to fight." - synopsis provided by the distributor

Video: 4.25/5

Here’s the information provided about this release's transfer, “Solo was restored in 4K by the Éclair Classics laboratory with support from the CNC and supervised by Mocky Delicious Products. The film was supplied to Radiance Films as a high-definition digital file.”

Solo comes on a 50 GB dual layer Blu-ray.

Disc Size: 34.2 GB

Feature: 25.2 GB

The source looks excellent; the flesh tones and colors look correct, the image clarity and compression are solid, the black levels are strong, and the grain remains intact.

Audio: 4.25/5

This release comes with one audio option, a LPCM mono mix in French with removable English subtitles. The audio is clean, clear, and balanced, with well-represented ambient sounds.

Extras:

Extras for this release include an image gallery (18 images—stills/posters); an archival interview with actor and director Jean-Pierre Mocky (12 minutes 55 seconds, Dolby Digital stereo French with removable English subtitles), an archival interview with actress Anne Deleuze (17 minutes 28 seconds, Dolby Digital stereo French with removable English subtitles), an archival interview with Jean-Pierre Mocky’s assistant and friend Eric Le Roy (14 minutes 51 seconds, Dolby Digital stereo French with removable English subtitles), reversible cover art, removable OBI strip leaving packaging free of certificates and markings; and a 28-page booklet (limited to 3,000 copies) with cast & crew information, an archival interview with Jean-Pierre Mocky titled Jean-Pierre Mocky, the Maverick of French Cinema conducted by Daniel Geldreich, an archival interview with Jean-Pierre Mocky conducted by Max Tessier, and information about the transfer.

Summary:

Jean-Pierre Mocky directed Solo. His filmography spans 63 years, from his directorial debut, The Chasers, to his penultimate film, Tous flics! released three years after his death. His notable films are Litan, Kill the Referee, and Agent Trouble.

An internationally known thief becomes the prime suspect in a series of killings targeting affluent individuals, which are carried out by a leftist revolutionary group led by his younger brother.

Although his later films are known for their satirical humor, his earlier films like Solo were a condemnation of restrictions imposed by society. The opening setup does a phenomenal job setting a bleak tone that's relentless and never lets up. From there, what unfolds is an intense story with characters of no redeeming qualities whose choices put them on a collusion course with death.

Instead of being a conventional police procedural, the narrative puts an inventive twist on a familiar scenario. After discovering what his younger brother has done, the protagonist tries to locate him before the police do. His frantic search parallels the police who are investigating the younger brother's crimes. That said, the narrative superbly brings these two together for an exemplary finale that serves as a perfect coda for the events that preceded.

Outside of a few uncredited appearances, Jean-Pierre Mocky had not acted in ten years before taking on the role of the protagonist. While he delivers a solid performance, he reportedly offered the role to Alain Delon and Jean-Paul Belmondo; both of them turned him down. When it comes to the rest of the cast, especially Anne Deleuze, who portrays one of the leftiest revolutionaries, they are excellent in their roles. Ultimately, Solo is an unflinching exploration of tradition and classism that quickly grabs your attention.

Solo gets a solid release from Radiance Films that comes with a strong audio/video presentation and informative extras. Recommended.








Written by Michael Den Boer

Thursday, June 4, 2026

Tiger on the Beat I & II: Hong Kong Cinema Classics – Shout! Factory (UHD/Blu-ray Combo)

Theatrical Release Dates: Hong Kong, 1988 (Tiger on the Beat), Hong Kong, 1990 (Tiger on the Beat 2)
Director: Lau Kar-leung (Both Films)
Cast: Chow Yun-fat, Nina Li Chi, Conan Lee, Chia-Hui Liu (Gordon Liu), Philip Ko, Shing Fui-On, Ti Lung, David Chiang, James Wong, Lydia Shum, Lau Kar-wing, Norman Chui, Shing Fui-On (Tiger on the Beat), Danny Lee, Conan Lee, Ellen Chan, Roy Cheung, Norman Chu, Chia-Hui Liu (Gordon Liu), Maria Cordero, Phillip Ko (Tiger on the Beat 2)

Release Date: April 28th, 2026
Approximate Running Times: 93 Minutes 17 Seconds (Tiger on the Beat), 94 Minutes 17 Seconds (Tiger on the Beat 2)
Aspect Ratio: 1.85:1 Widescreen / 2160 Progressive / HEVC / H.265 / HDR10 Dolby Vision (Both Films)
Rating: NR
Sound: DTS-HD Mono Cantonese (Both Films), DTS-HD Mono English (Both Films)
Subtitles: English (Both Films), English SDH (Both Films)
Region Coding: Region Free (4K UHD), Region A (Blu-ray)
Retail Price: $69.99

Tiger on the Beat: "A seasoned cop and his rookie partner are a pair of mismatched partners in this Hong Kong action-comedy in the style of 'Lethal Weapon'. The wacky twosome are up in arms as they try to solve the murder of a heroin trafficker." - synopsis provided by the distributor

Tiger on the Beat 2: "Captain Lam is a cop approaching 40, wants to achieve something memorable before his retirement." - synopsis provided by the distributor

Video: 5/5 (Tiger on the Beat - 4K UHD, Tiger on the Beat - Blu-ray), 4.5/5 (Tiger on the Beat 2 - 4K UHD, Tiger on the Beat 2 - Blu-ray)

Here’s the information provided about this release's transfers, "4K Scan from the Original Camera Negative."

Tiger on the Beat comes on a 66 GB dual layer 4K UHD.

Disc Size: 63.1 GB

Feature: 62.8 GB

This is another exemplary restoration; flesh tones and colors look correct, image clarity, black levels, and compression are solid, and the image always looks organic.

Tiger on the Beat 2 comes on a 66 GB dual layer 4K UHD.

Disc Size: 64.2 GB

Feature: 63.8 GB

While the source bears many of the same qualities as Tiger on the Beat, I would rate it slightly below its predecessor. That said, flesh tones and colors look correct, image clarity, black levels, and compression are solid, and the image always looks organic.

Tiger on the Beat comes on a 50 GB dual layer Blu-ray.

Disc Size: 36.1 GB

Feature: 26.3 GB

This Blu-ray uses the same master that is used for the 4K UHD disc.

Tiger on the Beat 2 comes on a 50 GB dual layer Blu-ray.

Disc Size: 35.8 GB

Feature: 27.1 GB

This Blu-ray uses the same master that is used for the 4K UHD disc.

Audio: 5/5 (DTS-HD Mono Cantonese - Both Films), 4.5/5 (DTS-HD Mono English - Tiger on the Beat), 4.25/5 (DTS-HD Mono English - Tiger on the Beat 2)

Both films come with two audio options, a DTS-HD mono mix in Cantonese and a DTS-HD mono mix in English. The sound quality of all tracks is clean, clear, and balanced, with well-represented action sequences. That said, the Cantonese tracks sound more robust than their English-language counterparts. Included are English subtitles for Cantonese language tracks, English SDH for English language tracks, and English subtitles for Cantonese text when watching with the English language tracks. It should be noted that subtitles and audio can only be chosen via the audio setup menu, and they cannot be turned off while watching the main feature.

Extras:

Extras on the Tiger on the Beat 4K UHD disc include an audio commentary with Hong Kong film experts Frank Djeng and F.J. DeSanto.

Extras on the Tiger on the Beat Blu-ray disc include a theatrical trailer (4 minutes 41 seconds, DTS-HD mono Cantonese with non-removable English subtitles), an interview with James Mudge, Hong Kong Film Critic at easternKicks, titled Striped to Kill (17 minutes 15 seconds, DTS-HD stereo English with non-removable English subtitles for Cantonese film clips), an interview with stuntman and actor Billy Lui titled A Tiger’s Tale (21 minutes 36 seconds, DTS-HD stereo Cantonese with non-removable English subtitles), and an audio commentary with Frank Djeng and F.J. DeSanto.

Extras on the Tiger on the Beat 2 4K UHD disc include an audio commentary with Frank Djeng.

Extras on the Tiger on the Beat 2 Blu-ray disc include two theatrical trailers (5 minutes 59 seconds, DTS-HD mono Cantonese with non-removable English subtitles), an interview with James Mudge titled Hunting for Heroic Bloodshed (17 minutes 22 seconds, DTS-HD stereo English with non-removable English subtitles for Cantonese film clips), an interview with martial arts director Ridley Tsui titled Clawing Out a Classic (16 minutes 10 seconds, DTS-HD stereo Cantonese with non-removable English subtitles), and an audio commentary with Frank Djeng.

Other extras include a rigid slipcase.

Summary:

Tiger on the Beat and Tiger on the Beat 2 were directed by the legendary martial arts director Lau Kar-leung. His exemplary filmography includes The Spiritual Boxer, The 36th Chamber of Shaolin, Heroes of the East, Mad Monkey Kung Fu, My Young Auntie, The Eight Diagram Pole Fighter, and Drunken Master II.

Tiger on the Beat: A veteran cop pairs with a rookie partner to investigate the death of a heroin trafficker. Will their mismatched styles get in the way or will it be an asset in solving the case?

Hong Kong cinema during its heyday of the 1970s and 80s was known to latch onto a popular film and then make countless versions of it. Case in point: Tiger on the Beat, which takes on the buddy cop film that rose to prominence after the success of Lethal Weapon. While Tiger on the Beat uses Lethal Weapon as its starting point, the end result is a film that bears little connection to the film that inspired it.

Although there are many examples of Hollywood films finding their way into Hong Kong cinema, the way in which these two industries make film could not be farther apart. The most noticeable difference is how Hong Kong blends genres and its tonal shifts. That said, Tiger on the Beat is a text-book example of Hong Kong’s cinema's effortless ability to blend genres without creating jarring tonal shifts.

The cast is a who’s who of 1970s and 80s Hong Kong cinema, and all around, their performances are outstanding. Notable cast members include Ti Lung (The Deadly Duo), David Chiang (Return of the One-Armed Swordsman), Norman Chui (The Sword), Shing Fui-On (The Blue Jean Monster), and Gordon Liu (The 36th Chamber of Shaolin). Conan Lee is cast in the role of Michael Tso, a rookie CID officer. While he more than holds his own when it comes to moments of exposition, he most excels when it comes to action-oriented moments.

Despite being a buddy cop film, the real star and main attraction of Tiger on the Beat is Chow Yun-fat (The Killer) in the role of a veteran CID sargent named Francis Li. It is safe to say that Tiger on the Beat would not have been made without Chow Yun-Fat. Not only was he at the height of his popularity, but his comedic timing is  impeccable and not surprising that his character provides most of the comic relief. Another performance of note is Nina Li Chi (Twin Dragons) in the role of Marydonna, the sister of a drug trafficker who becomes entangled in the investigation.

While Tiger on the Beat is extremely effective with its genre blending and tone shifts, it is a film that leans more into comedy than it does action. Without a doubt, its funniest moment is when Francis and Michael are chasing a suspect who has nothing on except his underwear. When cornered, he grabs some hostages and forces them to give him their pants. When it comes to action set pieces and stunt work, they are exceptional. The standout moment is a chainsaw duel in the finale. Ultimately, Tiger on the Beat is a highly entertaining mix of humor and mayhem that fans of 1980s Hong Kong action should thoroughly enjoy.

Tiger on the Beat 2: An aging cop's sister gives him the task of finding a suitable wife for his nephew.

Tiger on the Beat 2 is a sequel in name only, and while many of the cast return in different roles, the absence of Chow Yun-fat is noticeable. Needing name recognition, Danny Lee (The Killer) is brought in to portray an aging CID officer. What he delivers is not so much a performance as it is just Danny Lee being himself, and yet it works perfectly for the story that unfolds.

Although there are elements of the buddy cop film in Tiger on the Beat 2, the result is something that does not resemble a conventional police procedural. When the uncle and nephew aren’t caught up in an unfolding crime, they are busy looking for a woman for him to marry. That said, the bulk of the narrative is the uncle and nephew caught up in a series of crazy situations.

While many of the cast from its predecessor return for Tiger on the Beat 2, all of the characters are new. Where Conan Lee portrayed a rookie CID officer in Tiger on the Beat, this time around he portrays the nephew of a police officer. Gordon Liu (Kill Bill Volume 1) goes from being the lead henchman to being a crime boss. That said, it is the new cast additions that stand out the most, like Roy Cheung (Prison of Fire) in the role of the lead henchman and Ellen Chan (Doctor Vampire) in the role of a woman who stole a ring that can implicate the bad guys in murder.

Where action took a backseat to comedy in its predecessor, this time it becomes the focal point. When it comes to the action sequences, in particular, the stunt work in Tiger on the Beat 2 takes things up a few notches; notably, a scene stunt goes wrong with Conan Lee, who narrowly misses a light pole and crashes to the pavement below. Not to be overlooked is how effectively Tiger on the Beat 2 employs humor. Ultimately, while Tiger on the Beat 2 does not live up to the standards set by its predecessor, it is a film that holds up well on its own.

Shout! Factory gives Tiger on the Beat I & II an exceptional release that comes with a solid audio/video presentation and a wealth of insightful extras. Highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.


























Written by Michael Den Boer

Body Puzzle - Raro Video (Blu-ray) Theatrical Release Date: Italy, 1992 Director: Lamberto Bava Writers: Lamberto Bava, Teodoro Corrà, Bruc...