Bring Me the Head of Alfredo Garcia – Shout! Factory (UHD)

Theatrical Release Date: USA/Mexico, 1974
Director: Sam Peckinpah
Writers: Gordon T. Dawson, Sam Peckinpah, Frank Kowalski
Cast: Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández, Kris Kristofferson

Release Date: June 3rd, 2025
Approximate Running Time: 112 Minutes 51 Seconds
Aspect Ratio: 1.85:1 Widescreen / 2160 Progressive / HEVC / H.265 / HDR10 Dolby Vision
Rating: R
Sound: DTS-HD Mono English
Subtitles: English SDH, English
Region Coding: Region Free
Retail Price: $36.98

"When a Mexican land baron puts a million dollars on the head of the man who seduced and impregnated his daughter, two money-hungry hired killers recruit a small-town bartender (Oates) to help them do their dirty work. But their tequila-fueled trek across the desolate Mexican frontier grows more intense, gruesome, and bloody with every savage murder they leave in their wake." - synopsis provided by the distributor

Video: 5/5

Here’s the information provided about this release's transfer, "4K Scan from the Original Camera Negative."

Bring Me the Head of Alfredo Garcia comes on a 100 GB triple layer 4K UHD.

Disc Size: 77.1 GB

Feature: 68.3 GB

Although the 4K master that Arrow Video and Kino Lorber used for their releases looked solid, this new transfer may be the best Bring Me the Head of Alfredo Garcia has looked on home media. Flesh tones and colors look correct; image clarity, contrast, black levels, and compression are solid; and the image always looks organic.

Audio: 5/5

This release comes with one audio option, a DTS-HD mono mix in English. The audio sounds excellent; dialogue always comes through clearly, and everything sounds balanced and robust when it should. Included are English SDH and English subtitles when anyone speaks Spanish. Audio and subtitles can only be changed via the setup menu and not during playback.

Extras:

Extras for this release include an extensive image gallery (stills/posters), 6 TV spots (3 minutes 8 seconds, Dolby Digital mono English, no subtitles), a theatrical trailer (1 minute 58 seconds, Dolby Digital mono English, no subtitles), an interview with writer/film historian Julie Kirgo titled A Killer's Rhapsody: Revisiting Bring Me The Head Of Alfredo Garcia (28 minutes 8 seconds, Dolby Digital stereo English, no subtitles), an archival audio commentary with screenwriter/producer Gordon Dawson, moderated by film historian Nick Redman, and an archival audio commentary with film historians Paul Seydor, Garner Simmons, David Weddle, and Nick Redman.

Summary:

Sam Peckinpah directed Bring Me the Head of Alfredo Garcia. Notable films he directed are Major Dundee, The Wild Bunch, Straw Dogs, The Getaway, and Pat Garrett and Billy the Kid.

A wealthy Mexican rancher discovers that his unmarried daughter is pregnant and he offers a reward of one million dollars to anyone who brings him the head of Alfredo Garcia, the man responsible for taking his daughter's virtue. Two hitmen approach an American bartender working in a Mexican border town and hire him when tracking down Alfredo Garcia becomes too difficult.

When discussing the all-time great director, critics far too often liberally apply the term auteur. While there is a valid debate about the criteria that define what makes a director an auteur, understanding the true essence of an auteur largely depends on whether the director possesses a singular vision that is uniquely their own. That said, Sam Peckinpah was a director who epitomized the essence of having a singular vision.

The narrative opens with a rare moment of tranquility; from there, things shift into a darker territory that becomes bleaker as things build to an exemplary cathartic finale. The well-constructed narrative is perfectly paced, giving key moments time to resonate. Bennie, the protagonist, needs redemption, and he is a rare example of a character who is not solely driven by their greed. Bring Me the Head of Alfredo Garcia defines its characters well, and greed motivates the majority of them, while this film’s moral center is Bennie's fiancée, Elita.

Casting Warren Oates (Dillinger) in the role of Bennie, a bartender turned hitman, is an inspired choice. While he’s a more-than-capable actor who has a strong screen presence, he’s not your usual leading man type. The most surprising performance is Isela Vega (Drum) in the role of Elita. Her character is the light in a world engulfed by darkness. Notable cast members include Kris Kristofferson (Pat Garrett and Billy the Kid) in the role of a rapist biker and Robert Webber (Hired Killer) and Gig Young (The Shuttered Room) in the roles of two hitmen who hired Bennie to do their dirty work.

Bring Me the Head of Alfredo Garcia excels with its visuals, which fill the screen with striking moments that heighten the mood. The visuals give the cast room to create freely while taking full advantage of the scenic landscapes featured throughout. Some notable moments are a tender scene between Bennie and Elita as they sit beneath a tree, the scene where two bikers hold Bennie at gunpoint while they sexually assault Elita, and when Bennie finds Alfredo Garcia’s grave and retrieves his head.

Sam Peckinpah's films often centered around loners who are forced to compromise their moral code to survive a nihilistic world that is at constant odds with them. Throughout Sam Peckinpah's career, he often found himself at odds with those financing his films, and with Bring Me the Head of Alfredo Garcia, he's able to create an unfiltered film that fully embodies the elements that are synonymous with his cinema. That said, the most surprising aspect of Bring Me the Head of Alfredo Garcia is how it manages to create some moments of beauty for such an unrelenting exploration of the darker side of humanity.

Shout Factory gives Bring Me the Head of Alfredo Garcia an excellent release that comes with a solid audio/video presentation and a wealth of insightful extras. Highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.

 

Written by Michael Den Boer

Garden of Love: Collectors Limited Edition – Unearthed Films (Blu-ray)

Theatrical Release Date: Germany, 2003
Director: Olaf Ittenbach
Writers: Thomas Reitmair, Olaf Ittenbach
Cast: Natacza Boon, Rebecca Verlaine, James Matthews-Pyecka, Daryl Jackson, Bela B., Donald Stewart, Alexandra Thom-Heinrich, Jean-Luc Julien

Release Date: February 3rd, 2026
Approximate Running Time: 89 Minutes 16 Seconds
Aspect Ratio: 1.77:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: NR
Sound: DTS-HD 5.1 English, LPCM Stereo English
Subtitles: English
Region Coding: Region A
Retail Price: $39.95

"The story of a young woman tormented by bloody visions of a past she can't really remember. All she knows is that all of her family was slaughtered when she was very young. Now, the spirits of the dead lusts for vengeance and they want Rebecca to guide those responsible to them. Rebecca reluctantly agrees and bloodspurting chaos ensues." - synopsis provided by the distributor

Video: 5/5

Garden of Love comes on a 50 GB dual layer Blu-ray.

Disc Size: 40.3 GB

Feature: 26 GB

The source looks excellent; colors look correct, image clarity and black levels are solid, and there are no issues with compression.

Audio: 5/5 (DTS-HD 5.1 English, LPCM Stereo English)

This release comes with two audio options, a DTS-HD 5.1 mix in English and a LPCM stereo mix in English. Both audio tracks are in excellent shape; dialog always comes through clearly, and everything sounds balanced and robust when it should. Included are removable English subtitles.

Extras:

Extras for this release include a photo gallery with music from the film playing in the background, a trailer (2 minutes 2 seconds, Dolby Digital stereo English, no subtitles), original intro (6 minutes 47 seconds, Dolby Digital stereo English, no subtitles), outtakes (32 minutes 18 seconds, no sound), an archival featurette titled A Look behind Garden of Love (18 minutes 14 seconds, Dolby Digital stereo German with removable English subtitles), an archival featurette titled Making of Garden of Love (22 minutes 41 seconds, Dolby Digital stereo German with removable English subtitles), and a slipcover (limited to the first pressing).

Summary:

Olaf Ittenbach directed Garden of Love. He’s known for The Burning Moon, Premutos: The Fallen Angel, and Beyond the Limits.

A woman returns to the source of her childhood trauma when her father's malevolent ghost forces her to help bring the killers to justice.

The opening credits/scene does a phenomenal job setting the tone; it is a prototype slasher film stalking sequence where the camera glides through the room of the house while the killers viciously annihilate their victims. While there are several other moments that match this scene's ferocity, once the narrative settles, there is a dramatic tonal shift. The lone survivor of that night was in a coma for two years, and she remembers nothing. Besides her lack of memories, she also struggles with mental health, and things get worse when she starts seeing people no one else can see.

Garden of Love is a blend of several genres: slasher film, psychological thriller, and supernatural horror. Of these three, it is the latter that most dominates, as the source of most of the carnage comes from malevolent ghosts who can’t rest in peace until they achieve their vengeance. That said, the narrative does a superb job holding your attention with a few well-executed twists that expose characters who have ulterior motives.

The main draw for most viewers is Garden of Love’s use of practical special effects for its gory moments of carnage. When it comes to the kills, they involve characters being viciously stabbed, heads crushed, and limbs being ripped. While the gory special effects excel, unfortunately the performances fail to measure up. Ultimately, Garden of Love is a film that fans of Olaf Ittenbach are sure to enjoy, while someone going into his films for the first time might not appreciate his cinematic style.

Unearthed Films gives Garden of Love an excellent release that comes with a solid audio/video presentation and a pair of informative extras. Recommended.

 

Written by Michael Den Boer

The People Who Own the Dark – Severin Films (Blu-ray)

Theatrical Release Date: Spain, 1976
Director: León Klimovsky
Writers: Gabriel Moreno Burgos, Vicente Aranda
Cast: Nadiuska, Alberto de Mendoza, Teresa Gimpera, Emiliano Redondo, Julia Saly, Tomás Picó, Diana Polakov, Antonio Mayans, Maria Perschy, Paul Naschy

Release Date: February 3rd, 2026
Approximate Running Times: 99 Minutes 57 Seconds (Spanish Cut), 83 Minutes 2 Seconds (U.S. Cut)
Aspect Ratio: 1.66:1 Widescreen / 1080 Progressive / MPEG-4 AVC (Spanish Cut), 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVC (U.S. Cut)
Rating: NR
Sound: DTS-HD Mono Spanish (Spanish Cut), DTS-HD Mono English (U.S. Cut)
Subtitles: English (Spanish Cut), English SDH (U.S. Cut)
Region Coding: Region Free
Retail Price: $219.95 (Exorcismo: Defying A Dictator & Raising Hell In Post-Franco Spain)

Video: 5/5 (Spanish Cut), 19.5 GB (U.S. Cut)

Here’s the information provided about this release's transfer, "4K scan from original camera negative provided by Vivavision. 4K scan from the 35mm print of the U.S. cut scanned by Severin Films."

The People Who Own the Dark comes on a 50 GB dual layer Blu-ray.

Disc Size: 45.4 GB

Feature: 23.7 GB (Spanish Cut), 19.5 GB (U.S. Cut)

The Spanish cut’s source looks excellent, free of any distracting imperfections. Flesh tones look healthy, colors are nicely saturated, image clarity, black levels, and compression are solid, and the image always looks organic.

Although this new transfer is a substantial improvement over Code Red’s Blu-ray, some source damage remains. Flesh tones and colors look correct, image clarity and black levels are strong, compression is solid, and the image retains an organic look.

Audio: 5/5 (DTS-HD Mono Spanish), 4/5 (DTS-HD Mono English)

The Spanish cut comes with one audio option, a DTS-HD mono mix in Spanish with removable English subtitles. The audio sounds excellent; dialogue always comes through clearly, everything sounds balanced, and ambient sounds are well represented.

The U.S. cut comes with one audio option, a DTS-HD mono mix in English with removable English SDH. The audio is a noticeable improvement over Code Red’s Blu-ray release; dialogue always comes through clearly, and everything sounds balanced.

Extras:

Extras for The People Who Own the Dark include a U.S. theatrical trailer (1 minute 5 seconds, Dolby Digital mono English, no subtitles), an interview titled A Unique Iconography In Spanish Terror with Ángel Sala, head of programming at the Sitges Film Festival (18 minutes 9 seconds, Dolby Digital stereo Spanish with removable English subtitles), an interview with actor Antonio Mayans titled Joking on Set (9 minutes 25 seconds, Dolby Digital stereo Spanish with removable English subtitles), and an audio commentary with Rod Barnett and Troy Guinn, film historians/co-hosts of NaschyCast for the Spanish cut.

The People Who Own the Dark is currently only available as part of a collection of films titled Exorcismo: Defying A Dictator & Raising Hell In Post-Franco Spain. That release comes with 17 additional films, a documentary about Spanish cinema titled Exorcismo: The Transgressive Legacy of Clasificada "S," and a 168-page book.

Summary:

León Klimovsky directed The People Who Own the Dark. He frequently worked with Paul Naschy. His notable films are Werewolf Shadow, Vengeance of the Zombies, A Dragonfly for Each Corpse, and The Vampires’ Night Orgy.

The narrative revolves around a group of wealthy aristocrats and politicians getting together for a night of debauchery with some ladies in the dungeon of a castle. What should have been a decadent night of pleasure quickly turned into a walking nightmare. The partygoers discover that they are the only survivors of a nuclear holocaust.

The primary reason The People Who Own the Dark is effective lies in its intriguing premise and rich atmosphere. That said, there are many moments in which the narrative tends to drag, and yet the end result is a very eerie post-apocalyptic thriller that comes damn close to pulling off all its ambitions.

The People Who Own the Dark’s greatest strength is its scenes involving the blind (zombie-like characters) who shambled around town and eventually followed the survivors of the nuclear holocaust back to their home. The People Who Own the Dark features a notable amount of nudity and sexual content, along with sufficiently gory kills.

The cast performs well in their roles, and while no single performance stands out, many viewers who are interested in The People Who Own the Dark are particularly drawn to Paul Naschy (Horror Rises from the Tomb) in the role of Borne. That said, the cast is filled with many recognizable faces like Nadiuska (Beatriz), Alberto de Mendoza (The Case of the Scorpion's Tail), Antonio Mayans (Cries of Pleasure), and Maria Perschy (Blue Eyes of the Broken Doll). Ultimately, The People Who Own the Dark is a Spanish post-apocalyptic film that is equal parts Night of the Living Dead and The Omega Man.

A note about the two versions: while the Spanish version is longer, these extra moments are further fleshing out of characters, and they do not feature any additional sleaze or gore. That said, the English language version omits about 16 minutes of footage, and it has different opening credits.

Severin Films gives The People Who Own the Dark a definitive release. Highly recommended.

                                                    Spanish Cut Screenshots.

                                                             U.S. Cut Screenshots.

Written by Michael Den Boer

End of the World: Remastered – Full Moon Features (DVD)

Theatrical Release Date: USA, 1977
Director: John Hayes
Writer: Frank Ray Perilli
Cast: Christopher Lee, Sue Lyon, Kirk Scott, Dean Jagger, Lew Ayres, Macdonald Carey

Release Date: February 10th, 2026
Approximate Running Time: 86 Minutes 38 Seconds
Aspect Ratio: 1.78:1 Anamorphic Widescreen
Rating: PG
Sound: Dolby Digital Mono English, Dolby Digital 5.1 English
Subtitles: N/A
Region Coding: Region Free NTSC
Retail Price: $16.95

"When Professor Andrew Boran and his wife Sylvia tap into a series of strange signals from space that predict natural disasters on earth, they track the source to a mysterious, remote convent. There, they discover that aliens have cloned the priest and the nuns and are using the abbey as a base camp for their mission to spur on global destruction. Can the heroes stop the invaders and save the earth? Should they?" – Synopsis provided by the Distributor

Video: 2/5

Here’s the information provided about the transfer, "Full Moon recently unearthed a pristine 16mm interpositive of the movie, now remastered in HD and looking better than it's ever looked."

End of the World comes on a single layer DVD.

Disc Size: 4 GB

Source imperfections remain; flesh tones and colors are inconsistent, black levels are never convincing, and there are issues related to digital noise reduction.

Audio: 1.5/5 (Both Audio Tracks)

This release comes with two audio options, a Dolby Digital mono mix in English and a Dolby Digital 5.1 mix in English. When I sampled the 5.1 mix, it did not open things up in any substantial way. Both tracks sound muffled, there is buzzing in some parts of the track, and they are barely serviceable range-wise.

Extras:

Extras for this release include trailers for Crash!, Mansion of the Doomed, Day Time Ended, Laserblast, Fairy Tales, and Last Foxtrot in Burbank. 

Summary:

John Hayes directed End of the World. He’s known for The Hang Up, Dream No Evil, The Cut-Throats, Grave of the Vampire, and Baby Rosemary.

A NASA professor who discovers a signal that did not originate from space uncovers an alien plot to conquer Earth.

Christopher Lee (The Wicker Man), over his career, appeared in many questionable films that make you wonder why someone of his stature is in this film. When asked about these films, he frequently points out that what the producers promised him differed significantly from what ultimately appeared on screen. Case in point, End of the World, a post-apocalyptic film that will make you wish the world came to an end instead of having to endure it.

Besides Christopher Lee, there are other notable cast members that include Dean Jagger (Twelve O’Clock High), Lew Ayres (All Quiet on the Western Front), Macdonald Carey (Days of Our Lives), and Sue Lyon (Lolita). Unfortunately, like Christopher Lee, they are not given anything to work with.

While things start off with a literal bang when a payphone and coffee machine explode, nothing that follows ever matches this moment. The narrative progresses slowly, fails to generate any momentum, and culminates in a predictable conclusion. Ultimately, End of the World is an underwhelming film that wastes a solid cast.

Full Moon Features gives End of the World a mediocre audio/video presentation.

 

Written by Michael Den Boer

Last Foxtrot in Burbank – Full Moon Features (Blu-ray)

Theatrical Release Date: USA, 1973
Director: Charles Band
Writers: Bill Haggard, Sam Vaughn
Cast: Michael Pataki, Sherry Denton, Merlouch Drabin, I. William Quinn, Sally Marr, Simmy Bow, Richard Band

Release Date: February 3rd, 2026
Approximate Running Time: 55 Minutes 56 Seconds
Aspect Ratio: 1.78:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: R
Sound: Dolby Digital Mono English, Dolby Digital 5.1 English
Subtitles: English Forced For French Dialogue
Region Coding: Region Free
Retail Price: $24.95

"If you thought Last Tango in Paris pushed the boundaries of good taste, nothing will prepare you for Charles Band's utterly insane first feature film. Released to empty theaters in 1973, this cheeky farce stars Michael Pataki, Lenny Bruce's mother Sally Marr, and even Band's brother and future composer Richard Band. It's a shot-for-shot riff on Last Tango filled with drag queens, oddballs, idiots, and hot women, and it's unlike any movie you've ever seen. For decades Last Foxtrot was thought to be a "lost" film, a picture so daft that time itself seemed to swallow it whole. Both Band and his editor, John Carpenter disowned the picture." - synopsis provided by the distributor

Video: 3.25/5

Last Foxtrot in Burbank comes on a 25 GB single layer Blu-ray.

Disc Size: 19.4 GB

Feature: 11.5 GB

Considering the limited options when it comes to this film's source materials, things look better than expected. Flesh tones and colors look correct, image clarity is strong, and there are no notable compression issues.

Audio: 2.5/5 (Both Audio Tracks)

This release comes with two audio options, a Dolby Digital mono mix in English and a Dolby Digital 5.1 mix in English. When I sampled the 5.1 mix, it did not open things up in any substantial way. Although dialogue comes through clearly, both tracks are lacking range-wise.

Extras:

Extras for this release include an original theatrical trailer (4 minutes 16 seconds, Dolby Digital mono English, no subtitles), a 2021 rerelease trailer (1 minute 30 seconds, Dolby Digital stereo English, no subtitles), Trailers from Hell with screenwriter Larry Karaszewski (7 minutes 51 seconds, Dolby Digital stereo English, no subtitles), and an interview with director Charles Band titled Burbank Memories (10 minutes 19 seconds, Dolby Digital stereo English, no subtitles).

Other extras include trailers for Crash!, Mansion of the Doomed, Day Time Ended, Laserblast, and Fairy Tales.

Summary:

Charles Band, the man behind Full Moon, wrote and directed Last Foxtrot in Burbank. Other notable films he directed are Parasite, Trancers, Crash and Burn, and Meridian.

Last Foxtrot in Burbank is a parody of Last Tango in Paris, and its narrative has all of the key moments from that film. Its lead actor, Michael Pataki, does a Marlon Brando impersonation throughout. Besides Marlon Brando, Michael Pataki also does impressions of Richard Burton, Humphrey Bogart, Peter Lorre, and Groucho Marx. While his ability to impersonate these people is impressive, the majority of the humor in Last Foxtrot in Burbank falls flat.

Released 43 years ago without any fanfare, this film was later believed to be lost and subsequently forgotten. The version included in this release omits the hardcore sex scenes from the original release, and this omission improves the film. Despite its brief running time of 56 minutes, the pacing is slow, causing the narrative to feel longer than it truly is. Ultimately, Last Foxtrot in Burbank falls short in every aspect, raising the question of whether it should have ever been rediscovered.

Full Moon Features gives Last Foxtrot in Burbank its best home media release.

Written by Michael Den Boer