Ilsa, the Wicked Warden (Replacement Disc) – Kino Korber (4k UHD/Blu-ray Combo)
Theatrical Release Date: Switzerland/West Germany/Canada, 1977
Director: Jesús Franco
Writers: Jesús Franco, Erwin C. Dietrich
Cast: Dyanne Thorne, Lina Romay, Angela Ritschard, Peggy Markoff, Esther Studer, Howard Maurer, Eric Falk, Tania Busselier
Release Date: April 28th, 2026
Approximate Running Time: 94 Minutes 11 Seconds
Aspect Ratio: 1.66:1 Widescreen / 2160 Progressive / HEVC / H.265
Rating: NR
Sound: DTS-HD Mono English
Subtitles: English SDH
Region Coding: Region Free (4K UHD), Region A (Blu-ray)
Retail Price: $44.95
Video: 4.5/5 (4K UHD), 4.25/5 (Blu-ray)
Here’s the information provided about this release's transfer, "New 4K restoration of the film from the original camera negative."
Ilsa, the Wicked Warden comes on a 100 GB triple layer 4K UHD
Disc Size: 67.2 GB
Feature: 65.7 GB
Kino Lorber has resolved the incorrect color space issue, resulting in a significantly improved image. In addition to fixing the color space problem, this new disc is also a slightly smaller file compared to the original disc.
Ilsa, the Wicked Warden comes on a 50 GB dual layer Blu-ray.
Disc Size: 42.9 GB
Feature: 26.9 GB
This Blu-ray uses the same master that is used for the 4K UHD disc.
Audio: 4.25/5
This release comes with one audio option, a DTS-HD mono mix in English with removable English SDH. Although the track sounds clean and clear because of its overdubbing, there is an unevenness when it comes to range. That said, dialogue always comes through clear enough to follow.
Extras:
Extras on the 4K UHD disc include an archival audio commentary with actress Dyanne Thorne and actor Howard Maurer, moderated by humorist Martin Lewis and an audio commentary with film critic Troy Howarth.
Extras on the Blu-ray disc include a theatrical trailer (2 minutes 42 seconds, DTS-HD mono English, no subtitles), a gallery of artwork and stills with music from the film playing in the background, a vintage promotional short featuring interviews with director Jess Franco and producer Erwin C. Dietrich (11 minutes 27 seconds, DTS-HD stereo German and English with non-removable English subtitles), Uh-Oh... It's ILSA! Part two of a sidebar conversation with novelist and critic Tim Lucas and author and critic Stephen R. Bissette (70 minutes 44 seconds, Dolby Digital stereo English, no subtitles), an interview with Stephen Thrower, author of Flowers of Perversion: The Delirious Cinema of Jesús Franco titled A Thorne by Any Other Name (41 minutes 29 seconds, DTS-HD stereo English, no subtitles), an archival audio commentary with Dyanne Thorne, Howard Maurer, and Martin Lewis, and an audio commentary with Troy Howarth.
Other extras include reversible art and an O-card slipcase (limited to the first pressing).
Summary:
A woman trying to locate her missing sister gets a doctor to commit her to a psychiatric hospital for women, the last place her sister was seen. Once inside, she experiences brutality and depravity at the hands of the patients and those in charge.
Although labeled as an Isla film, Ilsa, the Wicked Warden is a sequel only in name. Outside of the U.S., the film is also known as Greta, House Without Men, and this renaming is likely due to its leading lady, Dyanne Thorne, who starred in three Ilsa films. Ilsa, the Wicked Warden, marks Jess Franco's return to the women-in-prison subgenre, a genre he initially explored with 99 Women.
Ilsa, the Wicked Warden, was made in response to another Jess Franco film, Barbed Wire Dolls, an early success in his 18-film collaboration with producer Erwin Dietrich. While Ilsa, the Wicked Warden, fulfills the typical elements of the women-in-prison genre, including a significant amount of nudity and scenes of torture, it ultimately falls short of being Jess Franco's finest entry in this category. That said, when it comes to pushing the boundaries of depravity, this is an area where Ilsa, the Wicked Warden, beats all of Jess Franco’s other woman in prison films.
When it comes to the performances, the entire cast, especially Dyanne Thorne in the role of the wicked warden, delivers an enthusiastic performance that embraces the camp aspects of her character. Another performance of note is Jess Franco’s muse, Lina Romay, who delivers a scene-stealing performance as one of the patients. Her character is undoubtedly the most depraved, and in one particular scene, she forces another patient to use her mouth as toilet paper after having gone to the bathroom.
When it comes to pacing, things move at a deliberate pace that anyone familiar with Jess Franco has become accustomed to. While some backstory and exposition are included, Jess Franco primarily focuses on scenes of degradation. He also takes every opportunity to display the female cast in the nude, featuring several shower scenes, including a catfight that occurs in one of them. As mentioned before, the English dub is awkward, and there are many instances where the dialogue is unintentionally funny. Ultimately, Ilsa, the Wicked Warden, is a down-and-dirty exploitation film whose mob justice finale serves as a perfect climax.
Ilsa, the Wicked Warden gets a solid release from Kino Korber that comes with a strong audio/video presentation and a wealth of informative extras. Recommended.
Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.
Correct Color Space.
Wrong Color Space.
Written by Michael Den Boer
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.