Monday, August 17, 2026

The Tournament – 88 Films (Blu-ray)

Theatrical Release Date: Hong Kong, 1974
Director: Huang Feng
Writer: Huangpu Kuan-Hua
Cast: Angela Mao, Carter Wong, Hwang In-Shik, Guan Shan, Maria Yi Yi, Wong Sam, Sammo Hung Kam-Bo

Release Date: August 25th, 2026
Approximate Running Time: 98 Minutes 44 Seconds
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: NR
Sound: LPCM Mono Mandarin, LPCM Mono English
Subtitles: English
Region Coding: Region A
Retail Price: $29.95

"After one of his students dies at a martial arts tournament in Thailand, kung fu master Lau (Ko Hisiang-ting) suffers deep dishonour and kills himself. His children - Carter Wong (Big Trouble in Little China) and Angela Mao, Lady Whirlwind herself - vow to restore his reputation, and that of Hong Kong kung fu. But to do so, they'll have to travel to Thailand themselves and fight in the same tournament - but if they fail, they could lose everything." - synopsis provided by the distributor

Video: 4.25/5

Here’s the information provided about this release's transfer, "2K restoration from the original negative."

The Tournament comes on a 50 GB dual layer Blu-ray.

Disc Size: 36.6 GB

Feature: 28.4 GB

The sources look excellent; flesh tones and colors look correct, image clarity and black levels are strong, compression is solid, and there are no issues with digital noise reduction.

Audio: 4.25/5 (Both Audio Tracks)

This release comes with two audio options, a LPCM mono mix in Mandarin and a LPCM mono mix in English. Both tracks sound clean, clear, and balanced, and fight scenes sound appropriately robust. Included are removable English subtitles for the Mandarin language track and removable English subtitles for Mandarin text when watching with the English language track.

Extras:

Extras for this release include an image gallery with music from the film playing in the background (lobby cards/stills/posters), a theatrical trailer (3 minutes 52 seconds, Dolby Digital mono Mandarin with burnt-in English subtitles), English-language openings and closing credits (1 Minute 27 seconds, Dolby Digital mono), an interview with Carter Wong titled Muay Thai Memories (11 minutes 30 seconds, Dolby Digital stereo Cantonese with non-removable English subtitles), an interview with Ricky Baker titled An Absolute Knockout (12 minutes 52 seconds, Dolby Digital stereo English, no subtitles), an audio commentary with Asian cinema experts Frank Djeng and Michael Worth, reversible cover art, a double-sided foldout poster, and an O-card slipcase (limited to the first pressing).

Summary:

Huang Feng directed The Tournament. He’s known for The Shaolin Plot, Naked Comes the Huntress and his nine collaborations with Angela Mao.

Two students who are part of the Chinese Martial Arts Association disgrace them when one of them dies and the other is injured in a boxing tournament in Thailand.

The premise follows a trend set by Fist of Fury, Chinese martial arts against other countries' fighting styles. This film pits Chinese martial arts against Thailand’s Mauy Thai. That said, where other similar-themed films would showcase how Chinese martial arts is superior, The Tournament’s protagonist Lau Siu-Fung studies Mauy Thai and changes her fighting style to combat it.

The opening setup does an excellent job setting the foundation. While the story starts off about saving a sister who’s been kidnapped by gangsters, it turns into a story about revenge when the protagonist's father kills himself. There is never a shortage of tense moments, which the narrative effectively builds upon and an exemplary final provides a very satisfying conclusion.

Angela Mao (When Taekwondo Strikes) delivers another outstanding performance in the role of Lau Siu-Fung. While so many actors were propped up as a possible successor to Bruce Lee, Angela Mao, more than any other, came the closest. Where others try to emulate Bruce Lee, she brought a uniqueness to her roles that made her standout among her peers.

All around, the acting is excellent. Other notable cast members are Carter Wong (Big Trouble in Little China), who portrays Lau Siu-Fung’s brother, and Sammo Hung Kam-Bo (The Magnificent Butcher), who portrays one of the leaders of the Martial Arts Association. Sammo Hung Kam-Bo also played a pivotal role in choreographing the fight scenes.

When compared to other martial arts films from this era, The Tournament features a different kind of action that leans more into Mauy Thai than martial arts. Although the Mauy Thai tournament scenes are the focal point of the action, the moments where Angela Mao showcases Chinese martial arts are the highlight. Ultimately, The Tournament is a solid revenge-themed martial arts film.

The Tournament gets an excellent release from Eureka Video that comes with a solid audio/video presentation and informative extras. Highly recommended.








Written by Michael Den Boer

Sunday, August 16, 2026

Into the Forest: Folktales at DEFA – Eureka Video (Blu-ray)

Theatrical Release Dates: East Germany, 1955 (The Devil from Mill Mountain), East Germany, 1957 (The Singing Ringing Tree), East Germany, 1960 (Rumpelstiltskin), East Germany, 1962 (Little Red Riding Hood), East Germany, 1977 (The Devil's Three Golden Hairs)
Directors: Herbert Ballmann (The Devil from Mill Mountain), Francesco Stefani (The Singing Ringing Tree), Christoph Engel (Rumpelstiltskin), Götz Friedrich (Little Red Riding Hood), Egon Schlegel (The Devil's Three Golden Hairs)
Cast: Eva Kotthaus, Hans-Peter Minetti, Willy A. Kleinau, Werner Peters, Hans Klering, Aribert Grimmer (The Devil from Mill Mountain), Christel Bodenstein, Charles Hans Vogt, Eckart Dux, Richard Krüger, Dorothea Thiesing, Günther Polensen (The Singing Ringing Tree), Karin Lesch, Karl-Heinz Rothin, Reinhard Michalke, Peter Dommisch, Nikolaus Paryla, Bodo Mette (Rumpelstiltskin), Blanche Kommerell, Helga Raumer, Horst Kube, Friedel Nowack, Werner Dissel, Harald Engelmann, Ernst-Georg Schwill, Jochen Bley, Waltraud Lohrmann (Little Red Riding Hood), Hans-Joachim Frank, Kurt Radeke, Rolf Ludwig, Katrin Martin, Wolfgang Greese, Hannjo Hasse, Fred Ludwig, Peter Köhncke (The Devil's Three Golden Hairs)

Release Date: July 27th, 2026
Approximate Running Times: 86 Minutes 29 Seconds (The Devil from Mill Mountain), 74 Minutes 53 Seconds (The Singing Ringing Tree), 72 Minutes 23 Seconds (Rumpelstiltskin), 71 Minutes 43 Seconds (Little Red Riding Hood), 92 Minutes 19 Seconds (The Devil's Three Golden Hairs)
Aspect Ratio: 1.37:1 Aspect Ratio / 1080 Progressive / MPEG-4 AVC (All Films Except The Devil's Three Golden Hairs), 1.78:1 Widescreen / 1080 Progressive / MPEG-4 AVC (The Devil's Three Golden Hairs)
Rating: 12 (UK)
Sound: LPCM Mono German (All Films), LPCM Mono English (The Singing Ringing Tree, The Devil's Three Golden Hairs)
Subtitles: English (All Films)
Region Coding: Region B
Retail Price: £44.99 (UK)

"In The Devil from Mill Mountain, a greedy miller attracts the ire of forest spirits when he and his accomplices disguise themselves as demons to burn down a rival mill. In The Singing Ringing Tree, a young prince must find a legendary tree to win the heart of an icy princess – and risks being transformed into a bear if she fails to fall in love with him. Rumpelstiltskin follows a young woman whose boastful father claims she can spin straw into gold, leading her to make an ill-advised pact with a magical imp. Then, the eponymous Little Red Riding Hood sets off to see her sick grandmother, relying on her friends the rabbit and the bear to help her evade the cunning fox and the big bad wolf. Finally, The Devil’s Three Golden Hairs sees an unfortunate young man tasked with travelling into hell to retrieve three golden hairs from the Devil himself." - synopsis provided by the distributor

Video: 4/5 (Rumpelstiltskin, Little Red Riding Hood, The Devil's Three Golden Hairs), 3.5/5 (The Devil from Mill Mountain, The Singing Ringing Tree)

Here’s the information provided about this release's transfer, "1080p HD presentations of all five films from restorations by the DEFA Foundation."

The Devil from Mill Mountain and The Singing Ringing Tree come on a 50 GB dual layer Blu-ray.

Disc Size: 44.5 GB

Feature: 21.4 GB (The Devil from Mill Mountain), 18.6 GB (The Singing Ringing Tree)

Rumpelstiltskin and Little Red Riding Hood come on a 50 GB dual layer Blu-ray.

Disc Size: 42.5 GB

Feature: 20.6 GB (Rumpelstiltskin), 19.5 GB (Little Red Riding Hood)

The Devil's Three Golden Hairs comes on a 50 GB dual layer Blu-ray.

Disc Size: 38.3 GB

Feature: 26.7 GB

Little Red Riding Hood and The Devil's Three Golden Hairs sources look comparable to Deaf Crocodile’s 2026 Blu-ray release. All of the films exhibit flesh tones and colors that look correct; the image is generally strong; and there are no issues with compression. That said, like Deaf Crocodile’s release, there is digital noise reduction that varies in severity. The worst-looking transfers are The Devil from Mill Mountain and The Singing Ringing Tree.

Audio: 4/5 (LPCM Mono German - All Films, LPCM Mono English - The Devil’s Three Golden Hairs), 3.5/5 (LPCM Mono English - The Singing Ringing Tree)

Each film comes with a LPCM mono mix in German with removable English subtitles. While all tracks sound clean, clear, and balanced, they are limited range-wise. The Singing Ringing Tree and The Devil’s Three Golden Hairs also come with a LPCM mono mix in English with removable English subtitles for text in German. The Devil’s Three Golden Hairs sounds clean, clear, and balanced, while The Singing Ringing Tree has some background hiss and other minor imperfections.

Extras:

Extras on disc one include Fairytales and Nightmares—new interview with writer, broadcaster, and Fortean Times columnist Bob Fischer on the history of The Singing Ringing Tree (21 minutes 24 seconds, LPCM stereo English, no subtitles), an archival interview with actress Christel Bodenstein (16 minutes 33 seconds, LPCM stereo German with non-removable English subtitles), and an audio commentary with film historian Michael Brooke for The Devil from Mill Mountain.

Extras on disc two include The Wolf and the Seven Little Goats, a short cut-out animation adapted from the Brothers Grimm story by the DEFA studio for animation film (10 minutes 21 seconds, 1.37:1 aspect ratio, LPCM mono German with removable English subtitles), and an audio commentary with Sam Goff, editorial director for Klassiki and host of The Klassiki Kino Club podcast for Rumpelstiltskin.

Extras on disc three include a video essay on the depiction of the Devil in folktales from the Brothers Grimm to DEFA by film and literature scholar Mary Going titled DEFA and the Devil (25 minutes 18 seconds, LPCM stereo English, no subtitles), The Magic Scissors, a short silhouette animation inspired by traditional folktales and produced by the DEFA studio for animation film (19 minutes 7 seconds, 1.37:1 aspect ratio, LPCM mono German with removable English subtitles), and Sleeping Beauty Was a Beautiful Child, a short puppet animation adapted from Sleeping Beauty by the DEFA studio for animation film (5 minutes 19 seconds, 1.37:1 aspect ratio, LPCM mono German with removable English subtitles).

Other extras include reversible cover art, a hardbound slipcase (limited to 2,000 copies), and a 60-page book (limited to 2,000 copies) with cast & crew information for each film, an essay titled Work, Wealth, and Ordinary Women: An Introduction to DEFA’s Folktales written by Sebastian Heiduschke, Forest Fairies: Notes on Folktales at DEFA written by Sonja Fritzsche, Qinna Shen, and Elizabeth Ward, Brothers Grimm Folktales translated by Margaret Hunt, and information about the transfer titled Notes on Viewing.

Summary:

The Devil from Mill Mountain: A greedy windmill farmer and some accomplices dress up like devils and burn down a rival windmill farmer’s land.

While most of DEFA’s fairy tales are based on stories written by the Brothers Grimm, The Devil from Mill Mountain is based on folklore from the Harz region, a low mountain range in Germany. The Devil from Mill Mountain, like all of DEFA’s fairy tales, is a morality tale, and the theme this time around is greed.

The narrative is exposition-driven, and it has many moving parts. Besides the aforementioned greedy windmill farmer, there is a love story that revolves around an orphan named Anne and a man named Jörg. After the fire, the greedy windmill farmer uses the stolen flour from the burned-down windmill farm to further exploit the locals and become richer. The fire also keeps Anne and Jörg apart; Anne is forced to work for the greedy windmill farmer, while Jörg finds employment at a nearby castle working for a sadistic steward.

Athough there are fairy tale elements, notably three spectral characters named Good Coal-Burners, the result is a film that’s actually closer to a melodrama. That said, the narrative has many peaks and valleys, and its deliberate pacing some might find slow-moving. When it comes to the performances, they suit the story that unfolds really well. The most memorable performance is by Willy A. Kleinau, who portrays the greedy windmill farmer. Ultimately, The Devil from Mill Mountain’s positives outweigh any of its negatives.

The Singing Ringing Tree: A prince trying to win the heart of a stubborn princess goes on a magical journey to retrieve for her the Singing Ringing Tree.

While there are some elements from the Brothers Grimm’s The Dwarf, the Fox, and the Princess, The Singing Ringing Tree’s main source of inspiration is based on the German fairy tale The Singing, Ringing Tree, or the Punished Presumption. The Singing Ringing Tree is a fantasy film featuring a character who transforms into a bear and another character, a dwarf, who possesses the ability to alter his surroundings at will. That said, The Singing Ringing Tree is yet another morality tale that explores selfishness and inner beauty.

From its opening moments, the narrative does a superb job captivating you. It is a story that’s overflowing with imagination and there are an ample amount of surprises. Along the way the prince and princess face many challenges, and it is how they react to them that makes them stronger. All around, the acting is solid, especially Christel Bodenstein’s portrayal of a selfish princess who only learns the error of her ways after being turned ugly and forced to become self-reliant. Another performance of note is Richard Krüger’s portrayal of a mischievous dwarf who uses his magical powers to keep the prince and princess from finding happiness. Ultimately, The Singing Ringing Tree is an exemplary film, making it one of the best examples of DEFA’s fairy tales. 

Rumpelstiltskin: A lazy mill owner makes up a tale about his daughter being able to spin straw into gold to avoid paying taxes. The king's treasure demands a demonstration and the mill owner's daughter is then locked in a room. In the morning when gold replaces straw, the king's demand for more gold further complicates things.

No name is more synonymous with fairy tales than the Brothers Grimm. Rumpelstiltskin is one of the Brothers Grimm's most famous stories, having been adapted for film numerous times. That said, Rumpelstiltskin is a morality tale about greed and how its cure is taking something away that is more important.

The narrative quickly draws you in and holds your attention as each new lie from the father character digs a deeper hole for his daughter. While social commentary about greed is the driving force of the narrative, one must not overlook the significant role that humor plays. The moments with the magical imp Rumpelstiltskin and the father character are where all of the humor lies.

While many of DEFA’s fairy tales were made on very limited budgets, the more memorable ones always overcame their limitations. This is most certainly the case with Rumpelstiltskin, a film that’s bursting with imagination and full of wonder. Ultimately, Rumpelstiltskin is a highly entertaining film that perfectly balances fantasy and humor.

Little Red Riding Hood: A little girl named Red Riding Hood travels the treacherous forest with her bunny friend on her way to visit her sick grandmother. 

Red Riding Hood is another character and story that has been adapted into numerous films over the years. Although Götz Friedrich’s Little Red Riding Hood brings little that is new to the table, it never strays too far away from the source story’s core elements. Red Riding Hood is constantly looking for the positive in everyone, and it is her naivety that puts her in danger. Little Red Riding Hood is a story firmly rooted in deception; there is a wolf and a fox who want to eat Red Riding Hood, and they try to deceive her in various disguises.

While Little Red Riding Hood’s production design is not as stripped down as Frau Holle, its costumes, specifically the ones that are clearly people in obvious animal suits, reveal the film’s lack of resources. At 72 minutes in length, the narratives' peaks and valleys are well handled, and pacing is never an issue. Considering the subject matter, it's not surprising that a few scenes are grim, notably a scene where the mother cuts open the wolf to remove a still-alive grandmother from his stomach. That said, the film does remarkably well when it comes to its use of humor. Ultimately, Götz Friedrich’s Little Red Riding Hood is too much by the numbers, making its shortcomings more glaring.

The Devil's Three Golden Hairs: Jakob, a blacksmith's apprentice, crosses paths with the king and enrages him. The king gives him a letter calling for his execution. Before Jakob is able to deliver said letter, his former coworkers get ahold of it and rewrite it. When Jakob finally delivers the letter, it says that he’s supposed to marry the king’s daughter.

While The Devil's Three Golden Hairs is a film firmly rooted in fantasy, it also leans heavily into humor. The protagonist Jakob is a klutz and those around him are often the recipients of clumsiness, which often ends with bodily harm. Knowing Jakob’s limitations, the king tries to prevent him from marrying his daughter by insisting that he retrieve the devil’s three golden hairs.

By far, The Devil's Three Golden Hairs is DEFA’s most accomplished fairy tale film and one of its longest in duration, clocking in at 92 minutes. Its production design, which is for the most part solid, does an excellent job pulling you in to the world depicted. When Jakob ventures into hell, these moments are where the production design excels the most. While The Devil's Three Golden Hairs is a colorful film, the use of color for the scenes in hell is striking.

As mentioned before, humor plays a significant role in the story that unfolds. While there is an absurdist quality to the events, the performances at times are a little over the top, notably Rolf Ludwig’s delirious portrayal of the king. When it comes to pacing, there is never an issue, as the narrative does a superb job building to its finale. Ultimately, The Devil's Three Golden Hairs is a very satisfying blend of humor and fantasy that fans of fairy tales should thoroughly enjoy.

While there are many who are disappointed in the use of digital noise reduction for these masters, the blame lays with the rights holder and not Eureka Video. That said, if Eureka Video rejected the masters, these films would languish in obscurity. Despite the master's shortcomings, I still recommend Into the Forest: Folktales at DEFA.



































Written by Michael Den Boer

Saturday, August 15, 2026

Armour of God: Deluxe Limited Edition – 88 Films (UHD/Blu-ray Combo)

Theatrical Release Date: Hong Kong, 1986
Director: Jackie Chan
Writers: Barry Wong, Eric Tang, Ken Lowe, Szeto Chuek-Hon, John Sheppard, Jackie Chan
Cast: Jackie Chan, Alan Tam, Lola Forner, Rosamund Kwan, Božidar Smiljanić 

Release Date: August 10th, 2026
Approximate Running Times: 98 Minutes 28 Seconds (Hong Kong Cut), 88 Minutes 29 Seconds (International Cut), 98 Minutes 26 Seconds (Japanese Cut)
Aspect Ratio: 1.85:1 Widescreen / 2160 Progressive / HEVC / H.265 / Dolby Vision HDR10 (All Versions)
Rating: 15 (UK)
Sound: DTS-HD Mono Cantonese (Original Theatrical Mix), DTS-HD Mono Cantonese (Home Video Mix), DTS-HD Mono English (Classic English Dub), DTS-HD Mono Cantonese/English Hybrid, DTS-HD Mono English (International Cut, Japanese Cut)
Subtitles: English (Hong Kong Cut), English SDH (All Versions)
Region Coding: Region Free (4K UHD), Region B (Blu-ray)
Retail Price: £40.00 (UK)

"Move over Indiana Jones! The very great Jackie Chan stars as 'the Asian Hawk', an adventurous archaeologist who's about to face his greatest challenge: an evil cult is on the trail of some priceless artifacts, and heaven help us if they get hold of them. If Hawk can't stop them, then the whole world is in danger!" - synopsis provided by the distributor

Video: 5/5 (4K UHD - All Versions, Blu-ray - All Versions) 

Here’s the information provided about this release's transfer, "Brand-new 4K restorations in 1.85:1 aspect ratio from the original 35mm camera negatives."

Armour of God, the Hong Kong cut, comes on a 100 GB triple layer 4K UHD.

Disc Size: 74.4 GB

Feature: 72 GB

88 Films have been doing an outstanding job with their 4K UHD upgrades of Jackie Chan films, and this Armour of God is their best-looking transfer to date. The source looks phenomenal; flesh tones look correct, colors are nicely saturated, contrast, black levels, image clarity, and compression are solid, and the image retains an organic appearance.

Armour of God, the international cut, and the Japanese cut come on a 100 GB triple layer 4K UHD.

Disc Size: 85.8 GB

Feature: 65.4 GB

This disc uses seamless branching for the two versions.

The Japanese version has the following characteristics/features:

"English Golden Harvest ident

Hong Kong-length

English-language soundtrack (same as the international version overall, except longer, and the English version of ‘Lorelei’ plays during the ending [not ‘Flight of the Dragon’])

English opening credits (same as the international version)

Three pieces of text (HONG KONG, PARIS, NO TRESPASSING)

Some different outtakes (same as the Taiwanese version; different from the Hong Kong and international ones).

English closing credits (might be the same as the international version overall, except for at least one music credit)."

Armour of God, the Hong Kong cut comes on a 50 GB dual layer Blu-ray.

Disc Size: 46.1 GB

Feature: 31.5 GB

This Blu-ray uses the same master that is used for the 4K UHD disc.

Armour of God, the international cut, and the Japanese cut come on a 50 GB dual layer Blu-ray.

Disc Size: 29.4 GB

Feature: 27.4 GB

This Blu-ray uses the same master that is used for the 4K UHD disc. This disc uses seamless branching for the two versions.

Audio: 5/5 (DTS-HD Mono Cantonese - Original Theatrical Mix, DTS-HD Mono Cantonese - Home Video Mix, DTS-HD Mono Cantonese/English Hybrid), 4.5/5 (DTS-HD Mono English - Classic English Dub, DTS-HD Mono English - International Cut, DTS-HD Mono English - Japanese Cut)

The Hong Kong cut comes with five audio options, a DTS-HD mono mix in Cantonese (the original theatrical mix), a DTS-HD mono mix in Cantonese (the home video mix), a DTS-HD mono in English (the classic English dub), a DTS-HD mono mix in a Cantonese/English hybrid, and a DTS-HD 5.1 mix in English. All tracks allow you to choose Lorelei or Flight of the Dragon for the end credits song. All tracks sound clean, clear, and balanced. Range-wise, ambient sounds are well-represented. Furthermore, the Cantonese language tracks sound more robust than the English language tracks. Included are removable English subtitles for the Cantonese language track, removable English subtitles for the Cantonese/English hybrid track, and removable English SDH.

The international cut and the Japanese cut each come with one audio option, a DTS-HD mono mix in English with removable English SDH. Both tracks sound clean, clear, and balanced, and fight scenes sound appropriately robust.

Extras:

Extras on the 4K UHD disc with the Hong Kong theatrical cut include Cantonese theatrical trailer (4 minutes 23 seconds, Dolby Digital mono Cantonese with removable English subtitles), the Mandarin theatrical trailer (3 minutes 56 seconds, Dolby Digital mono Mandarin with removable English subtitles), the Japanese theatrical trailer (1 minute 9 seconds, Dolby Digital mono Japanese with removable English subtitles), the English-language theatrical trailer (2 minutes 5 seconds, Dolby Digital mono English, no subtitles), 88 Films Blu-ray trailer (1 minute 43 seconds, Dolby Digital mono English, no subtitles), an archival audio commentary with Asian cinema expert Frank Djeng, an archival audio commentary with Kenneth Brorsson and Phil Gillon of the Podcast on Fire Network, and an audio commentary with Frank Djeng and F.J. Desanto.

There are no extras on the 4K UHD disc with the international cut and the Japanese cut.

Extras on the Blu-ray disc with the Hong Kong theatrical cut include the Cantonese theatrical trailer (4 minutes 23 seconds, Dolby Digital mono Cantonese with removable English subtitles), the Mandarin theatrical trailer (3 minutes 56 seconds, Dolby Digital mono Mandarin with removable English subtitles), the Japanese theatrical trailer (1 minute 9 seconds, Dolby Digital mono Japanese with removable English subtitles), the English-language theatrical trailer (2 minutes 5 seconds, Dolby Digital mono English, no subtitles), 88 Films Blu-ray trailer (1 minute 43 seconds, Dolby Digital mono English, no subtitles), High Upon High music video (6 minutes 3 seconds, Dolby Digital stereo English, no subtitles), High Upon High split screen (2 minutes 8 seconds, Dolby Digital stereo English, no subtitles), High Upon High behind the scenes (4 minutes 16 seconds, Dolby Digital stereo English, no subtitles), Jackie Chan greets his fans in a rare promo teaser trailer for Police Story (3 minutes 44 seconds, Dolby Digital mono Cantonese with burnt-in English subtitles), Locations: Then and Now featurette (6 minutes 2 seconds, Dolby Digital stereo), an archival interview with editor Peter Cheung (4 minutes 42 seconds, Dolby Digital stereo Cantonese with non-removable English subtitles), an archival interview with producer Willie Chan (3 minutes 44 seconds, Dolby Digital stereo English, no subtitles), an archival interview with actor Jackie Chan (4 minutes 9 seconds, Dolby Digital stereo English, no subtitles), an interview with Steve Lawson titled Jackie Chan on VHS - The VPF Years (7 minutes 52 seconds, Dolby Digital stereo English, no subtitles), an interview with Radek Sienski titled Rise of the Phoenix (20 minutes 49 seconds, Dolby Digital stereo English, no subtitles), an interview with Scott Adkins and Matt Routledge titled The Art of Action (30 minutes 57 seconds, Dolby Digital stereo English, no subtitles), an episode of Celebrity Talk Show with Jackie Chan (58 minutes 21 seconds, Dolby Digital mono Cantonese with removable English subtitles), an archival audio commentary with Frank Djeng, an archival audio commentary with Kenneth Brorsson and Phil Gillon, and an audio commentary with Frank Djeng and F.J. Desanto.

There are no extras on the Blu-ray disc with the international cut and the Japanese cut.

Other extras include reversible covert art, a double-sided fold-out poster, an O-ring slipcover, a rigid slipcase, and an 80-page perfect-bound book with cast & crew information, an essay titled On the Trail of Treasure written by C.J. Lines, an essay titled Reborn a Dragon: Putting on the Full Armour of God written by Thorsten Boose, and archival images.

Summary:

Made during the height of Jackie Chan’s popularity, Armour of God is a different kind of film from Jackie Chan. Although Armour of God started off with another director, a daring stunt from the spectacular opening sequence nearly killed Jackie Chan. When filming resumed, Jackie Chan replaced the original director, Eric Tsang. That said, what little footage Eric Tsang directed blends effortlessly with the rest of the film.

The narrative revolves around a treasure hunter named Asian Hawk who is reluctantly enlisted to recover a treasure known as the Armour of God. Though the tone of Armour of God has a similar vibe to the films that Jackie Chan was making at this time, the premise feels like it was inspired by the Indiana Jones films.

While it's clear that Jackie Chan is the main attraction, he surrounds himself with a solid supporting cast. Jackie Chan portrays Asian Hawk, a former pop singer for the band The Losers turned treasure hunter. Armour of God reunites Jackie Chan with Lola Forner, who he worked with on Wheels on Meals. Rounding out the cast are Alan Tam (Rich and Famous) and Rosamund Kwan (Once Upon a Time in China), who portray two members of The Losers. The onscreen chemistry of these four actors elevates all of their performances.

Jackie Chan really knows how to wow an audience with his opening sequences, and with Armour of God he delivers one of his best. That said, the opening sequence sets the bar so high the narrative does not immediately recover. After that initial burst of action, there is not another action set piece until around the 35-minute mark. Fortunately, once the narrative hits its stride, it is smooth sailing for the rest of the way.

When it comes to the action set pieces, Armour of God is more about jaw-dropping stuntwork than choreographed martial arts. Though Jackie Chan does the most impressive stunt work, there are a few moments where others pull off some daring stunts. Where most Jackie Chan moments see him square off against a formidable foe, no one in Armour of God is on his level. Ultimately, what Armour of God lacks in exposition, it makes up for in spades with its exceptional stuntwork.

88 Films gives Armour of God a definitive release. Highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.

 











Written by Michael Den Boer

Sweet Meats – Troma Films (Blu-ray) Theatrical Release Date: USA, 2025 Director: Ricky Glore Writer: Ricky Glore Cast: Andrew Gordon, Eile...