Sunday, May 18, 2025

Saucy 70s! - A British Sex Comedy Threesome: Deluxe Collectors Edition – 88 Films (Blu-ray)

Theatrical Release Dates: UK, 1973 (The Sex Thief), UK, 1972 (Au Pair Girls), UK, 1969 (Zeta One)
Directors: Martin Campbell (The Sex Thief), Val Guest (Au Pair Girls), Michael Cort (Zeta One)
Cast: Jennifer Westbrook, David Warbeck, Henry Rayner, Gerald Taylor, Michael Armstrong, Terence Edmond, Diane Keen, Christopher Neil, Harvey Hall (The Sex Thief), Astrid Frank, Johnny Briggs, Gabrielle Drake, Me Me Lai, Nancie Wait, Joyce Heron, Daphne Anderson, Geoffrey Bayldon (Au Pair Girls), James Robertson Justice, Charles Hawtrey, Robin Hawdon, Anna Gaël, Brigitte Skay, Dawn Addams, Valerie Leon, Lionel Murton, Yutte Stensgaard (Zeta One)

Release Date: December 19th, 2022
Approximate Running Times: 93 Minutes 9 Seconds (The Sex Thief), 84 Minutes 29 Seconds (Au Pair Girls), 85 Minutes 50 Seconds (Zeta One)
Aspect Ratio: 1.66:1 Widescreen / 1080 Progressive / MPEG-4 AVC (All Films)
Rating: 18 (UK)
Sound: LPCM Mono English (All Films)
Subtitles: English SDH (All Films)
Region Coding: Region B
Retail Price: £35.00 (UK)

"From the era that also bought us the seedier Carry On films and the Confessions… movies there also came a run of other ‘delightfully of their time’ British sex comedies. This beautifully presented set brings together three of those typically silly and salacious soft porn romps in Zeta One (1970), Au Pair Girls (1972) and The Sex Thief (1973). Combining elements of science fiction, crime and plenty of smut these movies could only have sprung from that strangely odd time which fell somewhere between the dying sixties and the Deep Throat generation.

Featuring an eclectic mix of talent including James Robertson Justice (Doctor in the House), Me Me Lai (The Man from Deep River), Charles Hawtrey, (Carry on up the Jungle) and Diane Keen (Here We Go Round the Mulberry Bush) these films are at least guaranteed to raise a smile if nothing else…

Daring, daft and unspeakably naughty, here is a threesome you’ll never forget." - synopsis provided by the distributor

Video: 3.75/5 (Zeta One), 3.25/5 (The Sex Thief, Au Pair Girls)

Here’s the information provided about this release's transfers, "The masters of Zeta One, Au Pair Girls and The Sex Thief were transferred in High Definition from best possible archive film materials and supplied by Tigon Film distributors.

Additional restoration was carried out by 88 Films at ITV Studios in 2022 to remove excess dust, instability and flicker."

The Sex Thief comes on a 50 GB dual layer Blu-ray.

Disc Size: 40 GB

Feature: 27 GB

Au Pair Girls comes on a 50 GB dual layer Blu-ray.

Disc Size: 29.1 GB

Feature: 23 GB

Zeta One comes on a 50 GB dual layer Blu-ray.

Disc Size: 33.1 GB

Feature: 24.9 GB

Though none of these transfers are reference quality, they are all still better than what has come before on home media. Zeta One is the best-looking of these three films, while the other two look similar quality-wise.

Audio: 3.5/5 (Zeta One), 3/5 (The Sex Thief, Au Pair Girls)

Each film comes with one audio option, a LPCM mono mix in English with removable English SDH. The Sex Thief and Au Pair Girls have sibilance issues. The dialogue is consistently clear, the overall sound is well-balanced, and the audio range is satisfactory.

Extras:

Extras for The Sex Thief include overseas version (intro only) from hardcore version of The Sex Thief (2 minutes 53 seconds, Dolby Digital mono English with burnt-in Dutch subtitles), an interview with Michael Armstrong titled To Catch a Thief (11 minutes 10 seconds, Dolby Digital stereo English, no subtitles), a featurette titled It Must Be Burglary - Making The Sex Thief, featuring production accountant David Ball, composer Michael Vickers, editor Peter Musgrave, art director Tony Noble, stunt arranger Paul Weston, and actress Veronica Doran (32 minutes 5 seconds, Dolby Digital stereo English, no subtitles), and an audio commentary with Kim Newman and Barry Forshaw.

Extras for the Au Pair Girls include a theatrical trailer (2 minutes 16 seconds, Dolby Digital mono English, no subtitles), three extended scenes from the Export version (5 minutes 56 seconds, Dolby Digital mono English, no subtitles), and a featurette titled Au Pair Appeal (10 minutes, Dolby Digital stereo English, no subtitles), featuring actor John Standing, camera operator Geoff Glover, and first assistant editor Tariq Anwar.

Extras for Zeta One include a theatrical trailer (2 minutes 1 second, Dolby Digital mono English, no subtitles), an interview with actress Angela Grant titled Outerspace Girl (10 minutes 2 seconds, Dolby Digital stereo English, no subtitles), an interview with actor Robin Hawdon titled Zeta Man (9 minutes 2 seconds, Dolby Digital stereo English, no subtitles), a featurette titled Earning a Crust, featuring assistant editor Jonathan Morris, and camera operator Geoff Glover (7 minutes 17 seconds, Dolby Digital stereo English, no subtitles), and an audio commentary with Kim Newman and Barry Forshaw.

Other extras include a double-sided fold-out poster, and a 80-Page Perfect-bound Book with cast & crew information for each film, an essay titled Boobs on Screen, Bums on Seats written by Simon Sheridan, Why i Made Sex Comedy an archival interview with director Val Guest, archival reviews for each film, archival images and other promotional materials, and information about the transfers.

Summary:

Besides being British, the other commonality of these three films is that they were produced or distributed by Tigon Films.

The Sex Thief: A novelist who writes trashy novels by day becomes a masked jewel thief by night, seducing his victims when he gets caught in the act.

Everyone must begin their journey at some point. That said, it's head-scratching that Martin Campbell, who directed films like GoldenEye, The Mask of Zorro, and Casino Royale, began his career directing sex comedies like The Sex Thief. Though the premise of The Sex Thief is absurd and the narrative predictable, the direction is solid, particularly in the exaggerated sex scenes.

There is nothing memorable about the performances; David Warbeck (The Beyond), in the role of the protagonist, a novelist masquerading as a jewel thief, spends most of his time having sex. The humor, most of which is sexually laced, misses more than it lands. The funniest joke is how all of the women who have been robbed give different descriptions: a 6-foot-6 Russian who disguises himself as a midget. Worst of all, the narrative just plods along, never gaining any momentum. Ultimately, The Sex Thief is a forgettable comedy whose negatives far outweigh its positives.

Au Pair Girls: Four women from foreign countries go to England to work as au pairs, and sexy shenanigans unfold. 

Au Pair Girls was helmed by a director that one does not usually associate with sex comedies. Up to that point in his career, Val Guest was most known for his 14 collaborations with Hammer Films and his work in the science fiction genre. That said, Au Pair Girls would mark a shift in his career; most of his films after it would be in the comedy genre.

The main attractions of Au Pair Girls are the four actresses who portray the au pairs: Astrid Frank (The Resort Girls), Gabrielle Drake (There's a Girl in My Soup), Me Me Lai (Man from Deep River), and Nancie Wait (The Amorous Milkman). Each of these four women’s characters is given a different nationality, and the humor takes advantage of their traits. Of course, all of them shine their brightest when their more than ample assets are on display.

You have to give Au Pair Girls credit for never straying too far from its strengths. Though the focal point is a series of sexual rendezvous, that is not to say that sufficient time is not devoted to exposition. Au Pair Girls is filled with sexually laced humor that rarely misses its mark, and its gratuitous amount of nudity is a plus. Ultimately, Au Pair Girls is a fun time waster that holds up better than most 1970s British sex comedies.

Zeta One: A secret agent encounters a group of alluring women from another dimension who abduct women from Earth to repopulate their planet.

Co-written and directed by Michael Cort, Zeta One would be his only feature film. The camera just lets characters take center stage; his direction is flat, never delivering any personal flourishes. That said, it is not surprising that he did not direct another feature film.

Considering the premise—a film filled with beautiful, scantily clad women from another dimension—its lack of nudity feels like a missed opportunity. Another area that is not as strong as it could be is the narrative structure; it uses a wrap-around with a secret agent character whose retelling of his adventure with the women from another dimension. Before he even begins this story, there is a lengthy game of foreplay between him and a woman he works with. Needless to say, though Zeta One is a mess, it is not a complete loss.

The most surprising aspect is its cast of recognizable faces: Dawn Addams (The Thousand Eyes of Dr. Mabuse), Valerie Leon (Blood from the Mummy's Tomb), Yutte Stensgaard (Lust for a Vampire), and James Robert Justice (The Guns of Navarone), who portrays a major whose capture tortured some of the women from another dimension. In the case of the latter, it is documented that he was ashamed of working on a film like Zeta One. That said, the performance suits the story that unfolds.

Though billed as a fantasy film, it often employs its humor with tongue firmly in cheek. The planet Angvia, where the women from another dimension are from, is an anagram for vagina. The special effects are atrocious; the women from Angvia have fingers that are a deadly weapon, which they shoot like a gun. There are a lot of James Bond references; the secret agent character is a spoof of James Bond, and his boss's name is W. Ultimately, somehow, despite its shortcomings, Zeta One manages to be a mildly entertaining film in a campy way.

Saucy 70s! - A British Sex Comedy Threesome gives the three films in this collection their best home media release to date, recommended.



























Written by Michael Den Boer

Saturday, May 17, 2025

Miracles: Deluxe Limited Edition – 88 Films (UHD/Blu-ray Combo)

Theatrical Release Date: Hong Kong, 1989
Director: Jackie Chan
Writers: Jackie Chan, Edward Tang
Cast: Jackie Chan, Anita Mui, Gua Ah-leh, Ko Chun-hsiung, Wu Ma, Bill Tung, Richard Ng, Gloria Yip 

Release Date: April 14th, 2025
Approximate Running Times: 127 Minutes 41 Seconds (Hong Kong Cut), 106 Minutes 33 Seconds (International Cut)
Aspect Ratio: 2.39:1 Widescreen / 2160 Progressive / HEVC / H.265 / Dolby Vision HDR10 (Both Versions)
Rating: PG (UK)
Sound: DTS-HD Mono Cantonese (Hong Kong Cut), Alternate DTS-HD Mono Cantonese (Hong Kong Cut), DTS-HD Mono Cantonese Home Video Mix (Hong Kong Cut), DTS-HD 5.1 Cantonese (Hong Kong Cut), DTS-HD 5.1 English (Hong Kong Cut), DTS-HD Mono English (International Cut)
Subtitles: English (Both Versions), English SDH (International Cut)
Region Coding: Region Free (4K UHD), Region B (Blu-ray)
Retail Price: £29.99 (UK)

"An optimistic Gwok Zan-Waa (Jackie Chan) arrives in Hong Kong, quickly finding himself impoverished. That is, until a serendipitous encounter with a rose seller (Gua Ah-Leh) leads to his inadvertent appointment as boss of a local gang. Amidst the reluctant leader’s efforts to reform their fraternity and businesses, is an endeavor to share his new-found fortune with the bestower, all whilst trying to stave off rivals and the authorities." - synopsis provided by the distributor

Video: 5/5 (4K UHD, Blu-ray)

Here’s the information provided about this release's transfer, "Brand-new 4K restoration from the Original Camera Negative presented in Dolby Vision High Dynamic Range (HDR10 Compatible)."

Miracles comes on a 100 GB triple layer 4K UHD.

Disc Size: 88.2 GB

Feature: 67.5 GB

This release uses seamless branching for the two versions. The source looks phenomenal; flesh tones look healthy, colors are nicely saturated, image clarity, contrast, black levels, and compression are solid, and the image retains an organic look.

Miracles comes on a 50 GB dual layer Blu-ray.

Disc Size: 46.2 GB

Feature: 36 GB

This release uses seamless branching for the two versions. This Blu-ray uses the same master that is used for the 4K UHD disc.

Audio: 5/5 (DTS-HD Mono Cantonese - Hong Kong Cut, Alternate DTS-HD Mono Cantonese - Hong Kong Cut, DTS-HD Mono Cantonese Home Video Mix - Hong Kong Cut), 4.5/5 (DTS-HD Mono English - International Cut), 4.25/5 (DTS-HD 5.1 Cantonese - Hong Kong Cut, DTS-HD 5.1 English - Hong Kong Cut)

The Hong Kong cut comes with film audio options, a DTS-HD mono mix in Cantonese, an alternate DTS-HD mono mix in Cantonese, a DTS-HD mono mix in Cantonese labeled Home Video Mix, a DTS-HD 5.1 mix in Cantonese, and a DTS-HD 5.1 mix in English. There are removable English subtitles for each Cantonese language track and a removable English subtitle track for text and a song in Cantonese when watching with the English language track. The International cut comes with one audio option, a DTS-HD mono mix in English with removable English subtitles. All of the audio tracks sound clean and free of any distortion or background hiss. Dialog always comes through clearly, everything sounds balanced, and action sequences sound appropriately robust. Though the 5.1 audio tracks open up with sound spectrum, all of the mono tracks, especially the Cantonese language tracks, are the way to go.

Extras:

Extras on the 4K UHD disc include Hong Kong theatrical trailer (4 minutes 19 seconds, Dolby Digital mono Cantonese with removable English subtitles), and an audio commentary with Frank Djeng and F.J. DeSanto for the Hong Kong cut.

Extras on the Blu-ray disc include a stills gallery (23 images), Japanese TV spot (18 seconds, Dolby Digital mono Japanese with removable English subtitles), Japanese theatrical trailer (1 minute 32 seconds, Dolby Digital mono Cantonese with Japanese text and removable English subtitles), Hong Kong theatrical teaser (4 minutes 18 seconds, LPCM mono, no dialog or text), Hong Kong theatrical trailer (4 minutes 19 seconds, Dolby Digital mono Cantonese with removable English subtitles), scenes from the Taiwan version (10 minutes 38 seconds, Dolby Digital mono Mandarin with removable English subtitles), an interview with Steve Lawson titled Jackie Chan: Film Director (10 minutes 32 seconds, Dolby Digital stereo English, no subtitles), and an audio commentary with Frank Djeng and F.J. DeSanto for the Hong Kong cut.

Other extras include reversible cover art, a rigid slipcase, a double-sided poster, six art cards, and a 80-page perfect bound book with cast & crew information, Jackie Chan Stunt Team Miracles On Set written by William Blaik, an essay titled Mr. Chan and a Fork in the Road a Look at Miracles’ Decisive Role in Jackie Chan’s Career written by Paul Bramhall, an essay titled Something to Prove Frank Capra, Lion Rock Spirit and Jackie Chan’s Miracles written by David West, and archival images.

Summary:

A down-on-his-luck country boy who just arrived in Hong Kong sees a reversal of fortune after a chance encounter with a flower lady. When he is named the new leader of a gang, he repays her by transforming her into a lady of influence so her visiting daughter will not know how impoverished she really is.

Although Jackie Chan has ventured away from his signature action/comedy hybrids, he has become a victim of his success. While his comedic timing and impressive acrobatic stunts receive the majority of the acclaim, his talent for carrying a scene with dramatic weight remains largely underappreciated. Another area where he does not get enough praise is his direction, and with each new film, you could see his growth as a filmmaker.

A clear example of Jackie Chan’s prowess as a director is Miracles, a 1930s period-set action/comedy that is his most well-rounded and accomplished film. Though it is not credited, Miracles is an adaptation of Frank Capra's Lady for a Day and Pocketful of Miracles. Another influence is Hollywood musicals; a centerpiece of Miracles is a musical montage. Visually, Miracles really shines; its use of steadicam and crane shots is more elaborate than other Hong Kong films.

Though Jackie Chan is the main attraction of his films, he always surrounds himself with a solid supporting cast who are given room to take center stage. That said, all of the cast are excellent in their roles. Frequent collaborators of Jackie Chan, Bill Tung (from Police Story) and Richard Ng (from My Lucky Stars), deliver much of the film's comic relief. They portray a conman and a bumbling police inspector, respectively. Not to be overlooked when discussing the performance is Anita Mui (The Heroic Trio), who portrays a nightclub performer who is Jackie Chan’s character's love interest.

There is a lot of time devoted to exposition and building up the characters. That said, humor once again plays a significant role in a Jackie Chan film. A lot of the humor comes from a running gag where characters pretending to be someone they are not take extreme measures to conceal their charade. The fight sequences are exemplary; characters take advantage of their surroundings. When it comes to action sequences, Miracles saves its biggest and best for its finale. Ultimately, it's unfortunate that Jackie Chan did not direct more films like Miracles. This film stands out as remarkable and is one of the high points of his career.

Miracles gets an exceptional release from 88 Films that comes with a solid audio/video presentation, two versions of the film, and informative extras—highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a MPC-HC player and lossless PNGs.












Written by Michael Den Boer

Friday, May 16, 2025

Inflatable Sex Doll of the Wastelands: Deluxe Edition – Deaf Crocodile (Blu-ray)

Theatrical Release Date: Japan, 1967
Director: Atsushi Yamatoya
Writer: Atsushi Yamatoya
Cast: Miki Watari, Yûichi Minato, Shôhei Yamamoto, Masayoshi Nogami, Noriko Tatsumi, Mari Nagisa, Akaji Maro, Taka Ôkubo, Hatsuo Yamaya

Release Date: April 29th, 2025
Approximate Running Time: 86 Minutes 46 Seconds
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: NR
Sound: DTS-HD Mono Japanese
Subtitles: English
Region Coding: Region A
Retail Price: $44.99

“Every day at 3 o’clock I’ve been killing you in my daydreams,” murmurs low-rent hitman Shô (Yûichi Minato), haunted by the death of his girlfriend five years earlier and seeking revenge on the gangster who killed her." - synopsis provided by the distributor

Video: 3.75/5

Here’s the information provided about this release's transfer, "Inflatable Sex Doll of the Wastelands was restored from the only known remaining 35mm element - a badly worn and damaged release print, scanned by Rapid Eye Movies in Germany.

Before restoration work could begin, the piece-meal scan of bits and pieces of that tattered print needed to be put back together (conformed) - both the audio and picture separately and then synced. That's an undertaking all its own. Once we had that, we could really dig in and see just what kind of work was ahead of us.

The print was damaged with numerous broken and even missing frames. As would be expected from a worn release print, there were considerable scratches and dirt present and large tape splices needed to be digitally repaired at each cut. There were considerable stability issues throughout. Large sections of the film had significant moisture damage which presents itself on screen as a wildly irregular "flicker". The audio was equally challenging and well beyond our in-house audio restoration abilities. It was time to call in the audio pros at Audio Mechanics in Burbank, CA. They did a heroic job clearing up the audio, fixing badly out of sync shots and miraculously removing a loud repetitive noise that ran throughout a large portion of the film.

An element in this condition would normally never be used for a restoration effort, but in this case it was the only element known to exist and the film deserves to be seen in the best possible condition it can."

Inflatable Sex Doll of the Wastelands comes on a 25 GB single layer Blu-ray.

Disc Size: 22.8 GB

Feature: 16.5 GB

The detailed information provided about the transfer gives you a clear idea of what to expect. That said, things look better than expected, and Fidelity in Motion delivers a solid encode. 

Audio: 4/5

This release comes with one audio option, a DTS-HD mono mix in Japanese with removable English. Dialog comes through clearly, everything sounds balanced, and ambient sounds are well-represented.

Extras:

Extras for this release include a restoration demo (2 minutes 46 seconds, Dolby Digital mono Japanese, no subtitles), a  video essay by journalist and physical media expert Ryan Verrill (The Disc Connected) and film professor Dr. Will Dodson titled Tomorrow Won’t be a Dream: Duality and Triangles in Inflatable Sex Doll of the Wastelands (13 minutes 4 seconds, Dolby Digital stereo English, no subtitles), an interview with film professor Alexander Zahlten on the Pink Film subgenre in Japanese cinema, moderated by Dennis Bartok of Deaf Crocodile (82 minutes 36 seconds, Dolby Digital stereo English, no subtitles), an audio commentary with film historians Arne Venema and Mike Leeder, and an insert with a URL that has a PDF for the video essay.

Extras limited to this deluxe edition include reversible cover art, a slipcase, and a 60-page book with an essay titled Erotics of the Gun Gender, Geo-Politics, and Inflatable Sex Doll of the Wastelands written by Alexandra Heller-Nicholas, an essay titled Inflatable Sex Doll of the Wastelands written by Walter Chaw, an essay titled Atsushi Yamatoya’s Inflatable Sex Doll of the Wastelands - Quantum Mechanics and the Destroyer of Worlds written by Chris D., an interview with producer Keiko Satô of Kokuei Films, conducted by producer Hiromi Aihara of Bewiz, and information about the restoration.

Summary:

Atsushi Yamatoya directed Inflatable Sex Doll of the Wastelands; his only other notable film as a director is Trapped in Lust, a Roman Porno remake of Branded to Kill. He is most known for his work as a screenwriter: Branded to Kill, Stray Cat Rock: Sex Hunter, A Tale of Sorrow and Sadness, Star of David: Beautiful Girl Hunter, and Dogra Magra.

A private detective is hired to find a woman who is believed to have been killed in a snuff film.

While Inflatable Sex Doll of the Wastelands incorporates many elements typical of Pinku eiga, it ultimately resembles the action films produced by Nikkatsu in the latter half of the 1960s. Where most pinku eiga focus on sex, violence, and politically charged commentary, Inflatable Sex Doll of the Wastelands, similar to the works of Atsushi Yamatoya, places greater emphasis on experimentation. That said, when it comes to sex and violence, Inflatable Sex Doll of the Wastelands seems relatively mild compared to other Pinku eiga films from the 1960s and 1970s.

While watching Inflatable Sex Doll of the Wastelands, I could not help but think about Branded to Kill, a film to which Atsushi Yamatoya contributed as a writer. Both films revolve around protagonists who manage to stay ahead of their enemies in a kill-or-be-killed world. That said, Inflatable Sex Doll of the Wastelands has a surprisingly strong narrative that is heavy on exposition in favor of more exploitative elements. Another strength of the narrative is how it fleshes out its protagonist's backstory: his girlfriend was murdered by a gangster, and his quest for revenge aligns with the case he’s working on.

The most surprising aspect of Inflatable Sex Doll of the Wastelands is the performances, especially Yûichi Minato (Madame O), who portrays a private detective named Shô. He delivers a strong performance that draws you into the story that is unfolding. Another performance of note is Miki Watari, who portrays Mina, a woman who has an affair with Shô despite being involved with a man named Kô, the knife thrower.

The dark premise of Inflatable Sex Doll of the Wastelands depicts a world where women are abducted, tortured, violated, and killed on film, and this concept is effectively brought to life. The film features a diverse cast of eccentric characters, including a man who engages intimately with his inflatable doll. While alliances are formed among them, numerous betrayals occur throughout the story. Visually there are an abundance of arresting moments, and a jazz-infused score reinforces the unsettling mood. That said, there are times when image and sound verge on avant-garde. Ultimately, Inflatable Sex Doll of the Wastelands is a satisfying blend of arthouse and exploitation cinema that quickly draws you in and holds your attention.

Deaf Crocodile gives Inflatable Sex Doll of the Wastelands its best home media release to date; highly recommended.

Note: This edition is limited to 1500 copies.








Written by Michael Den Boer

The Big Combo: Special Edition – Ignite Films (4k UHD/Blu-ray Combo) Theatrical Release Dates: USA, 1955 (The Big Combo), USA, 1949 (The Cro...