Saturday, March 5, 2022

Shaolin Mantis – 88 Films (Blu-ray)

Theatrical Release Date: Hong Kong, 1978
Director: Chia-Yung Liu (Lau Kar-leung)
Writer: On Szeto
Cast: David Chiang, Cecilia Wong, Lily Li, John Cheung, Chia-Yung Liu (Lau Kar-wing), Chia-Hui Liu (Gordon Liu)

Release Date: March 21st, 2022 (UK), March 22nd, 2022 (USA)
Approximate Running Time: 100 Minutes 22 Seconds
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVCC
Rating: 15 (UK), NR (USA)
Sound: LPCM Mono Mandarin, LPCM Mono English
Subtitles: English
Region Coding: Region A,B
Retail Price: £14.99 (UK), $29.95 (USA)

"When scholar Wei Fung (David Chiang) is hired by the Emperor to infiltrate a clan of rebellious Ming loyalists, his mission goes adrift when he falls in love the clan leader's granddaughter and his plans are discovered." - synopsis provided by the distributor

Video: 3.5/5

Here’s the information provided about this release's transfer, “HD master from the original 35mm negatives.” 

Shaolin Mantis comes on a 50 GB dual layer Blu-ray.

Disc Size: 41.8 GB

Feature: 29.8 GB

Audio: (4/5 DTS-HD Mono Mandarin), 3.75/5 (DTS-HD Mono English)

This release comes with two audio options, a LPCM mono mix in Mandarin and a LPCM mono mix in English. Both audio mixes sound clean, clear, and balanced. Range-wise, the fight sequences sound robust. That said, the Mandarin language track sounds fuller than its English language counterpart. Included with this release are two subtitle options: English for the Mandarin language track and a second English subtitle track for Mandarin text and signs.

Extras:

Extras for this release include U.S. trailer under the title The Deadly Mantis (3 minutes 38 seconds, Dolby Digital mono English, no subtitles), Hong Kong theatrical trailer (3 minutes 49 seconds, Dolby Digital mono Mandarin with burnt-in English and Cantonese subtitles), an interview with actor John Cheung (20 minutes 35 seconds, Dolby Digital stereo Chinese with non-removable English subtitles), an interview with David West titled Complicated Families (13 minutes 52 seconds, Dolby Digital stereo English, no subtitles), an audio commentary with Asian cinema expert Frank Djeng, an audio commentary with Asian cinema experts Mike Leeder and Arne Venema, reversible cover art, a double-sided foldout poster, a limited edition slipcover and four reproduction lobby cards.

Summary:

Chia-Yung Liu (Lau Kar-leung) directed some of the Shaw Brothers' most memorable martial arts films, like Spiritual Boxer, Executioners from Shaolin, 36th Chamber of Shaolin, Return to the 36th Chamber, Legendary Weapons of China, and The Eight Diagram Pole Fighter. He would team up with Chia Hui Liu (Gordon Liu) for most of these films. Besides directing Chia-Yung Liu (Lau Kar-leung), he is a renowned martial artist who has starred in many films, including The Legend of the 7 Golden Vampires, Master of the Flying Guillotine, Knockabout, and Drunken Master II: The Legend of Drunken Master.

Shaolin Mantis opens with a pair of amazing martial arts sequences before settling into a melodrama about a spy named Wei Fung, who’s given the task of uncovering a clan of rebellious Ming loyalists. Along the way, Wei Fung falls in love with Tien Chi-Chi, a Ming loyalist daughter who chooses Wei Fung over her family, who’s plotting to overthrow the emperor.

But the narrative does a great job of maintaining momentum. Some of the exposition moments tend to drag. Fortunately, when it comes to the fight sequences, Shaolin Mantis delivers and then some. The most memorable fight sequence is when Wei Fung and Tien Chi-Chi escape from the Tien Clan home. They are forced to fight several opponents in a gauntlet that’s a reminiscent of the one Bruce Lee faced in the Game of Death.

Other memorable fight sequences include a scene where Wei Fung studies a mantis, which leads to his new fighting style, and the finale, where Wei Fung returns to the Tien Clan home seeking vengeance for his deceased wife, Tien Chi-Chi. This scene showcases Wei Fung’s Mantis fighting style as he works his way past each opponent to reach his ultimate goal, Chi-Chi's Grandfather.

The cast are very good in their respective roles, especially Chia-Yung Liu (Lau Kar-leung) in the role of Tien Chi-Chi’s grandfather. He made a career of playing bad guys, and in Shaolin Mantis, his character is the epitome of evil. Another performance of note is Chia-Hui Liu (Gordon Liu) in the all-too familiar role of a Shaolin Monk. Though Chia-Hui Liu (Gordon Liu) only appears in one scene, he is always a joy to watch. Ultimately, where Shaolin Mantis lacks when it comes to story, it more than makes up for it with its exceptional fight sequences.

Shaolin Mantis gets a good release from 88 Films that comes with a strong audio/video presentation and a wealth of insightful extras, recommended.








Written by Michael Den Boer

Friday, March 4, 2022

Phenomena – Arrow Video (4k UHD)

Theatrical Release Date: Italy, 1985
Director: Dario Argento
Writers: Dario Argento, Franco Ferrini
Cast: Jennifer Connelly, Daria Nicolodi, Dalila Di Lazzaro, Patrick Bauchau, Donald Pleasence, Fiore Argento, Federica Mastroianni, Fiorenza Tessari, Mario Donatone, Francesca Ottaviani, Michele Soavi

Release Date: February 28th, 2022 (UK)
Approximate Running Times: 115 Minutes 54 Seconds (Italian Version), 110 Minutes 3 Seconds (International Version), 83 Minutes 5 Seconds (Creepers)
Aspect Ratio: 1.66:1 Widescreen / 2160 Progressive / HEVC / H.265 / Dolby Vision HDR10
Rating: 18 (UK)
Sound: DTS-HD 5.1 Italian, LPCM Stereo Italian, DTS-HD 5.1 English/Italian (Italian Version), DTS-HD 5.1 English, LPCM Stereo English (International Version), LPCM Mono English, LPCM Stereo English (Creepers)
Subtitles: English (for all dialog in Italian), English SDH
Region Coding: Region Free
Retail Price: £39.99 (UK)

"Jennifer Corvino (Jennifer Connelly, Labyrinth), daughter of a world renowned movie star, arrives in the so called “Swiss Transylvania” to attend an exclusive girls’ school. However, a vicious killer is targeting the pupils, and sleepwalker Jennifer finds herself in the assassin’s headlights when her nocturnal wanderings cause her to witness the death of a fellow pupil. Aided by paraplegic entomologist John McGregor (Donald Pleasence, Halloween) and her own uncanny ability to communicate telepathically with insects, Jennifer sets out to track down the killer before she herself becomes the latest victim…" - synopsis provided by the distributor

Video: 5/5

Here’s the information provided about the transfer, “The original 35mm camera negative elements were scanned and restored in 4K resolution at L’Immagine Ritrovoto, Bologna. The film was conformed and graded in 4K HDR/Dolby Vision at Silver Salt Restoration, London.

The opening titles for the Creepers cut were scanned from a 35mm print in 4K resolution at AGFA and restored and graded in 4K HDR/Dolby Vision at Silver Salt Restoration.”

Phenomena Italian version comes on a 100 GB triple layer 4K UHD.

Disc Size: 89.4 GB

Feature: 82 GB

Phenomena International version and Creepers come on a 100 GB triple layer 4K UHD.

Disc Size: 92.3 GB

Feature: 52.9 GB (International Version), 37.6 GB (Creepers)

The three transfers use the same sources that Arrow Video used for their 2017 Blu-ray release. Those transfers all looked great, and with this 4K upgrade, they look even more amazing. The colors look vibrant and are nicely saturated. Image clarity, contrast, and shadow detail are solid. There are no issues with compression, and the grain looks organic.

Audio: 5/5

This release comes with three versions of Phenomena. The Italian version comes with three audio options, a DTS-HD 5.1 mix in Italian, a LPCM stereo mix in Italian, and a DTS-HD 5.1 mix in English and Italian, derived from the original 4channel Dolby Stereo elements. The international version comes with three audio options, a DTS-HD 5.1 mix in English, a LPCM stereo mix in English, and an alternate LPCM stereo mix in English that features different sound effects and music, derived from the original 4channel Dolby Stereo elements. Creepers comes with two audio options, a LPCM stereo mix in English and a LPCM mono mix in English, mastered from the original 3 track DME magnetic mix. There is a wide variety of audio options to choose from spread across these multiple versions, and sonically, all of these audio mixes are in excellent shape. Included with this release are removable English subtitles for all Italian language dialog and removable English SDH for all English dialog.

Extras:

Extras on UHD disc that contains the Italian version include Italian theatrical trailer (2 minutes 36 seconds, LPCM stereo Italian with removable English subtitles), International theatrical trailer (2 minutes 36 seconds, LPCM stereo English, no subtitles), Japanese press book (13 images), Jennifer music video (4 minutes 11 seconds, LPCM stereo English, no subtitles), feature length 2017 documentary produced for Arrow Films, including interviews with co-writer/producer/director Dario Argento, actors Fiore Argento, Davide Marotta, Daria Nicolodi and Fiorenza Tessari, co-writer Franco Ferrini, cinematographer Romano Albani, production manager Angelo Iacono, special optical effects artist Luigi Cozzi, special makeup effects artist Sergio Stivaletti, makeup artist Pier Antonio Mecacci, underwater camera operator Gianlorenzo Battaglia, and composers Claudio Simonetti and Simon Boswell titled Of Flies and Maggots (2 hours 13 seconds, Dolby Digital stereo Italian with removable English subtitles) and an audio commentary with Troy Howarth, author of Murder by Design: The Unsane Cinema of Dario Argento.

Extras on UHD disc that contains the International version and Creepers include U.S theatrical trailer (1 minute 27 seconds, Dolby Digital mono English, no subtitles), two U.S. radio spots (1 minute 3 seconds, Dolby Digital mono English, no subtitles), a visual essay by Arrow producer Michael Mackenzie comparing the different cuts of Phenomena titled The Three Sarcophagi (31 minutes 2 seconds, Dolby Digital stereo English, no subtitles) and an audio commentary for the international version by Dario Argento scholar and author Derek Botelho and film historian, journalist and radio/television commentator David Del Valle.

Other extras include reversible cover art, a fold out double sided poster, six double sided, postcard sized lobby card reproduction artcards and a 60-page booklet with cast & crew information, an essay titled The Poetry of the Gross-Out: Argento’s Phenomena written by Mikel J. Koven, an essay titled Argento, Armani and the Fashions of Phenomena written by Rachael Nisbet, an essay titled Phenomena as a Key to Unlocking Opera written by Leonard Jacobs, information about the versions and information about the restoration.

Summary:

The thing that immediately grabbed me While revisiting Phenomena, I realized how grounded the story was. Though it is rooted in the world of the supernatural, one of the most common criticisms leveled at Dario Argento's films is how anemic their narratives are and how most of the characters that populate them are one-dimensional. Although some of the secondary characters in Phenomena are merely for show. That said, Phenomena does feature what is arguably the most well-rounded protagonist to ever appear in a Dario Argento film. 

Structure-wise, Phenomena does a superb job of laying the groundwork for its blood-soaked finale. Also, Phenomena finds a satisfying balance between its more carnage-related moments and its more character-driven moments.

For Phenomena, Dario Argento re-teams with cinematographer Romano Albani, who he had previously worked with on Inferno. And once again, Dario Argento does not disappoint when it comes to visuals. The color blue plays a significant role in Phenomenon’s visual palette. And of course, when it comes to murder set pieces, Dario Argento's visual eye is second to none. 

Another area in which Phenomena stands out is its special effects, which, even by today’s standards, hold up really well. A key collaborator on Phenomena was filmmaker Luigi Cozzi (Star Crash), who helped with the Phenomena’s special effects. 

The one area where Phenomena stands out most is its soundtrack, which includes a wide variety of collaborators and styles. The soundtrack includes the following contributors: Goblin, Claudio Simonetti, Fabio Pignatelli, Simon Boswell (Andi Sex Gang), Franky Goes to Hollywood, Motorhead, Iron Maiden, Bill Wyman, and Terry Taylor. The most memorable song is titled The Valley. This song is featured in Phenomena's opening.

Looking through the various films that Dario Argento has directed, one area that he generally excels at is casting. And with Phenomena, he assembles one of his strongest casts. In one of her first film roles, Jennifer Connelly (Once Upon a Time in America) is cast in the role of the protagonist, Jennifer. So much of the phenomenon is carried by her. And she proves to be up to the task. Not to be overlooked is Daria Nicolodi (Deep Red) in the role of Frau Brückner, the woman who has been given the task of taking care of Jennifer. Throughout her collaborations with Dario Argento, she has played a wide variety of characters. Her performance in Phenomena is equally diabolical and entertaining. Other performances of note include Donald Pleasence (Halloween) in the role of an elderly entomologist who befriends Jennifer and Patrick Bauchau (The Pretender) in the role of a detective who has been given the task of catching the killer.

Though Dario Argento is primarily known for his operatic thrillers, one must not overlook his supernatural cinematic endeavors. Most notably, Suspria, a film that many critics and the vast majority of his ardent fans regard as his masterpiece, On the other end of the spectrum is his 1985 thriller/supernatural hybrid, Phenomena, which was butchered upon its original U.S. theatrical release and released under the title Creepers. So, it is not surprising that Phenomena has had trouble finding its audience due to the aforementioned cuts (about 28 minutes). Over the years, Phenomena has slowly gained a following. And most of this can be attributed to the film finally being released in its 116-minute version, so Phenomena can finally be viewed with fresh eyes.

Synapse Films' Phenomena 4K UHD release is identical to Arrow Video’s 4K UHD except for their outer packing. Synapse Films’ release comes with a slipcover case, while Arrow Video’s comes with a chipboard slipcase.

Phenomena gets an exceptional 4K UHD upgrade from Arrow Video, highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a VLC player and lossless PNGs.












Written by Michael Den Boer

Odd Couple – Eureka Video (Blu-ray)

Theatrical Release Date: Hong Kong, 1979
Director: Chia-Yung Liu (Lau Kar-wing)
Writers: Raymond C. Lai, Raymond Pak-Ming Wong
Cast: Sammo Hung Kam-Bo, Ka-Yan Leung, Chia-Yung Liu, Karl Maka, Mars, Dean Shek

Release Date: March 21st, 2022
Approximate running time: 95 Minutes 56 Seconds
Aspect Ratio: 2.35:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: 18 (UK)
Sound: LPCM Mono Cantonese, DTS-HD 5.1 English
Subtitles: English
Region Coding: Region B
Retail Price: £18.99 (UK)

"Two ageing masters of the spear and sword engage in an epic mountaintop battle every ten years, but the outcome invariably ends in a draw. Realizing that neither one of them will ever outclass the other, they each agree to take on a younger student and train them to champion their cause, thus putting an end to their longstanding rivalry." - synopsis provided by the distributor

Video: 4.25/5

Here’s the information provided about the transfer, "brand new 2K restoration."

Odd Couple comes on a 50 GB dual layer Blu-ray.

Disc Size: 40.6 GB

Feature: 28.5 GB

The source used for this transfer looks great; colors are nicely saturated, the image looks crisp and black levels are strong throughout.

Audio: 4.25/5 (LPCM Mono Cantonese), 4/5 (DTS-HD 5.1 English)

This release comes with two audio options, a LPCM mono mix in Cantonese and a DTS-HD 5.1 mix in English. The Cantonese language track is in great shape; the dialog comes through clearly and the action sequences sound robust. The English language track is also in great shape. Included with this release are removable English subtitles for the Cantonese language track and a second removable English subtitle tack for Chinese titles and text. 

Extras:

Extras for this release include theatrical trailer (4 minutes 28 seconds, LPCM mono Cantonese with removable English subtitles), home video trailer (1 minute 39 seconds, LPCM stereo English, no subtitles), an archival interview with Bryan “Beardy” Leung Kar-yan (22 minutes 22 seconds, LPCM stereo Chinese with non-removable English subtitles), an archival interview with director Lau Kar-wing (26 minutes 55 seconds, LPCM stereo Chinese with non-removable English subtitles), an audio commentary with Asian film expert Frank Djeng (NY Asian Film Festival) and martial artist/actor Robert “Bobby” Samuels, an audio commentary with action cinema experts Mike Leeder & Arne Venema, a limited-edition O-card slipcase (2000 copies) and a limited-edition booklet [2000 copies] with cast & crew information, an essay written by James Oliver and information about the transfer titled Notes on Viewing.

Summary:

Odd Couple pairs Sammo Hung Kam-Bo with Chia-Yung Liu (Lau Kar-wing). Other films they collaborated on include Warriors Two, Knockabout, and Skinny Tiger and Fatty Tiger.

The narrative revolves around two aging martial artists who are rivals and team up against a shared enemy. Along the way, these two martial arts masters take on proteges who look like younger versions of themselves. 

The narrative can be divided into three sections: The opening act focuses on a series of opponents who take on these two masters, while the middle act focuses on them training their proteges, and the last act sees them and their protegees taking on their nemesis.

Odd Couple, like a lot of martial arts films from this era, relies heavily on humor. Some of the humor comes from the characters' haircuts and facial hair. Also, humor can be found in the English language track dubbing. And humor plays a role in the fight sequences.

The main attraction of Odd Couple is its two leads, Sammo Hung Kam-Bo in the duel role of King of the Sword and Yao, the King of the Spear's Pupil, and Chia-Yung Liu (Lau Kar-wing) in the duel roles of King of the Spear and King of the Sword's Pupil. Their onscreen chemistry carries this film.

From a production standpoint, the premise is well-executed, and the narrative does a good job of balancing exposition and fight sequences. And though the fight sequences are well-executed, they are not as memorable as the fight sequences from Sammo Hung Kam-Bo and Chia-Yung Liu’s (Lau Kar-wing) other collaborations. That said, Odd Couple saves its best action sequence for its finale. Ultimately, Odd Couple is an entertaining mix of action and humor.

Odd Couple gets a first-rate release from Eureka Video that comes with a strong audio/video presentation and a wealth of informative extras. Recommended.








Written by Michael Den Boer

Wednesday, March 2, 2022

Beware: Children at Play – Vinegar Syndrome (Blu-ray)

Theatrical Release Date: USA, 1989
Director: Mik Cribben
Writer: Fred Scharkey
Cast: Michael Robertson, Rich Hamilton, Robin Lilly, Lori Romero, Jamie Krause, Sunshine Barrett, Mark Diekman, Mik Cribben, Susann Chandler, Herb Klinger, Lauren Cloud, Lorna Courtney, Danny McClaughlin

Release Date: February 11th, 2022
Approximate Running Time: 93 Minutes 44 Seconds
Aspect Ratio: 1.85:1 Widescreen / 1080 Progressive / MPEG-4 AVC
Rating: NR
Sound: DTS-HD Stereo English
Subtitles: English SDH
Region Coding: Region Free
Retail Price: $39.98

"Young Glenn and his father have gone into the woods for a fun-filled camping adventure. But when dad steps into a bear trap, the pair find themselves stranded miles from civilization, with limited supplies and nothing to eat. After his dad dies, Glenn, as a matter of survival, is forced to consume his flesh. Years later, children from a nearby town begin to disappear into the woods, never to be seen again, while adults are murdered in the most savage of fashions. Could not-so-young-anymore Glenn have something to do with all the mayhem?" - synopsis provided by the distributor

Video: 4.25/5

Here’s the information provided about this release's transfer, "Newly scanned & restored in 2K from its 35mm original camera negative."

Beware: Children at Play comes on a 50 GB dual layer Blu-ray.

Disc Size: 40.7 GB

Feature: 25.6 GB

The source used for this transfer looks great. Colors look correct, the image looks crisp and black levels are strong throughout.

Audio: 4/5

This release comes with one audio option, a DTS-HD stereo mix in English and included with this release are removable English SDH subtitles. The audio is in good shape, dialog comes through clearly and everything sounds balanced.

Extras:

Extras for this release include an archival interview with director Mik Cribben (3 minutes 54 seconds, Dolby Digital stereo English, no subtitles), a new interview with Mik Cribben (15 minutes 32 seconds, Dolby Digital stereo English with removable English SDH subtitles), a making-of documentary featuring interviews with the cast and crew titled Why I Don’t Have Children (51 minutes 6 seconds, Dolby Digital stereo English with removable English SDH subtitles), an audio commentary with Mik Cribben, reversible cover art and an embossed slipcover limited to 5,000 units.

Summary:

When one thinks of Troma Entertainment, there is a certain type of cinema that you expect. Many of the elements associated with Troma Entertainment can be found in Beware: Children at Play. That said, it is a film that was completed before Troma Entertainment became involved in its release, making it a Troma film in name only. 

Children at Play is a backwoods horror film that features suspicious locales and cannibal children. The premise has many similarities to Children of the Corn. Most notably, evil children and religion.

From its opening moments, it becomes clear that what's about to unfold is absurd. And though the narrative does a good job of moving things forward, let's be honest, the moments of cannibalism are the only area where Beware: Children at Play comes out ahead.

From a production standpoint, Beware: Children at Play has all the elements that are associated with low-budget horror cinema. The acting is wooden, the dialog is deliriously awful, and the special effects are best described as crude. That said, Beware: Children at Play is the type of film that you will either loathe or enjoy for all the wrong reasons.

Beware: Children at Play gets a stellar release from Vinegar Syndrome that comes with a strong audio/video presentation and an assortment of insightful extras.








Written by Michael Den Boer

Tuesday, March 1, 2022

An American Werewolf in London – Arrow Video (4k UHD)

Theatrical Release Date: USA, 1981
Director: John Landis
Writer: John Landis
Cast: Joe Belcher, David Naughton, Griffin Dunne, David Schofield, Brian Glover, Lila Kaye, Rik Mayall, Sean Baker, Paddy Ryan, Jenny Agutter, Anne-Marie Davies, John Woodvine, Frank Oz

Release Date: March 14th, 2022 (UK), March 15th, 2022 (USA)
Approximate Running Time: 97 Minutes 16 Seconds
Aspect Ratio: 1.85:1 Widescreen / 2160 Progressive / HEVC / H.265 / Dolby Vision HDR10
Rating: 18 (UK), R (USA)
Sound: DTS-HD 5.1 English, DTS-HD Mono English
Subtitles: English SDH
Region Coding: Region Free
Retail Price: £34.99 (UK), $59.95 (USA)

"American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital..." - synopsis provided by the distributor

Video: 5/5

Here’s the information provided about the transfer, "The original 35mm camera negative was scanned in 4K 16-bit resolution at NBC Universal Post. The film was restored in 4K and graded in HDR10 & Dolby Vision at Silver Salt Restoration, London. The key grading reference was a prior HD master approved by director John Landis."

An American Werewolf in London comes on a 100 GB triple layer 4K UHD.

Disc Size: 91 GB

Feature: 69.8 GB

This transfer uses the same source that Arrow Video used for their 2019 Blu-ray. And as amazing as that transfer looked, watching An American Werewolf in London in Dolby Vision or HDR10, it's hard to imagine this film looking any better than it does.

Audio: 4.5/5 (DTS-HD 5.1 English), 4.25/5 (DTS-HD Mono English)

This release comes with two audio options, a DTS-HD 5.1 mix in English and a DTS-HD mono mix in English. These are the same audio mixes that Arrow used for their 2019 Blu-ray release. For this release, Arrow Video did extensive work on both audio mixes, most notably correcting the pitch on the DTS-HD 5.1 mix. Both audio mixes are in excellent shape; dialog always comes through, everything sounds balanced, ambient sounds are well-represented, and range-wise, both audio mixes sound appropriately robust. And though many viewers will be drawn to the original mono mix, The DTS-HD 5.1 mix is one of the best remix tracks that I have heard to date. Included with this release are removable English SDH.

Extras:

Extras for this release include image galleries: production stills (115 images), storyboards (31 images), behind the scenes (90 images), shooting schedule (13 images), posters (23 images) and Lobby Cards (17 images), theatrical trailer (2 minutes 53 seconds, LPCM mono English, no subtitles), teaser trailer (1 minute 1 second, Dolby Digital mono English, no subtitles), T.V. spot (31 seconds, LPCM mono English, no subtitles), five radio spots (2 minutes 40 seconds, LPCM mono English, no subtitles), storyboard featurette (2 minutes 27 seconds, Dolby Digital stereo English, no subtitles), Outtakes (3 minutes 7 seconds, no sound), archival footage from Rick Baker’s workshop as they cast David Naughton’s hand titled Casting of the Hand (10 minutes 59 seconds, Dolby Digital stereo English, no subtitles), two interviews with makeup artist Rick Baker, the first interview is titled I Walked with a Werewolf (7 minutes 30 seconds, Dolby Digital stereo English, no subtitles) and the second interview is titled Makeup Artist Rick Baker on An American Werewolf in London (11 minutes 13 seconds, Dolby Digital stereo English, no subtitles), an archival interview with director John Landis titled An Interview with John Landis (18 minutes 19 seconds, Dolby Digital stereo English, no subtitles), a feature length documentary titled Beware the Moon (97 minutes 39 seconds, Dolby Digital stereo English, no subtitles), a featurette in which SFX artist Dan Martin and Tim Lawes of The Prop Store look at some of the original costumes and special effects artifacts from the film titled Wares of the Wolf (7 minutes 58 seconds, Dolby Digital stereo English, no subtitles), video essay by filmmaker Jon Spira (Elstree 1976) about how An American Werewolf in London explores Jewish identity titled I Think He’s a Jew (11 minutes 26 seconds, Dolby Digital stereo English, no subtitles), a conversation with Corin Hardy, director of The Nun and writer Simon Ward titled The Werewolf s Call (11 minutes 26 seconds, Dolby Digital stereo English, no subtitles), an interview with John Landis titled An American Filmmaker in London (11 minutes 41 seconds, Dolby Digital stereo English, no subtitles), a documentary titled Mark of The Beast: The Legacy of the Universal Werewolf (77 minutes 18 seconds, Dolby Digital stereo English, no subtitles), an audio commentary is with filmmaker Paul Davis director of Beware of the Moon, an archival audio commentary is with actors David Naughton and Griffin Dunne, reversible cover art, six double-sided postcard-sized lobby card reproductions, a double-sided fold-out poster and a 60-page booklet with cast & crew information, an essay titled Sick as a Dog: Body Horror in An American Werewolf in London written by Craig Ian Mann, an essay titled One Full Moon, Two Stars written by Simon Ward, an essay titled An American Werewolf in London Can Rick Baker and John Landis Top The Howling? written by Jordan R. Fox, a section titled Original Reviews and information about the restoration.

Summary:

However, horror cinema tends to get dismissed by many film critics for being too formulaic. This is a fair criticism since horror cinema has way too many films, judging by the number of films that bring nothing new to the table. With that being said, ultimately, horror cinema’s most celebrated films are the ones that think outside the box. A case in point is An American Werewolf in London, a film that remains as fresh today as the day it was first unleashed on audiences.

So, what makes An American Werewolf in London so special? It came at a time when horror cinema was arguably at its apex when it came to onscreen violence. And though An American Werewolf in London has an ample number of grisly gore set pieces, they are in line with other horror cinema from this era. Ultimately, it’s the way in which An American Werewolf in London uses humor that sets it apart from its contemporaries.

John Landis is the creative force behind An American Werewolf in London. And though his comedy film output as a director far outweighs his contributions to the horror genre, with An American Werewolf in London, he perfectly balances horror and humor.

On the surface, the premise of An American Werewolf in London may seem like an anomaly when compared to other 1980’s horror films. At its foundation, An American Werewolf in London actually has many of the core elements that have become synonymous with 1980’s horror cinema. Most notably, characters that are in peril feel isolated due to their surroundings.

A film’s opening setup can make or break a film. It’s in these opening moments that a film gives an indication of what type of film is about to unfold. And in the case of An American Werewolf in London, its opening setup is a textbook example of how to create the right tone. Another strength of the opening setup is how its first lighthearted tone contrasts with the first werewolf attack.

As mentioned before, humor plays a significant role in the story at hand. And though most of the humor is in the dialog exchanges, it’s actually one of the nightmare/dream sequences that gives An American Werewolf in London its most subversive moments of humor. During this nightmare/dream sequence, a group of Nazi zombies arrives at the protagonist's home and massacres his family.

Casting is another area that can make or break a film. And an American werewolf in London features an excellent cast that’s anchored by its three leads: David Naughton (Midnight Madness, Hot Dog... The Movie) plays David Kessler, a young man who transforms into a werewolf after narrowly escaping death at the hands of a werewolf. Jenny Agutter (Dominique, The Survivor) plays a nurse who quickly bonds with David, and Griffin Dunne (After Hours, Who's That Girl?) plays Jack Goodman, David's best friend who now walks the Earth as a decaying corpse.

From a production standpoint, An American Werewolf in London is a film where everything perfectly falls into place. The premise is superbly realized, and the well-executed narrative is a very satisfying mix of carnage and humor. Other strengths include the nightmare/dream sequences that reinforce the protagonists' state of mind and a surprisingly erotic shower/love sequence.

Not to be overlooked when discussing An American Werewolf in London are the exceptional special effects. Though modern cinema has since made the shift towards CGI effects, the special effects in An American Werewolf in London are a perfect example of how well-executed mechanical effects are far more effective than CGI effects. And nowhere is this clearer than how, outside of a few brief glimpses, the werewolf mostly remains in the shadows until the carnage-drenched finale.

Arrow Video, who already gave An American Werewolf in London an exemplary Blu-ray release, ports over all the content from that release and their solid transfer looks even more stunning in Dolby Vision and HDR10, highly recommended.

Note about the 4K screenshots: It is not possible to make Dolby Vision or HDR10 screenshots that faithfully match the experience of watching a film in motion on a TV. Instead of not having any screenshots, all of the 4K screenshots are m2ts taken with a VLC player and lossless PNGs.












Written by Michael Den Boer

Lucky Luciano – Indicator Series (4k UHD) Theatrical Release Date: USA/France/Italy, 1973 Director: Francesco Rosi Writers: Francesco Rosi,...